“During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)
Kitchen Overlord has 30 pages from the 1984 Dune Coloring Book and Dune Activity Book. (Thanks, Tim!)
At Bitter Empire, Kaleb Horton writes about Entourage: “This movie, with all the charm of a seasoned leisure class alcoholic, coldly and mechanically celebrates the degradation of humanity. It is a movie with no moral center. A movie with no worldview. A commercial for having a million dollars to kill on the Sunset Strip. It […]
At Multiglom, Anne Billson considers the career of Johnny Depp. “The watershed, of course, was Pirates of the Caribbean: The Curse of the Black Pearl. Depp’s campy, flouncing Captain Jack Sparrow, modelled on Keith Richards, dismayed Disney executives, who thought he was ruining the film, but elevated a run-of-the-mill blockbuster into something deliciously off-kilter. Alas, […]
“While we weren’t looking, the mid-budget adult-oriented motion picture has all but disappeared. And the gifted directors behind them are in danger of disappearing as well. Movie wonks and box-office watchers have written and talked about the death of mid-budget filmmaking, but mostly in business terms—as opposed to personal ones, contemplating the phenomenon’s effect on […]
Zack and Steve go through and review Advanced Dungeons & Dragons Module S-1: The Tomb Of Horrors at WTF, D&D?!…so you don’t have to. “Steve: Most of the opening paragraph is a warning about difficulty. ‘You’ll never find the demi-lich’s secret chamber’ and the tomb is fraught with “terrible traps, poison gases, and magical protections.” […]
At The Atlantic, Amy Schiller writes about Mattel’s changes to American Girl Dolls line. from teaching girls to understand thorny historical controversies and build political consciousness” to customizable accessories reflecting their owners’ own lives. Alexandra Petri writes “Even more terrible things are happening to the American Girl brand than you thought” at The Washington Post. […]
Film Critic Hulk has a lovely piece about “Despair, GamerGate and Quitting The Hulk” at Badass Digest. And Arthur Chu remembers his own dark days and meeting Felicia Day in a lovely piece at Salon.
At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”
“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”
Jennifer Szalai and Adam Sternbergh argue for removing the guilt from “guilty pleasures.” And in reading Eleanor Catton’s recent essay about the perception of literary elitism, Laura Miller considers intellectual insecurity in the literary world: “You can find it among fans of easy-to-read commercial fiction who insist (on very little evidence) that the higher-brow stuff […]
Here’s a gallery of artist responses to DC’s Harley Quinn contest. (Thanks, Mark!)
At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”
It turns out there’s a reason why movies are starting to feel the same: “Summer movies are often described as formulaic. But what few people know is that there is actually a formula—one that lays out, on a page-by-page basis, exactly what should happen when in a screenplay. It’s as if a mad scientist has […]
The New York Times has a piece on the statistical quest for a sure thing box office hit. Meanwhile, The AV Club pans Netflix’s original series, very much grounded in algorithms, Hemlock Grove: “The genius of Netflix’s computer-programmed, demographic targeting approach to TV is that it doesn’t need to create amazing, or challenging, or even […]
Gutters and Panels has a convenient timeline of notable departures, firings and bridge-burnings at DC Entertainment since 2010.
This week in Dystopian Future Round-Up: Panopticon Edition: Wired reports on the Defense Advanced Research Project Agency’s work on recording and storing everything people say; and Google Glass is more than unflattering according to Mark Hurst. (Thanks, @oafbot)
At Too Busy Thinking About My Comics, Colin writes on the murder of Robin, Damian Wayne, as it is depicted in a single panel. “Why does this scene exist? It exists to make entertainment out of a boy’s last, baleful moments. Beyond that, it has no purpose at all. If an objection to that needs […]
Emma Vossen examines Twilight hate and anti-fans, writing: “People have become eager anti-fans of the series, creating an active subculture that manifests in hateful dialogue and value judgements on a seemingly arbitrary slice of a very large pop culture pie.”
“I don’t think she knows how the human body works.” Tonjes reads Chapter 1 and 2 of 50 Shades of Grey. For your further pleasure, “A (Drunken) Dramatic Reading” of 2 (NSFW) sex scenes by Gineriella. (And, in case you missed it, Jennifer Armintrout blogged her whole experience reading the book).
Matt Stoller Seitz writes about meeting a film on its own terms, suspending your own disbelief and watching From Russia With Love and Singin’ In The Rain with audiences who wouldn’t or couldn’t do either. (Thanks, @DriveInMob)keep looking »