The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Considering Beloved

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At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.” Like this:Like Loading…

Mucking Up The Respectable Comics Business

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I’ve been thinking about disreputable art more than usual lately, between the film adaptation of 50 Shades of Grey coming out and Jonathan Franzen franzenating about women mucking up the whole respectable novel business. I can’t help but think of the history of the novel in Europe and North America. A tawdry form that was […]

“Let’s Talk About The Women Of The Walking Dead

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At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of […]

Interview with Kelly Sue DeConnick

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At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration […]

“She-Hulk, Attorney at Law”

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At Bitch Magazine, Tammy Oler writes about the history and legal life of Jennifer Walters, attorney and She-Hulk. (Thanks, Mark!) Like this:Like Loading…

“The Pull List: Black History Month”

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At Tor.com, Alex Brown shares her top ten favorite Black comic book characters. “For all their talk about diversity and inclusion, comic books still tend to be pretty straight, white, and male (and catered to same). But that doesn’t mean there aren’t a lot of great characters of color that do more than fill the […]

“The Husband Did It”

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At The Awl, Alice Bolin writes about Gone Girl, Serial, true crime television and “Why it’s scarier for a man to be accused than for a woman to be killed”: “It’s clear we love the Dead Girl, but we don’t empathize with her. If we did, we might ask why we did nothing to protect […]

“A Sci-Fi Joan of Arc”

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At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that […]

“Let’s Break Some Rules”

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Foldable Human talks about Fight Club. Like this:Like Loading…

“Jennifer Aniston And the Curse of Friends”

At Multiglom, Anne Billson considers Jennifer Aniston and her career. “But there are three things we should realise about Jennifer Aniston: 1) You don’t spend a decade in a well written sitcom without acquiring razor-sharp comic timing and an ability to give shading to characters who might in lesser hands be caricatures. 2) At least […]

“We Will Force Gaming To Be Free”

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At First Person Scholar, Katherine Cross writes about “GamerGate and the licence to inflict suffering”: “GamerGate is neoliberalism’s distorted reflection of leftist terror: the lust for revolution, to be the Rough Rider ‘good guys’ saving the world by force if necessary, but with none of the obligations or thought inherent to political reasoning.” Like this:Like […]

10 Comics I Liked In 2014

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I’m sure we’re all glad to see 2014 go. I know I am. But you know, comics are always here for you, and so is the Gutter. I thought I’d do something a little different with the list this year. Last year, I was invited to do a “Best Comics of 2013” list at Popshifter […]

“I’ll find a match / Or maybe two or three.”

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Bertha Antoinette Mason Rochester as a Disney Princess by Shipwrecked’s Sinead Persaud. Like this:Like Loading…

“Samus Works Alone”

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At Re/Action, Maddy Myers writes about how important the Metroid franchise, in both game and manga form, and its protagonist, Samus Aran, were to her. “Samus still represents a breakthrough. She first took off her armor to reveal a woman’s form back in 1986, the year that I was born. Samus and I grew up […]

“Why I Play Violent Video Games”

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Maddy Myers writes about playing violent games, wanting to be powerful and internalized sexism. “Given my lifelong history of playing at war, and my desperate wish to feel strong, big, and powerful, it made sense that I would gravitate towards Counter-Strike and its ilk around the age of 15. But Counter-Strike, with its all-male selection […]

Interview with Adam Savage

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Mythbusters‘ Adam Savage talks about science, women in science, GamerGate and sexism on the Inquiring Minds podcast. Like this:Like Loading…

“7 Ways Gilmore Girls Got Women Right”

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“Gilmore Girls probably owes its failure to attract widespread acclaim despite running for seven seasons to the traditional cultural devaluation of female-driven genre media, whether it comes in the form of Young Adult fiction, women’s fiction, or female-led Hollywood narratives. Given that Gilmore combined elements of all of the above, it’s no wonder the only Emmy it ever received […]

“It’s Okay To Be The Uncool Black Girl”

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“I find it amazing how much you appreciate being a nerd once you get older.  Adding two cups of wisdom along with a pint of experience and mix it all together with maturity gives you a bewitching concoction of someone who is secure in who and what they are.  My security and confidence may not […]

“Classy Ladies, Scary Movies”

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At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.”  “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to feature an actress over 50 in some […]

Suffragettes, Amazons and Wonder Woman

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At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman […]

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  • Of Note Elsewhere

    Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A Baby (1987), two Star Trek films and an episode of Night Gallery (“Death on a Barge”) among others. The New York Times and The Guardian have obituaries. Here are some tweets from William Shatner’s online memorial for Nimoy. George Takei remembers Nimoy. Zachary Quinto remembers Nimoy. EW also has other remembrances, including one from President Obama. Code Switch’s Steve Haruch discusses Spock’s importance as a biracial character. Nimoy talks about his work at the Archive of American Television. You can see some of Nimoy’s photography here. And a reminder that Nimoy had an Etsy shop.

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    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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