I’m still thinking about willpower from my last article, and while it’s true that ‘stick-to-it-iveness’ (as my Grandma used to call it) is an important skill, it also really helps to know when to bail. Oddly, even though the desire to give up comes pretty naturally, deciding when you should actually do it doesn’t seem to. Watching the things that have made me and the people I care about unhappy in our lives over the years, I feel like learning how and when to walk away can’t be overrated. Continue reading…
“If [James] Gunn’s dismissal of Perlman’s milestone [screenwriting] credit continues to go unchecked, it seems possible that Perlman’s involvement in the success of Guardians of the Galaxy will eventually be forgotten. As it is, she was not invited back for the sequel, which Gunn will write and direct on his own.” Ellen Killoran has more […]
Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]
In a tribute to Shirley Temple, Nitrate Diva offers a thoughtful analysis of Temple’s career and appeal. “When I watch Temple, it is with the rapt astonishment that one might feel before a great magician. Not because I consider her talents a ‘trick,’ but rather because I find something infinitely more sacred in the strength […]
Comedian, actor and writer Sid Caesar has died. The New York Times and Variety have obituaries. Time has gathered clips of his work. The Archive of American Television has an interview with Caesar here.
Film and television producer Run Run Shaw has died. Sir Run Run founded Shaw Brothers with his brother, Run Me Shaw. They produced hundreds of films in all genres, but were best known for their revolutionary kung fu and wuxia movies. Shaw also produced myriad television programs for TVB. The South China Morning Post remembers […]
“This database probing told me three things: 1) Netflix had an absurdly large number of genres, an order of magnitude or two more than I had thought, 2) it was organized in a way that I didn’t understand, and 3) there was no way I could go through all those genres by hand. But I […]
Joan Fontaine has died. The Hollywood Reporter, The New York Times and NPR have obituaries. Here are a clip of Fontaine in Suspicion, the trailer for Jane Eyre and Fontaine’s screen test for Rebecca. Fontaine co-hosts the Mike Douglas Show in 1967 here.
Geena Davis has two suggestions for making films and television shows less sexist. They’d work well for increasing diversity of all kinds.
Jason Pargin (aka, David Wong) and Jack O’Brien talk about the very precise plot conventions of big Hollywood movies and how they shape our expectations in watching films on the Cracked podcast.
At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”
Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.”
Scott Nye writes about plot holes, deflection, and characters explaining for the audience at Ebert.com‘s “Balder & Dash” blog: “Characters must constantly address questions on behalf of a too-curious audience awash in complexly-plotted mega-stories. The movies are trying to plug leaks in a boat before the whole thing sinks—never quite repairing it, but doing just […]
At Pulp Curry, Andrew Nette looks at In A Lonely Place, both Nicholas Ray’s cinematic adaptation and Dorothy B. Hughes’ original novel.
It turns out there’s a reason why movies are starting to feel the same: “Summer movies are often described as formulaic. But what few people know is that there is actually a formula—one that lays out, on a page-by-page basis, exactly what should happen when in a screenplay. It’s as if a mad scientist has […]
Peter Gutiérrez looks at the pop culture propaganda of Ender’s Game, Pacific Rim and G.I. Joe marketing campaigns. “The interesting, if obvious, thing about these marketing posters is that they seem to rely on the viewer’s familiarity with propaganda. Does that mean that the audience for blockbuster movies these days is sufficiently “media literate” that […]
The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a […]
The New York Times has a piece on the statistical quest for a sure thing box office hit. Meanwhile, The AV Club pans Netflix’s original series, very much grounded in algorithms, Hemlock Grove: “The genius of Netflix’s computer-programmed, demographic targeting approach to TV is that it doesn’t need to create amazing, or challenging, or even […]
Elmore Leonard talks about writing, Westerns, crime fiction, adaptations and Justified. “They made me an executive producer on the show, and executive producers don’t’ really do anything. I thought, ‘How can I sit here and collect money and not do anything?’ So I wrote a book, Raylan.”
Listen Up: The Lives of Quincy Jones –a 1990 documentary about composer and musician Quincy Jones is online and complete.
Filmmaker and writer Aaron Soto discusses the history of Mexploitation cinema with Miguel Rodriguez on Monster Island Resort Podcast!keep looking »