The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Lexi Alexander on The Movie Crypt

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Director Lexi Alexander joins Adam Green and Joe Lynch on Geek Nation’s The Movie Crypt. “From Lexi’s early days as a martial arts world champion living in Germany, to a comprehensive look into how her short film (Johnny Flynton) secured an Oscar nomination and how the Academy’s nomination process really works, to Lexi’s opinions on […]

Interview with Michael Keaton

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Tom Chiarella conducts an Esquire interview with Michael Keaton interesting in both form and content: “Keaton. On the versions and versions and versions of himself. Glib young man, mook, weird spook, superhero, villain, operative, hitman, guy with a parakeet on his shoulder, corporate shill, and ex-superhero. He never got caught in any one. How?” Like […]

“Rookie Mistakes”

Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is […]

“Remembering Koh Masaki”

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The Awl’s Rich Bellis writes about Koh Masaki and the importance of Masaki’s visibility as an out gay man working in the Japanese porn industry. “By the time he died from peritonitis after an appendix operation, at just 29, Masaki had established a celebrity persona in a business where such a thing hadn’t existed before. […]

Writing Nicole Perlman out of Guardians Of The Galaxy

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“If [James] Gunn’s dismissal of Perlman’s milestone [screenwriting] credit continues to go unchecked, it seems possible that Perlman’s involvement in the success of Guardians of the Galaxy will eventually be forgotten. As it is, she was not invited back for the sequel, which Gunn will write and direct on his own.” Ellen Killoran has more […]

Pirates On One Hand, Privateers On The Other

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Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]

“Girl Power: Remembering Shirley Temple”

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In a tribute to Shirley Temple, Nitrate Diva offers a thoughtful analysis of Temple’s career and appeal. “When I watch Temple, it is with the rapt astonishment that one might feel before a great magician. Not because I consider her talents a ‘trick,’ but rather because I find something infinitely more sacred in the strength […]

RIP, Sid Caesar

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Comedian, actor and writer Sid Caesar has died. The New York Times and Variety have obituaries. Time has gathered clips of his work. The Archive of American Television has an interview with Caesar here. Like this:Like Loading…

RIP, Run Run Shaw

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Film and television producer Run Run Shaw has died. Sir Run Run founded Shaw Brothers with his brother, Run Me Shaw. They produced hundreds of films in all genres, but were best known for their revolutionary kung fu and wuxia movies. Shaw also produced myriad television programs for TVB. The South China Morning Post remembers […]

Operation Scraping Netflix’s Data

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“This database probing told me three things: 1) Netflix had an absurdly large number of genres, an order of magnitude or two more than I had thought, 2) it was organized in a way that I didn’t understand, and 3) there was no way I could go through all those genres by hand. But I […]

RIP, Joan Fontaine

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Joan Fontaine has died. The Hollywood Reporter, The New York Times  and NPR have obituaries. Here are a clip of Fontaine in Suspicion, the trailer for Jane Eyre and Fontaine’s screen test for Rebecca. Fontaine co-hosts the Mike Douglas Show in 1967 here. Like this:Like Loading…

“Two Easy Steps To Make Hollywood Less Sexist”

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Geena Davis has two suggestions for making films and television shows less sexist. They’d work well for increasing diversity of all kinds.   Like this:Like Loading…

Another Look At Why So Many Movies Follow the Same Plot Rules

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Jason Pargin (aka, David Wong) and Jack O’Brien talk about the very precise plot conventions of big Hollywood movies and how they shape our expectations in watching films on the Cracked podcast. Like this:Like Loading…

The Weinstein Company vs. Asian Cinema

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At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?” Like this:Like Loading…

“Michelle Rodriguez Made Me Cry At Comic-Con”

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Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.” […]

“That’s Not A Plot Hole. Allow Me To Explain”

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Scott Nye writes about plot holes, deflection, and characters explaining for the audience at Ebert.com‘s “Balder & Dash” blog: “Characters must constantly address questions on behalf of a too-curious audience awash in complexly-plotted mega-stories. The movies are trying to plug leaks in a boat before the whole thing sinks—never quite repairing it, but doing just […]

In A Lonely Place

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At Pulp Curry, Andrew Nette looks at In A Lonely Place, both Nicholas Ray’s cinematic adaptation and Dorothy B. Hughes’ original novel. Like this:Like Loading…

“Why Does Every Movie Released These Days Feel Exactly The Same?”

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It turns out there’s a reason why movies are starting to feel the same: “Summer movies are often described as formulaic. But what few people know is that there is actually a formula—one that lays out, on a page-by-page basis, exactly what should happen when in a screenplay. It’s as if a mad scientist has […]

Pop Culture Propaganda

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Peter Gutiérrez looks at the pop culture propaganda of Ender’s Game, Pacific Rim and G.I. Joe marketing campaigns. “The interesting, if obvious, thing about these marketing posters is that they seem to rely on the viewer’s familiarity with propaganda. Does that mean that the audience for blockbuster movies these days is sufficiently “media literate” that […]

Interview with Takashi Miike

The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a […]

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  • Of Note Elsewhere

    The Toast helps you determine if you are in a high fantasy novel or a soft science fiction one.

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    The Gutter’s own Carol infiltrates Teleport City‘s limits to contribute to TC’s Space: 1999 series with her piece on aliens and what big jerks they are. “Space: 1999 taught me two valuable lessons. The first is that space is depressing and best represented by the color taupe. The second is that, with few exceptions, aliens are jerks.”

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    The Dartmouth College Library ahs scans of the oldest extant comic book, Rodolphe Töpffer’s
    “The Adventures of Mr. Obadiah Oldbuck” (1837). (via @SoxOnTheBrain)

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    At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that denies oppression. One of the main characters, Adelaide Norris played by Jean Satterfield, came to the forefront for me because of her race and role in the story. Adelaide is one of the key characters who pulls the female troops together. With the help of her mentor Zella, played by civil rights lawyer Flo Kennedy, this young Black and gay woman tirelessly researches, advises, and recruits women to fight the good fight for equality.”

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    A video tribute to interactive VCR games including: Nightmare (1991), The Fisherman VCR Bible Game (1989), Rich Little’s Charades (1985), Wayne’s World VCR Game (1992), Star Trek: The Next Generation VCR Game (1995) and Skull and Crossbones (1988). (Thanks, Beth!)

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    At The Los Angeles Review Of Books, Suzannah Showler writes about the complexity of the reality tv show The Bachelor and her complicated love for it. “I love The Bachelor the way I love most things, which is to say: complicatedly. On the one hand, I think it’s a fascinating cultural product, one I find great delight in close-reading. But I also love it, frankly, because I just like watching it. I think it’s top-notch entertainment, and I will straight up hip-check my politics out of the way, and give up many hours of my life, in the name of being entertained.” (Via @idontlikemunday)

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