Last April, I wrote about my first foray into anime. I had a great time with it, and my successful venture had a of couple unintended side-effects. For one thing, I enjoyed that first series so much that I tried another, then another, then many more (which led to me finally figuring out how to make Netflix play it in Japanese. Hurrah, technological success!). And then, when my choices narrowed down to only shows I didn’t want to watch, I began to read manga instead. Continue reading…
Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.
Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.
The Projection Booth podcast discusses Jesus Christ Vampire Hunter this week and features as a guest the Cultural Gutter’s Screen Editor Emeritus Ian Driscoll, who wrote the screenplay and plays Johnny Golgotha in JCVH.
Producer David Hannay has died. Hannay is probably best known for Dragon Flies / The Man From Hong Kong (1975), The Kung Fu Killers (1974) and Mapantsula (1987). The Sydney Morning Herald, NZ Edge and IF.com.au have obituaries. Jon Hewitt remembers Hannay at SBS. Brian Trenchard-Smith remembers Hannay on Hannay’s Facebook page. Hannay speaks at […]
The food stylist for Hannibal, Janice Poon, has a blog and it has recipes, photos, drawings and stories about food and about doings on the television show’s set.
Roger Corman talks with the British Film Institute about Edgar Allan Poe and his film adaptations of Poe’s works.
Voice-over artist Hal Douglas has died. The New York Times and Variety have obituaries. And the Times links to a short documentary about Douglas. From the Times, a documentary about Douglas. And here’s a Douglas demo reel.
Actor, writer and director Harold Ramis has died. He is probably best known for SCTV, Animal House, Meatballs, Stripes, Caddyshack, Ghostbusters, Ghostbusters II, and Groundhog Day. He also had memorable roles in As Good As It Gets and Knocked Up. The Chicago Tribune, The New York Times and The Los Angeles Times have obituaries. The […]
In a tribute to Shirley Temple, Nitrate Diva offers a thoughtful analysis of Temple’s career and appeal. “When I watch Temple, it is with the rapt astonishment that one might feel before a great magician. Not because I consider her talents a ‘trick,’ but rather because I find something infinitely more sacred in the strength […]
At MTV, Cary Fukunaga shares the story of his 6-minute long, single tracking shot in an episode of True Detective. “Having used the technique in both of his feature films, Sin Nombre and Jane Eyre, Fukunaga signed onto True Detective knowing that he wanted to include a long take at some point, because he considers […]
The New York Times profiles The Vinegar Syndrome, a company dedicated to preserving and introducing “a new generation to lost and forgotten films from what’s considered the golden age of American hard-core filmmaking, roughly 1969 to 1986.” (via @willmckinley)
This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.
Geena Davis has two suggestions for making films and television shows less sexist. They’d work well for increasing diversity of all kinds.
City On Fire Podcast interviews Gareth Evans, director of Merantau; The Raid; and the upcoming, The Raid 2: Berandal. (Via The Heroic Sisterhood)
Jason Pargin (aka, David Wong) and Jack O’Brien talk about the very precise plot conventions of big Hollywood movies and how they shape our expectations in watching films on the Cracked podcast.
Allen Baron talks about making his film, Blast of Silence, and the differences between making an independent film between then and now. “In the fall of 1959 I returned to NYC and decided to make my own movie. Making an independent feature film then was expensive, extraordinarily technical, and if the film was completed the […]
At The AV Club, Scott Kaufman discusses editing and its unsettling effects in Donnie Darko.
Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]
At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”
Althea Crome makes amazing and tiny, tiny knit art. Check out her website for galleries of her work and to watch her knit clothing for the puppets in the animated film, Coraline. Indiana Public media profiles Crome here. and see her brain cozy and all the other brains in Bloomington, Indiana’s 2012 Brain Extravaganza! (Thanks, […]keep looking »