The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Let’s not realize your dreams…

28 days later bad dream

For our anniversary, my wife and I got a really nice message from my family wishing us good things, including that we would “realize our dreams”. When I’d finished responding, I looked over at her and noticed she had a strange expression on her face. You might think that after I woke up to find […]

Writing Comics

Comics writer Si Spurrier shares his process at Forbidden Planet’s blog. “Every writer tackles it differently, of course. There’s no rule book, no Right Way. Still: you’d be amazed at how often the broad strokes match up. Modes of preparation, arbitrary routines, recipes for procrastination…”

Three Readings from the World Fantasy Convention

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Videos of writers Alaya Dawn Johnson, Andy Duncan and Kelly Link reading from their work at the World Fantasy Convention.

Writers’ “Lowbrow” Influences

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Writers share their “lowbrow” and gutter influences at Electric Lit: “I love Melville but Melville never wrote me a Choose Your Own Adventure book. And I needed that experience first if I was ever going to get to Melville.”

Geeky Bounty at the Internet Archive

The Internet Archive has archived Starlog, Heavy Metal and they have a collection of Warren Publishing magazines like Blazing Combat, Vampirella, Eerie and Teenage Love Stories.

“Not A Manifesto”

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At Antipope, Charles Stross shares why he’s moving from writing science fiction to urban fantasy: “Over the past few years I’ve found myself reading less and less far-future SF and more and more urban fantasy. If you view it through the lens of the future we’re living in rather than the future we expected in […]

“Real Human Beings: The Shadow of Mordor, Watch Dogs and the New NPC

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At Paste Magazine, Austin Walker writes about non-player characters, failure, autonomy, The Shadow of Morder and Watch Dogs: “And here, then, is the largest problem with these systems as they stand. No matter how many songs the Orcs of Mordor sing, no matter the desperation of [Watch Dogs‘] out-of-work Chicagoan teacher, all I can do […]

Fiction at Pornokitsch

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Have you been reading the fiction at Pornokitsch? You should. It’s pretty swell.

Photography’s Antichrist

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At The Guardian, Chris Campion writes about American photographer William Mortensen, who specialized in the eerie, the grotesque, the fantastic and the macabre. “In his own writings, Mortensen invoked Hogarth, Beardsley, Daumier and Goya as his forebears. But he also had much in common – in technique, style and approach – with European outlier artists […]

“Rookie Mistakes”

Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is […]

“Beauty Is The Beast”

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At Bookview Cafe, Sherwood Smith reviews Rosmund Hodge’s Cruel Beauty and goes on to discuss the history and the many variations on the story of “The Beauty and the Beast.” “At my age, I find that the more interesting versions of the tale are not just about heroine versus sexy-but-dangerous hero/villain. Though that can be […]

“Leave No Black Plume As A Token: Tracing Poe’s Raven”

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At Atlas Obscura, J.W. Ocker writes about Edgar Allan Poe’s “The Raven” in monuments, memorials, artifacts and ephemera. “I spent more than a year visiting memorials, mementos, monuments, and more dedicated or connected to Edgar Allan Poe in the places he lived and visited. That meant traveling from Massachusetts all the way down to an […]

“A Crescent Moon Kingdoms Micro Mini-Guide”

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Throne of the Crescent Moon author Saladin Ahmed has posted “a micro-mini Crescent Moon Kingdoms world guide that had previously only been available as part of a UK-exclusive ebook” for people to use in their roleplaying games. But even if you aren’t a gamemaster, it’s pretty sweet.

“Women As Background Decoration: Part 2″

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In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

Line Up for the TIFF 2014 Vanguard Program

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Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

RIP, Liz Holzman

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Animator, writer, director and producer Liz Holzman has died. Holzman worked on Animaniacs, Pinky & The Brain, DuckTales, Smurfs, Muppet Babies and Darkwing Duck among other television series and films. The Hollywood Reporter, Animation Magazine and The Los Angeles Times have obituaries. Animation Insider has an interview with Holzman. Here is a gallery of Holzman’s […]

Elves of Color

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Cleopatra’s Weave draws some amazing Elves of color (and David J. Prokopetz shares a story trying to get more racial representation in a fantasy illustration project).

RIP, Menahem Golan

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Producer and director Menahem Golan has died. Golan produced (and sometimes wrote and directed) many, many films including: The Delta Force (1986), Death Wish (1974), The Apple (1980), The Texas Chainsaw Massacre 2 (1986), Missing In Action (1984), Invasion U.S.A. (1985), American Ninja (1985), Lifeforce (1985), Cobra (1986), Masters of the Universe (1987) Bloodsport (1988), Breakin’ […]

The History of the Eye Close-Up

At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

Stories Are Important

after the golden age

This week SF/F Editor Emeritus James Schellenberg returns as a Guest Star! Stories are important, we all know this. I hasten to add: and they should be fun too, otherwise why bother reading them? Every once in a while, I run across a new author that balances “something to say” and “have fun saying it” […]

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  • Of Note Elsewhere

    John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We showed that year as Barbara made the transition from broken hero to dynamic Oracle. She became a strong and much loved icon for the disabled community. In making her a hero again, Oracle allowed others to heal with her. The reader healed with her.” (via @profmdwhite)

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    deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)

     

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    In honor of director Mario Bava’s birthday, Shudder TV is having a Bava-thon with nine of his classic horror films chosen by friend of the Gutter Colin Geddes streaming free online all weekend. See the line-up here and watch here.

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    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

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    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

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    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

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