The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Strange Men and Magic

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This week’s Guest Star Kate Laity writes about the television adaptation of Jonathan Strange And Mr. Norrell. Laity is an author, Medieval Studies scholar and History Witch. At Edge-Lit 4, my publisher, Adele Wearing of Fox Spirit Books, was on a panel about Grimdark. What is ‘grim dark?’ Well, that was the first topic. It […]

One Comic: “When Red Sonja met her match(ish)”

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Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

“Urban Fantasy Writers of Color: An Ongoing List”

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Daniel José Older has an ongoing list of people of color who write urban fantasy. You can see it here–and seem some discussion of “narrow genre subdivisions” and writers of color between Older and Nalo Hopkinson. “And as complex as it is, I think there’s power in seeing who’s out there making literary magic out […]

“Black Women Horror Writers: Interview with Jayde Brooks”

Graveyard Shift Sisters Eden Royce interviews writer Jayde Brooks and reviews Brooks’ Daughter of Gods and Shadows. “If you’re looking for a sweeping, dark adventure/quest novel, look no further. This story had what I love to read in a book: strong female characters and the ultimate in high stakes – saving the world. Blend that […]

“Strange & Norrell: III–Away With The Fairies”

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John Reppion continues his series on English magic and Jonathan Strange And Mr. Norrell. Next up, “Away With The Fairies.”

“Strange & Norrell : II–On Fairies & Witchcraft”

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John Reppion continues his discussion of Jonathan Strange & Mr. Norrell at The Daily Grail, “pluck[ing] out some of the more easily disentangled fragments of folklore, magic, and the like from the book (and the show) and takes a closer look at them.” This time, he considers fairies and witchcraft.

Interview with John Boorman

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At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]

“Strange & Norrell: The Language of Birds”

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At Daily Grail, John Reppion writes about Jonathan Strange and Mr. Norrell, English magic and the language of birds.

Wolves In The Speakeasy

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Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

“We Are Not Things: Mad Max vs Game Of Thrones”

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At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches […]

“Space Is The Place: AfroFuturism On Film”

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At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”:  “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more […]

George R.R. Martin on the Hugos

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Game Of Thrones author George R. R. Martin has written a series of posts on the current state of the Hugo Awards and the nomination process.

The Projection Booth Watches Conan The Barbarian

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The Projection Booth tells you of days of high adventure in an epic seven hour podcast on Conan The Barbarian (1982).

How To Tell If You Are In High Fantasy or Soft Science Fiction

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The Toast helps you determine if you are in a high fantasy novel or a soft science fiction one.

“The Anti-Tolkien”

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The New Yorker profiles writer Michael Moorcock. Moorcock’s influence is nothing like Tolkien’s, at least on the surface, but his vision of a speculative-fiction genre that can be psychologically complex is evident in how very sophisticated some of it has become—from True Detective to Jeff VanderMeer, from David Mitchell to Under the Skin. But Moorcock […]

10 Comics I Liked In 2014

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I’m sure we’re all glad to see 2014 go. I know I am. But you know, comics are always here for you, and so is the Gutter. I thought I’d do something a little different with the list this year. Last year, I was invited to do a “Best Comics of 2013” list at Popshifter […]

Watching Aleksander Ptshuko’s Evenings On A Farm Near Dikanka

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At Teleport City, the Gutter’s own Keith spends Evenings on a Farm near Dikanka. “The movie opens as all good Christmas movies should: with a scene of a jolly witch tearing across the night sky astride her broomstick, collecting stars for her eldritch brews, while the devil bats the moon around and eventually slips it […]

Katsuya Terada Live-Drawing Demonstration

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Video of illustrator and character designer Katsuya Terada drawing and talking about his work. (via @aicnanime)

The Hateful Tomb of Horrors

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Zack and Steve go through and review Advanced Dungeons & Dragons Module S-1: The Tomb Of Horrors at WTF, D&D?!…so you don’t have to. “Steve: Most of the opening paragraph is a warning about difficulty. ‘You’ll never find the demi-lich’s secret chamber’ and the tomb is fraught with “terrible traps, poison gases, and magical protections.” […]

“The truth about the dungeon master who disappeared in the steam tunnels”

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Jason Louv writes about James Dallas Egbert III, who seemed to have disappeared in Michigan State University’s steam tunnels in 1979 and who became the focus of a panic about Dungeons & Dragons. “When Egbert vanished, his parents hired William Dear, a private detective, to locate him. Dear theorized that it was Egbert’s involvement in […]

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  • Of Note Elsewhere

    John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We showed that year as Barbara made the transition from broken hero to dynamic Oracle. She became a strong and much loved icon for the disabled community. In making her a hero again, Oracle allowed others to heal with her. The reader healed with her.” (via @profmdwhite)

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    deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)

     

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    In honor of director Mario Bava’s birthday, Shudder TV is having a Bava-thon with nine of his classic horror films chosen by friend of the Gutter Colin Geddes streaming free online all weekend. See the line-up here and watch here.

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    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

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    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

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    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

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