The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Where True Detective Meets Community

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At SeqArt, Harry Edmundson-Cornell writes about the fourth wall, metafiction, tone and character in True Detective and Community (as well as Bojack Horseman and Rick & Morty). “When a show points out the mechanics driving the medium they’re essentially violating the realism of the art. They’re pointing out the frame of the painting, which tends […]

“How The Death Of The Mid-Budget Film Left A Generation Of Filmmakers MIA”

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“While we weren’t looking, the mid-budget adult-oriented motion picture has all but disappeared. And the gifted directors behind them are in danger of disappearing as well. Movie wonks and box-office watchers have written and talked about the death of mid-budget filmmaking, but mostly in business terms—as opposed to personal ones, contemplating the phenomenon’s effect on […]

“Rookie Mistakes”

Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is […]

“A Blend of Fact and Interpretation of Fact”: An Interview with Dave McKean

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Every fall I write for the official Midnight Madness and Vanguard program blogs of the Toronto International Film Festival. And I usually try to find a guest writer to cover me here at the Gutter, write a piece ahead of time or even, sometimes, just totally wander out of  my assigned comics domain to write […]

Interview with Director Ringo Lam

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At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties […]

Line Up for the Midnight Madness 2014 Program

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Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available). Like this:Like Loading…

Writing Nicole Perlman out of Guardians Of The Galaxy

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“If [James] Gunn’s dismissal of Perlman’s milestone [screenwriting] credit continues to go unchecked, it seems possible that Perlman’s involvement in the success of Guardians of the Galaxy will eventually be forgotten. As it is, she was not invited back for the sequel, which Gunn will write and direct on his own.” Ellen Killoran has more […]

RIP, Menahem Golan

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Producer and director Menahem Golan has died. Golan produced (and sometimes wrote and directed) many, many films including: The Delta Force (1986), Death Wish (1974), The Apple (1980), The Texas Chainsaw Massacre 2 (1986), Missing In Action (1984), Invasion U.S.A. (1985), American Ninja (1985), Lifeforce (1985), Cobra (1986), Masters of the Universe (1987) Bloodsport (1988), Breakin’ […]

“Fifteen Years Later: Tom Cruise and Magnolia”

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Amy Nicholson writes about Tom Cruise and the filming of Paul Thomas Anderson’s Magnolia (1999). “Cruise leaped into his three-week stint on Magnolia almost immediately after Kubrick said ‘Cut.’ He was in a rush to squeeze in Mission: Impossible II (2000) that same year — he did, after all, have his own production company to […]

RIP, Robert Drew

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Filmmaker, cinema verité innovator and journalist Robert Drew has died. The New York Times, The Los Angeles Times and The Guardian have obituaries. Grantland has a memoriam of his work and life. “Drew died last week. He was 90. His genre was cinema verité, which is a much more artful way into truth. He made portraits […]

The History of the Eye Close-Up

At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz) Like this:Like Loading…

“Revealing the Secrets of the Modern Movie Poster”

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Former graphic designer for Intralink Film Graphic Design and current Google graphic designer Alex Griendling talks about designing film posters and campaigns at The Art House. Like this:Like Loading…

Interview with Kellee Terrell

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Graveyard Shift Sisters talks with writer/director Kellee Terrell about representation and Black women in horror film . “A story about love, loss, regret and sacrifice could be told in any medium with any kind of backdrop. But I was never really interested in telling Aimee and Cynthia’s story if zombies weren’t part of it. Because […]

How Did This Get Made: Punisher: War Zone

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And director Lexi Alexander discusses making Punisher: War Zone (2008) with the Patton Oswalt and How Did This Get Made‘s Paul and June. (Thanks, Meow!) Like this:Like Loading…

Pirates On One Hand, Privateers On The Other

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Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]

Ushering In A New Regime: Johnnie To, Crime Films and Dissent

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Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has creeped into the crime films, so this […]

“Deadly Art of Survival”

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The Gutter’s own Keith writes about No Wave, Black cinema, ninjas, kung fu, cultural sharing, cultural appropriation, music and New York in a piece on The Deadly Art of Survival for Teleport City. “Its curious place in the history of cinema, for instance, [is] as this weird amalgamation of no wave, black cinema, and martial […]

RIP, Bob Hoskins

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Actor Bob Hoskins has died. Most sources are mentioning Who Framed Roger Rabbit, but Hoskins also appeared in Brazil, Nixon, The Long Good Friday, Pink Floyd The Wall, Unleashed, The Secret Agent and the tv show, Tales From The Crypt (“Fatal Caper”). And Hoskins was Chris Claremont’s first choice for Wolverine (via @Zemrag).  The Guardian, The […]

An Open Letter to John Chu

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“Is it so outrageous to think that someone my color would be rocking out in a girl band?” Lindsay Taylor reads an open letter to director John M. Chu, director of the upcoming live action film  Jem And The Holograms . Taylor talks about what the character Shana means to her as well as whitewashing, […]

Interview with Park Joon-Hung

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Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung. Like this:Like Loading…

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  • Of Note Elsewhere

    A video tribute to interactive VCR games including: Nightmare (1991), The Fisherman VCR Bible Game (1989), Rich Little’s Charades (1985), Wayne’s World VCR Game (1992), Star Trek: The Next Generation VCR Game (1995) and Skull and Crossbones (1988). (Thanks, Beth!)

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    At The Los Angeles Review Of Books, Suzannah Showler writes about the complexity of the reality tv show The Bachelor and her complicated love for it. “I love The Bachelor the way I love most things, which is to say: complicatedly. On the one hand, I think it’s a fascinating cultural product, one I find great delight in close-reading. But I also love it, frankly, because I just like watching it. I think it’s top-notch entertainment, and I will straight up hip-check my politics out of the way, and give up many hours of my life, in the name of being entertained.” (Via @idontlikemunday)

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    At Comics Alliance, Chris Sims recounts that time the Punisher battled Dr. Doom. “It starts off with Dr. Doom kicking it in an extradimensional conference room set up by Loki to coordinate mass villainy, where he is just ripping into the Kingpin for being unable to kill the Punisher….Thus, in a sterling example of the ‘well then why don’t you do it’ school of super-villain cameraderie, Dr. Doom, a man who built a time machine in his basement, heads off to try his luck at fighting the Punisher, a man who has a gun. He does this, as you might expect, by luring him to a quarry and — after a brief exchange between a Doombot and a minigun — attempting to blow up his van with a tank.”

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    The Swiss Literary Archives have made their Patricia Highsmith collection available online here. (Thanks, Kate!)

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    Andy Kaufman has breakfast with Classie Freddie Blassie in My Breakfast With Blassie (1983) (via @GCDB)

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    Writer J.M. DeMatteis shares the script for, “Misfortune Cookies,” an unproduced episode of Justice League United: “One day, way back in 2004, I got a call from two of the show’s incredibly talented writer-producers, Stan Berkowitz and Dwayne McDuffie.  They’d cooked up an idea—based, in part, on the Oreo addiction Keith Giffen and I had given to J’onn J’onnzz during our original Justice League International run—and wanted me to develop it into an outline.  At first I thought they were putting me on—the story, especially J’onn’s arc, was pretty outrageous, even by Giffen-DeMatteis standards—but they were dead serious.  I remember sitting in my office taking notes as the two of them laid out the beats of the wonderful, and very funny, plot—which, had the episode made it to air, could have been the JLU equivalent of Star Trek’s ‘The Trouble with Tribbles.'”

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