The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Al Feldstein

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Al Feldstein has died. Feldstein got his start at EC Comics, creating Tales From The Crypt and several other titles, and later became editor for MAD Magazine. The Comics Journal, The New York Times, The Los Angeles Times, Time Magazine and Robot 6 have obituaries. NPR’s All Things Considered remembers Feldstein. At The Atlantic Wire, […]

Recognizing Colorists

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AV Club’s Big Issues focuses on giving comics’ colorists their due. And Jordie Bellaire is mad as hell and she’s not going to take it anymore.

On the Abandoned Cities of Azeroth

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At The Gameological Society, Samantha Nelson ponders the hidden beauty of World of Warcraft’s abandoned cities.  

Blurry Images Coming Clear: Hong Kong Cinema, Censorship and Me

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Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. I don’t remember the first kung fu movie I ever watched. I am terrible at remembering “firsts.”  But I do remember the […]

The Geologic History of Westeros and Essos

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Learn all about the geology of Game Of Thrones at Generation Anthrophocene.

“Dungeons & Dragons & Philosophers”

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At Existential Comics, Simone de Beauvoir, Jean-Paul Sartre, Immanuel Kant, Michel Foucault and Jacques Derrida play Dungeons & Dragons.

“You Don’t Have To Be Eurocentric To Make It To The Future”

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“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]

“Tiger Lily doesn’t equal Human Torch”

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“And bottom line, if you feel so disenfranchised by one role out of TONS of roles being changed up ethnically, if you are saying you can’t possibly relate to a character who is another race from you, well, I think that’s more a problem of your own than anything else. But don’t worry, the stastics […]

The Desire For Certainty In Film

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“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”

Becoming a Cipher to Oneself

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At Jim C. Hines’ blog, writer Micha Trota writes about what it means when she says, “I don’t see race.” “It means that because I learned to see no difference between ‘white’ and ‘color,’ I have white-washed my own sense of self. It means that I know more about what it is to be a […]

Karel Zeman Galleries

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The Gutter’s Own Keith has posted galleries of charming and wondrous images from Czech animator Karel Zeman’s films: Cesta do Praveku / Journey to the Beginning of Time;  Vynalez Zkazy / The Fabulous World of Jules Verne; and  Baron Prasil / The Fabulous World of Baron Munchausen; Ukradená vzducholod / The Stolen Airship; and,  Na […]

Retrospective: Vive Le Gutter!

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The Cultural Gutter turned ten in May, 2013 and we didn’t make much of a fuss about it. But ten years ago this week, Jim Munroe posted the manifesto that’s guided The Cultural Gutter, even as each subsequent editor has joined the Gutter and added their take on our mission. We thought this would be […]

RIP, Arthur Rankin, Jr.

Animator, director and producer Arthur Rankin, Jr. has died. Rankin is probably best known for his Rankin/Bass studio’s holiday television specials such as Rudolf the Red-Nosed Reindeer, Santa Claus Is Comin’ To Town and Mad Monster Party. He also produced and directed The Last Unicorn, The Hobbit (1977), The Return Of The King (1980), The […]

Frozen: Jane Austen Meets The Snow Queen

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My mom raised me with three things: Feminism; “You don’t have to like your sister, but you can’t hit her”; and a dislike of Disney. Writing them down now, I realize that all three are more applicable to Frozen, than I thought when I decided I should state my bias. I respect Disney’s progress in […]

RIP, Roger Lloyd-Pack

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Actor Roger Lloyd-Pack has died. Lloyd-Pack appeared in Doctor Who; Harry Potter and the Goblet of Fire; Only Fools and Horses; The Vicar of Dibley; Tinker, Tailor Soldier, Spy (2011); and many other films and television shows. The BBC and The AV Club have obituaries. The BBC is collecting and sharing reader’s memories of Lloyd-Pack. […]

Maybe we’ll buy a boat

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In the house I grew up in, at the front of the garage, there was a pair of boat supports on the wall. No boat, just the two long arms sticking out at roughly skull level so you had to manoeuver awkwardly underneath them to reach the cars. My father built them out of 2x4s […]

RIP, Run Run Shaw

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Film and television producer Run Run Shaw has died. Sir Run Run founded Shaw Brothers with his brother, Run Me Shaw. They produced hundreds of films in all genres, but were best known for their revolutionary kung fu and wuxia movies. Shaw also produced myriad television programs for TVB. The South China Morning Post remembers […]

“What Monkeys Eat: A Few Thoughts about Pop Culture Writing”

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Linda Holmes shares some thoughts about writing about pop culture: “Sometimes funny stories are just funny stories, and funny writing about silly things is just funny writing about silly things. But that’s not the whole story.”

“Love In The Time Of Hollering: The Age Of Enthusiasm”

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At NPR’s Monkeysee blog, Linda Holmes writes about enthusiasm, the outloud internet, broadcast television, premium cable, the Man and many things worth thinking about. “[T]here is a better way forward. Fall in love with things. Try things; dislike some of them. Love people who love things you can’t imagine loving. Be thirsty and brave. Accept […]

“A Day In The Life Of The Dopeass Tea Wizard”

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“In the land of plenty: that is where The Dopeass Tea Wizard lives. Among bushels of green leaves, he homesteads in a hut that is best described as Burning Man chic. He loves his fucking kettle.” More here. (Thanks, Beth!)

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  • Of Note Elsewhere

    “I want to tell you about when violent campaigns against harmless bloggers weren’t any halfway decent troll’s idea of a good time—even the then-malicious would’ve found it too easy to be fun. When the punches went up, not down. Before the best players quit or went criminal or were changed by too long a time being angry. When there was cruelty, yes, and palpable strains of sexism and racism and every kind of phobia, sure, but when these things had the character of adolescents pushing the boundaries of cheap shock, disagreeable like that but not criminal. Not because that time was defensible—it wasn’t, not really—but because it was calmer and the rage wasn’t there yet. Because trolling still meant getting a rise for a laugh, not making helpless people fear for their lives because they’re threatening some Redditor’s self-proclaimed monopoly on reason. I want to tell you about it because I want to make sense of how it is now and why it changed.” Emmett Rensin writes more at Vox.

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    At Smart Bitches, Trashy Books, Elyse has some things to say about reading Romance. “In the end, it doesn’t matter what I read. It doesn’t even matter that I do read, quite frankly. What matters is that we live in a world where fiction aimed directly at women is perceived as garbage. That doesn’t say anything at all about me, it says a lot about what needs to change.”

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    Brain Pickings looks at the life and work of Tove Jansson and the wisdom of her character, Too-ticky. “Too-ticky, the sage of Moominvalley who solves even the most existential of problems with equal parts practicality and wisdom, was inspired by the love of Jansson’s life — the great Finnish sculptor and graphic arts pioneer Tuulikki “Tooti” Pietilä, Jansson’s spouse. The two women met in art school during their twenties and remained together until Jansson’s death more than six decades later, collaborating on a lifetime of creative projects — all at a time when queer couples were straddling the impossible line between anguishing invisibility and dangerous visibility.” (via Kate Laity)

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    Photographer Kevin Weir uses vintage photographs to create haunting animation in “The Flux Machine.” The Guardian has an interview with Weir and more on his work.

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    At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman was inspired by Margaret Sanger, who, hidden from the world, was a member of Marston’s family.”

     

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    Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is also the greatest, most liberating thing and you can and should totally do it.” (Thanks, Colin!)

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