The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”
Jason Louv writes about James Dallas Egbert III, who seemed to have disappeared in Michigan State University’s steam tunnels in 1979 and who became the focus of a panic about Dungeons & Dragons. “When Egbert vanished, his parents hired William Dear, a private detective, to locate him. Dear theorized that it was Egbert’s involvement in […]
For our anniversary, my wife and I got a really nice message from my family wishing us good things, including that we would “realize our dreams”. When I’d finished responding, I looked over at her and noticed she had a strange expression on her face. You might think that after I woke up to find […]
Comics writer Si Spurrier shares his process at Forbidden Planet’s blog. “Every writer tackles it differently, of course. There’s no rule book, no Right Way. Still: you’d be amazed at how often the broad strokes match up. Modes of preparation, arbitrary routines, recipes for procrastination…”
Videos of writers Alaya Dawn Johnson, Andy Duncan and Kelly Link reading from their work at the World Fantasy Convention.
Writers share their “lowbrow” and gutter influences at Electric Lit: “I love Melville but Melville never wrote me a Choose Your Own Adventure book. And I needed that experience first if I was ever going to get to Melville.”
The Internet Archive has archived Starlog, Heavy Metal and they have a collection of Warren Publishing magazines like Blazing Combat, Vampirella, Eerie and Teenage Love Stories.
At Antipope, Charles Stross shares why he’s moving from writing science fiction to urban fantasy: “Over the past few years I’ve found myself reading less and less far-future SF and more and more urban fantasy. If you view it through the lens of the future we’re living in rather than the future we expected in […]
At Paste Magazine, Austin Walker writes about non-player characters, failure, autonomy, The Shadow of Morder and Watch Dogs: “And here, then, is the largest problem with these systems as they stand. No matter how many songs the Orcs of Mordor sing, no matter the desperation of [Watch Dogs‘] out-of-work Chicagoan teacher, all I can do […]
Have you been reading the fiction at Pornokitsch? You should. It’s pretty swell.
At The Guardian, Chris Campion writes about American photographer William Mortensen, who specialized in the eerie, the grotesque, the fantastic and the macabre. “In his own writings, Mortensen invoked Hogarth, Beardsley, Daumier and Goya as his forebears. But he also had much in common – in technique, style and approach – with European outlier artists […]
Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is […]
At Bookview Cafe, Sherwood Smith reviews Rosmund Hodge’s Cruel Beauty and goes on to discuss the history and the many variations on the story of “The Beauty and the Beast.” “At my age, I find that the more interesting versions of the tale are not just about heroine versus sexy-but-dangerous hero/villain. Though that can be […]
At Atlas Obscura, J.W. Ocker writes about Edgar Allan Poe’s “The Raven” in monuments, memorials, artifacts and ephemera. “I spent more than a year visiting memorials, mementos, monuments, and more dedicated or connected to Edgar Allan Poe in the places he lived and visited. That meant traveling from Massachusetts all the way down to an […]
Throne of the Crescent Moon author Saladin Ahmed has posted “a micro-mini Crescent Moon Kingdoms world guide that had previously only been available as part of a UK-exclusive ebook” for people to use in their roleplaying games. But even if you aren’t a gamemaster, it’s pretty sweet.
In Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.
Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).
Animator, writer, director and producer Liz Holzman has died. Holzman worked on Animaniacs, Pinky & The Brain, DuckTales, Smurfs, Muppet Babies and Darkwing Duck among other television series and films. The Hollywood Reporter, Animation Magazine and The Los Angeles Times have obituaries. Animation Insider has an interview with Holzman. Here is a gallery of Holzman’s […]
Cleopatra’s Weave draws some amazing Elves of color (and David J. Prokopetz shares a story trying to get more racial representation in a fantasy illustration project).
Producer and director Menahem Golan has died. Golan produced (and sometimes wrote and directed) many, many films including: The Delta Force (1986), Death Wish (1974), The Apple (1980), The Texas Chainsaw Massacre 2 (1986), Missing In Action (1984), Invasion U.S.A. (1985), American Ninja (1985), Lifeforce (1985), Cobra (1986), Masters of the Universe (1987) Bloodsport (1988), Breakin’ […]
At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)« go back — keep looking »