You may have missed the news, but this is the 50th anniversary of a cheap, scrappy British science fiction series called Doctor Who. Like a fair number of folk my age, I first stumbled across Doctor Who one Saturday afternoon on PBS, back when PBS was able to air things like Doctor Who, The Avengers, The Prisoner, and it being cultural and all, Benny Hill. Unlike many, however, I seem to be one of the few people who came into the show not during an airing of the iconic Tom Baker years, but rather during the tenure of the man with the velvet smoking jackets and Venusian aikido. The Third Doctor, Jon Pertwee, was my introduction to Doctor Who, and he remains my favorite. Continue reading…
Jason Pargin (aka, David Wong) and Jack O’Brien talk about the very precise plot conventions of big Hollywood movies and how they shape our expectations in watching films on the Cracked podcast.
Allen Baron talks about making his film, Blast of Silence, and the differences between making an independent film between then and now. “In the fall of 1959 I returned to NYC and decided to make my own movie. Making an independent feature film then was expensive, extraordinarily technical, and if the film was completed the […]
At The AV Club, Scott Kaufman discusses editing and its unsettling effects in Donnie Darko.
Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]
At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”
Althea Crome makes amazing and tiny, tiny knit art. Check out her website for galleries of her work and to watch her knit clothing for the puppets in the animated film, Coraline. Indiana Public media profiles Crome here. and see her brain cozy and all the other brains in Bloomington, Indiana’s 2012 Brain Extravaganza! (Thanks, […]
The Hairpin looks at “The Most Wicked Face of Theda Bara”: “She was the first in a long line of what came to be known as femme fatales — dangerous, devouring women who pop up in various genres at cultural moments when anxiety over the woman’s place in society is at its highest. Bara anticipated […]
Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.”
Kenneth Anger talks about making Lucifer Rising (1966): “I used a bit of deception to film it in Egypt. I said I was doing a documentary on ancient Egyptian beliefs and needed to film in the actual settings: in front of the Sphinx, at Karnak, along the Nile where you see beautiful ruined temples. The […]
Scott Nye writes about plot holes, deflection, and characters explaining for the audience at Ebert.com‘s “Balder & Dash” blog: “Characters must constantly address questions on behalf of a too-curious audience awash in complexly-plotted mega-stories. The movies are trying to plug leaks in a boat before the whole thing sinks—never quite repairing it, but doing just […]
It turns out there’s a reason why movies are starting to feel the same: “Summer movies are often described as formulaic. But what few people know is that there is actually a formula—one that lays out, on a page-by-page basis, exactly what should happen when in a screenplay. It’s as if a mad scientist has […]
“The Wire, he said, was essentially a Greek tragedy.” More on that and on the way the story bled into reality at Slate.
The Ferroni Brigade considers how Lau Kar-Leung brought comedy to kung fu as well as scrutinized the kung fu film tradition that had come before him. David Bordwell writes about Lau and how sometimes stylized action captures the real better than “realism.”
At Vern Reviews The Films Of Cinema, Outlaw Vern offers “one Seagalologist’s perspective on the ‘vulgar auteurism’ debate”: “The practitioners are trying to bring recognition to artists who they think are marginalized, but they’re accidentally creating a ranking of ‘vulgar auteur’ beneath ‘actual auteur.’ And that also shines a spotlight on the idea’s most glaring […]
At Sequart, Julian Darius makes the case that Star Trek: Into Darkness damages the Star Trek franchise and that “Starfleet must be destroyed.” (via Mike White)
The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a […]
Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since […]
Special effects master, Ray Harryhausen has died. Ray Bradbury pays tribute to Harryhausen. All of Harryhausen’s creatures in 4 and a half minutes. Harryhausen talks about King Kong, Willis O’Brien, George Pal and his own career in 1991. John Landis interviews Harryhausen for the Bradford Animation Festival 2010. TCM remembers Harryhausen. And Leslie Hardcastle interviews […]
On the occasion of the 100th anniversary of filmmaking in India, CG Guest Star Beth Watkins offers some things she loves about Indian film.
At KPBS’ Midday Movies, Beth Accomando, Miguel Rodriguez and Ian Forbes discuss film remakes: “Remake, sequel, prequel, reboot, reimagining – whatever you want to call it, Hollywood does love to return to something familiar. So what makes a good remake? Is it really a bad thing to remake an old film? Is this a new […]keep looking »