Open Culture has a re-vamped trailer for a film adaptation of Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)
N.K. Jemisin is offering a previously published story online for free. Find out why, here. “All my pleasure and pride at having been published in [Weird Tales] is gone. Goes without saying that I won’t be submitting there again, ever, but at this point I’m ashamed to have my name associated with the magazine at […]
Curious about Fifty Shades of Grey but you suspect it is awful? Author Jennifer Armintrout (aka, Abigail Barnette) reads the book so you don’t have to. Read her blog and feel her pain. (via @DrNerdlove)
Colin Smith and Mark White write on Spider-Man, torture and character in response to Spider-Man’s torturing Sandman. Colin has more on the response to his piece as well.
Josh Olson writes: “[Many aspiring screenwriters] think that screenwriting doesn’t actually require the ability to write, just the ability to come up with a cool story that would make a cool movie. Screenwriting is widely regarded as the easiest way to break into the movie business, because it doesn’t require any kind of training, skill […]
At Comics Alliance, David Brothers details why he decided to stop reading DC and Marvel comics. Meanwhile, The Comics Journal interviews Chris Roberson on why he decided to stop writing for DC.
Kelly Thompson and Colin Smith offer two related criticisms of Wonder Woman #7. Thompson asks, “Is the Destruction of the Amazons the Destruction of Feminism in DC Comics?” And Smith writes, “Of all of the flak fired up to obscure the mean-spirited, thick-headed sexism of Brian Azzarello’s script for Wonder Woman #7, the most stubbornly […]
At NPR’s classical music blog, Deceptive Cadence, Tom Huizenga discusses the results of a poll asking readers to “name their musical blind spot.” Over and over, people disliked rap and opera and Huizenga ponders why that might be and what rap and opera might have in common: “Opera and rap take work to appreciate — […]
Gamer Girls remind everyone, “Don’t be racist. Don’t be homophobic. Don’t be sexist. Follow that code and everybody will have a good time. And when someone breaks that code, CALL THEM OUT. Don’t just let it ride.” And the comments bear out why it has to be said again and again.
Robot 6 responds to the new Catwoman and Starfire in DC’s relaunch. “I feel as if I should be worked up by the depictions but, to be honest, I’m just deflated by the whole thing. The best I can muster is, ‘Sigh … again?’ and maybe, ‘This is the kind of storytelling and characterization you […]
Oh my stars and garters, Orson Scott Card has rewritten Hamlet and called it, Hamlet’s Father. via @houseinrlyeh and @pornokitsch)
In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief. It bludgeons you until you give up.”
Get ready players, Jared at the ever-excellent Pornokitsch shares the 5 things he hates about Dungeons and Dragons: “As a result of Tolkien’s Middle English Mary Sue, generations of gamers have been saddled with Tylenol Applebottom, Laxative Spottypork and their size-Pathetic sling attacks.”
Shakespeare claims it’s April, psychologists say it’s December. But I think July is the cruellest month. It’s hot; it’s grossly humid; I never manage to swing a proper holiday. This year I have the added irritant of lacking air-conditioning both at home and at work. Argh.
Cube Zero is definitely not the Greatest Movie Ever! Hear more here.
In 1969, Joanna Russ spoke to the Philadelphia Science Fiction Convention about taboo words, their honest and dishonest uses and the unearned thrill: “I want to be able to use dirty wordies without shocking anybody. I want to write about the subjects they refer to without shocking anybody. And if there’s nothing else, losing the […]
Manohla Dargis and A.O. Scott defend the slow and the boring film, giving as examples, Andrei Tarkovsky’s Solaris and Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives. Dargis sees them giving space for thought. Scott sees “protests against the deep…[as] mask[ing] another agenda, which is a defense of the corporate status quo.” And […]
Good Show, Sir, offers you, the reader, only the worst and most ill-conceived science fiction and fantasy book covers. And if you have some terrible cover art in your collection, you can submit to their gallery.
Did you ever wonder what H.P. Lovecraft thought about literary horror? You can know–possibly without going mad–by reading his 1927 essay, “Supernatural Horror in Literature.” Thanks to Migueal for the glimpse into the unspeakable horror of literary criticism!
Joe Steckart has an interesting response to Patton Oswalt’s “Wake Up, Geek Culture. Time to Die“: “Reading Watchmen does not make you cool. Being able to talk about it intelligently does. The counterculture, the ineffable ‘cool,’ will always be manifesting itself in something. Right now it’s manifesting at least partly in geek culture, and that’s wonderful. […]
In this time of uncertainty and dread, with Batman dying and Dick Grayson taking up the cowl, with dead Robins returning all crazy or replacing Batgirl, with Bruce Wayne taking a global crimefighting initiative Batman Inc. public, there’s one thing I am sure Gotham that has going for it: Batwoman.« go back — keep looking »