The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“13 Barrier-Breaking Women of Early Cinema and Old Hollywood”

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Friend of the Gutter, Nitrate Diva writes about 13 women who helped shape cinema. “Hollywood is, in many ways, a more male-dominated environment today than it was 90 or so years ago. Scary, huh? In order to perpetuate a culture where more women make movies now, we need to recognize the women who made movies in […]

Interview with Amy Poehler

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Hadley Freeman profiles Amy Poehler. ‘“Amy made it clear that she wasn’t there to be cute,” Fey writes. “She wasn’t there to play wives and girlfriends in the boys’ scenes. She was there to do what she wanted to do and she did not fucking care if you like it.”’

For Evermore: The Raven (1963)

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Carol Borden has been summoned to mysterious gathering of sorcerers in a haunted castle this week and so she is covering herself with a non-comics piece about the 1963 film, The Raven. One of my favorite things about American International Productions is their opening credit sequences. While low-budget, the opening credits are clever, creative and, […]

“Charlie Manson’s Hollywood”

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“Maybe more than anything else Charlie Manson’s story is a Hollywood story.” You Must Remember This podcast looks at the Manson Murders and “Charlie Manson’s Hollywood.” Here’s part 1. (Thanks, Colin!)

“Black Romance in Horror: Ganja & Hess (1973)”

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At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many […]

“Vynalez Zkasy, aka, An Invention of Deconstruction”

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At Die Die Danger Die Kill, Todd thinks about Karel Zeman’s Vynalez Zkasy. “Vynalez Zkasy (released in the U.S. as The Fabulous World of Jules Verne) may represent Czech FX pioneer Karel Zeman’s quest to emulate the style of 19th century fantasy illustration—to the end of presenting the future through a Victorian lens—at its most […]

“Elisabeth Luytens: Horror Queen of Composers”

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At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]

“Every Word Spoken By A Person Of Color In Famous Films”

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Dylan Marron has made a series of videos based on every word spoken by a person of color in various films, including Moonrise Kingdom, Her and Into The Woods. “Marron, a biracial native of Venezuela who grew up in New York, started the video series to figure out why so few people of colour are […]

The Projection Booth Special Report: Ed Asner

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The Projection Booth interviews actor Ed Asner.

“Johnnie To: A Life In Pictures”

Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very […]

Interview with John Boorman

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At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]

Danger: Diabolik: Deep, Deep Down

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This month’s Guest Star is the Gutter’s own Carol writing about the Mario Bava film, Danger: Diabolik. Holy cats, how’d that happen? My town has basically one landmark, you know the kind of thing people passing through take pictures of. It’s a water tower. An incredibly phallic water tower. It’s like a classical Hindu lingam. […]

“The Iceman List”

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“Here are just a few other classic movie antagonists who we root against not because they’re wrong per se, but mostly because they’re just not as likable as the characters who carry the movie. Let’s call it ‘The Iceman List.’” Read more of Tim Carmody’s “The Iceman List” here.

“Jackie Chan: How to Do Action Comedy”

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At Every Frame A Painting, Tony Zhou takes a close look at the action comedy of Jackie Chan.

“The Marvel-Industrial Complex”

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In “The Marvel-Industrial Complex” James Rocchi has some thoughts about Disney’s Marvel movies–and some things to say in response to the responses to his essay. “In the ’80s, Spiderman told me that with great power comes great responsibility; Marvel Studios, via Disney, has money and power both, and we’ve given it to them; as consumers […]

The Projection Booth Watches Star Wars

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This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.”

Wolves In The Speakeasy

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Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

Neko Ramen Taisho: Finding Your Own Way

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Minoru Kawasaki’s Neko Ramen Taisho (2008) is the classic story of a son trying to prove himself to his father and his father’s desire to recreate his son in his own image. Except Taisho, aka William Thomas Jefferson III, is a cat who makes ramen, and his father, William Thomas Jefferson II, is a “cat […]

“The Bitter Tears of the Private Detective”

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At Multiglom, Anne Billson writes about Billy Wilder’s The Private Life of Sherlock Holmes and “The Bitter Tears of the Private Detective.” Last week I went to see Billy Wilder’s The Private Life of Sherlock Holmes again. And once again, as I dabbed my eyes with a hanky, I was intrigued and beguiled by the […]

“Speaking In Tongues”

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At Chhotahazri, Trisha Gupta considers why people resist subtitled films. “I see subtitles as giving me access to a world I wouldn’t otherwise enter – but like a polite, well-spoken guide, providing commentary unobtrusively, not drowning out the voices of the locals.” (via @bethlovesbolly)

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  • Of Note Elsewhere

    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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    At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your own tiny gay face: Stormer and Kimber from Jem are truly, outrageously, canonically queer….This is good news. Great news. But it’s not really news news. Of course Stormer and Kimber are gay. They’ve been in love since 1987!”

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    “Over the last couple of weeks, I’ve been binge-watching one of the most innovative series on television. Like many of the gems of the current TV renaissance, it features extended narratives with complex plots, intricate backstories, and layered characters. Its approach to storytelling is remarkably adventurous, shattering television, and even cinematic conventions.

     I’m speaking, of course, of General Hospital.” Noah Berlatsky writes about the influence of soap operas on “prestige television” at Quartz. (And make sure to click through to Akash Nikolas’ “Yes, Mad Men is a Soap Opera and that Shouldn’t be an Insult”).
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    Here’s the first Gutterthon 2015 Geektastic Song–“Fortune Cookie” by Chica Non Grata. Chica Non Grata kindly offered to write 3 songs based on topics offered by 3 lucky backers. So listen up and get down. “A song about pop-up ads and how creepy they are and how they seem to be reading your mind and maybe there is actually an artificial intelligence who is stalking you.”

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    Friend of the Gutter, Nitrate Diva writes about 13 women who helped shape cinema. “Hollywood is, in many ways, a more male-dominated environment today than it was 90 or so years ago. Scary, huh?

    In order to perpetuate a culture where more women make movies now, we need to recognize the women who made movies in the medium’s formative years. Let’s take our editing shears and snip the ‘boys only’ myth right out. It belongs on the cutting room floor.”

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