The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Park Joon-Hung

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Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

Revenge In South Korean Cinema

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Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

“The Power of Christ Impales You!”

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The Projection Booth podcast discusses Jesus Christ Vampire Hunter this week and features as a guest the Cultural Gutter’s Screen Editor Emeritus Ian Driscoll, who wrote the screenplay and plays Johnny Golgotha in JCVH.

RIP, David Hannay

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Producer David Hannay has died. Hannay is probably best known for Dragon Flies / The Man From Hong Kong (1975), The Kung Fu Killers (1974) and Mapantsula (1987).  The Sydney Morning Herald, NZ Edge and IF.com.au have obituaries. Jon Hewitt remembers Hannay at SBS. Brian Trenchard-Smith remembers Hannay on Hannay’s Facebook page. Hannay speaks at […]

“Feeding Hannibal

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The food stylist for Hannibal, Janice Poon, has a blog and it has recipes, photos, drawings and stories about food and about doings on the television show’s set.

Roger Corman on Edgar Allan Poe

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Roger Corman talks with the British Film Institute about Edgar Allan Poe and his film adaptations of Poe’s works.

RIP, Hal Douglas

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Voice-over artist Hal Douglas has died.  The New York Times and Variety have obituaries. And the Times links to a short documentary about Douglas. From the Times, a documentary about Douglas. And here’s a Douglas demo reel.

RIP, Harold Ramis

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Actor, writer and director Harold Ramis has died. He is probably best known for  SCTV, Animal House, Meatballs, Stripes, Caddyshack, Ghostbusters, Ghostbusters II, and Groundhog Day. He also had memorable roles in As Good As It Gets and Knocked Up.  The Chicago Tribune, The New York Times and The Los Angeles Times have obituaries. The […]

“Girl Power: Remembering Shirley Temple”

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In a tribute to Shirley Temple, Nitrate Diva offers a thoughtful analysis of Temple’s career and appeal. “When I watch Temple, it is with the rapt astonishment that one might feel before a great magician. Not because I consider her talents a ‘trick,’ but rather because I find something infinitely more sacred in the strength […]

True Detective’s Six-Minute Tracking Shot

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At MTV, Cary Fukunaga shares the story of his 6-minute long, single tracking shot in an episode of True Detective. “Having used the technique in both of his feature films, Sin Nombre and Jane Eyre, Fukunaga signed onto True Detective knowing that he wanted to include a long take at some point, because he considers […]

“Smut, refreshed for a new generation”

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The New York Times profiles The Vinegar Syndrome, a company dedicated to preserving and introducing “a new generation to lost and forgotten films from what’s considered the golden age of American hard-core filmmaking, roughly 1969 to 1986.” (via @willmckinley)

Cruising at the Projection Booth

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This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.

“Two Easy Steps To Make Hollywood Less Sexist”

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Geena Davis has two suggestions for making films and television shows less sexist. They’d work well for increasing diversity of all kinds.  

Interview with Gareth Evans

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City On Fire Podcast interviews Gareth Evans, director of Merantau; The Raid; and the upcoming, The Raid 2: Berandal. (Via The Heroic Sisterhood)

Another Look At Why So Many Movies Follow the Same Plot Rules

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Jason Pargin (aka, David Wong) and Jack O’Brien talk about the very precise plot conventions of big Hollywood movies and how they shape our expectations in watching films on the Cracked podcast.

Blast of Silence: Independent Filmmaking Then & Now”

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Allen Baron talks about making  his film, Blast of Silence, and the differences between making an independent film between then and now. “In the fall of 1959 I returned to NYC and decided to make my own movie. Making an independent feature film then was expensive, extraordinarily technical, and if the film was completed the […]

Internet Film School: Donnie Darko

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At The AV Club, Scott Kaufman discusses editing and its unsettling effects in Donnie Darko.

“The Aesthetic Politics of Filming Black Skin”

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Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]

The Weinstein Company vs. Asian Cinema

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At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”

The Tiniest of Sweaters

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Althea Crome makes amazing and tiny, tiny knit art. Check out her website for galleries of her work and to watch her knit clothing for the puppets in the animated film, Coraline. Indiana Public media profiles Crome here. and see her brain cozy and all the other brains in Bloomington, Indiana’s 2012 Brain Extravaganza! (Thanks, […]

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  • Of Note Elsewhere

    Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

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    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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