I’m still thinking about willpower from my last article, and while it’s true that ‘stick-to-it-iveness’ (as my Grandma used to call it) is an important skill, it also really helps to know when to bail. Oddly, even though the desire to give up comes pretty naturally, deciding when you should actually do it doesn’t seem to. Watching the things that have made me and the people I care about unhappy in our lives over the years, I feel like learning how and when to walk away can’t be overrated. Continue reading…
The AV Club has an interview with Jeopardy! Champion, Arthur Chu, in which he discusses strategizing to win the game show, public personas and how the show is made.
“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”
Film and television producer Run Run Shaw has died. Sir Run Run founded Shaw Brothers with his brother, Run Me Shaw. They produced hundreds of films in all genres, but were best known for their revolutionary kung fu and wuxia movies. Shaw also produced myriad television programs for TVB. The South China Morning Post remembers […]
The Hairpin looks at “The Most Wicked Face of Theda Bara”: “She was the first in a long line of what came to be known as femme fatales — dangerous, devouring women who pop up in various genres at cultural moments when anxiety over the woman’s place in society is at its highest. Bara anticipated […]
Read all the posts in Nitrate Diva’s Italian Film Culture Blogathon–including one about Danger: Diabolik by The Gutter’s own Carol.
A history of the aspect ratio. “John Hess traces the evolution of the screen shape from the silent film days through the widescreen explosion of the 50s, to the aspect ratio of modern digital cameras.”
The New York Times has a piece on the statistical quest for a sure thing box office hit. Meanwhile, The AV Club pans Netflix’s original series, very much grounded in algorithms, Hemlock Grove: “The genius of Netflix’s computer-programmed, demographic targeting approach to TV is that it doesn’t need to create amazing, or challenging, or even […]
“Room 237 is like an act of revenge from a filmmaker upon the critics,” writes Robert Greene in his review. And The Verge’s Adi Robinson interviews Room 237 director Rodney Ascher on The Shining, interpretation and conspiracy theories. “[Room 237 is] about what happens when the movie leaves the filmmaker’s hands, and the audience is […]
I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]
“As a Black man in American, I brought something to the screen that hadn’t really been there before.”Jim Brown talks about his film career, making the transition from football to film and producing films in two parts of a documentary by Spike Lee. Here and here.
Mr. White and Mr. St. Mary have an in-depth look at Reservoir Dogs at The Projection Booth podcast. Special Guests: podcaster Jamie Jenkins, Film Threat‘s Paul Zimmerman and Reservoir Dogs executive producer, Monte Hellman. Special features include, Mike White’s video, “Who Do You Think You’re Fooling?” comparing Ringo Lam’s City On Fire and Reservoir Dogs, […]
A complete, online documentary about legendary film maker, Chang Cheh. Thanks to the ladies of the Heroic Sisterhood for reminding us that Feb. 10 would’ve been his 90th birthday. “He liked all actors, but he liked the naught ones more, especially the ones who didn’t listen to him.”
Scouting NY writes of the difficulty of finding a Chinese restaurant that satisfies directors’ ideas of a Chinese restaurant in New York, because that restaurant doesn’t exist. “Literally every time I get asked to find a Chinese restaurant, it’s the same description. ‘I want a place with really over-the-top Chinese decor,’ our director will say. […]
Director Steven Soderbergh has a thought-provoking conversation with Mary Kaye Schilling at Vulture: “You’re supposed to expand your mind to fit the art, you’re not supposed to chop the art down to fit your mind.”
Friend of The Gutter, Robert Mitchell interviews Birdemic director, James Nguyen. They discuss film-making, Birdemic: Shock and Terror, Birdemic 2 and what people can do to reduce their negative impact on the environment.
The Documentation Officer for the Ray Harryhausen collection shares some of Harryhausen’s film materials.
Hong Kong film legend Ti Lung/Di Long discusses his career and Bruce Lee (turn on close captioning for English translation). And Ti Lung’s debut in Return of the One-Armed Swordsman.
Jim Munroe is programming a series of sci fi salons as a run-up to the 48 Film Challenge! The first is a chat with Louis Savy, Programmer for SCI-FI-LONDON, over Skype and a screening of shorts fro m SFL’s 48 Hour Film Challenge on Monday, August 31. See the entire schedule and more details here. (Full […]
Screenwriter and director Frank Pierson has died. Pierson wrote such films as Dog Day Afternoon, Cat Ballou, The Anderson Tapes and Cool Hand Luke. Pierson also wrote teleplays for Have Gun Will Travel, The Naked City, Lakota Woman: The Siege at Wounded Knee, Mad Men and The Good Wife. The Hollywood Reporter has more on […]
TVOntario’s Saturday Night At The Movies interviewed Bruce Campbell when he was in Toronto for Bubba Ho-Tep‘s premiere at the Toronto International Film Festival’s 2002 Midnight Madness Programme. (via Bruce-Campbell.com)keep looking »