The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Eiji Tsuburaya Made Godzilla Come Alive–And It Changed Film Forever”

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At Vox, Phil Edwards profiles special effects master Eiji Tsuburaya and interviews August Ragone about Tsuburaya’s career. “A director, cinematographer, and producer, Tsuburaya is best known for creating the special effects behind Japanese classics like Godzilla (1954), Mothra (1961), and many other films where the giant monsters called kaiju terrorize the good people of Tokyo. […]

Anne Billson Interviews George Miller

Anne Billson has posted a 1985 interview she did with director George Miller (the Mad Max films). Miller talks about many things including Aunty Entity’s probable past as a hero and Max as, in Mel Gibson’s words, “a closet human being.” (Thanks, Matt!)

“Johnnie To: A Life In Pictures”

Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very […]

Interview with Lexi Alexander

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The Kernal interviews director Lexi Alexander about the film industry, the ACLU investigation of gender discrimination in Hollywood, the connection between file-sharing and gender equality, trying to get an Arab-led series on television and the problem with crowdfunding.

Interview with John Boorman

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At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]

“The Editing of Mad Max: Fury Road

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At Vashi Visuals, Vashi discusses Margaret Sixel’s editing and George Miller’s editing choices for Mad Max: Fury Road. “One of the many reasons Mad Max: Fury Road is so successful as an action film is the editing style. By using “Eye Trace” and “Crosshair Framing” techniques during the shooting, the editor could keep the important […]

“Jackie Chan: How to Do Action Comedy”

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At Every Frame A Painting, Tony Zhou takes a close look at the action comedy of Jackie Chan.

Motion in Akira Kurosawa’s Films

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Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

“Where True Detective Meets Community

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At SeqArt, Harry Edmundson-Cornell writes about the fourth wall, metafiction, tone and character in True Detective and Community (as well as Bojack Horseman and Rick & Morty). “When a show points out the mechanics driving the medium they’re essentially violating the realism of the art. They’re pointing out the frame of the painting, which tends […]

“How The Death Of The Mid-Budget Film Left A Generation Of Filmmakers MIA”

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“While we weren’t looking, the mid-budget adult-oriented motion picture has all but disappeared. And the gifted directors behind them are in danger of disappearing as well. Movie wonks and box-office watchers have written and talked about the death of mid-budget filmmaking, but mostly in business terms—as opposed to personal ones, contemplating the phenomenon’s effect on […]

“Rookie Mistakes”

Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is […]

“A Blend of Fact and Interpretation of Fact”: An Interview with Dave McKean

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Every fall I write for the official Midnight Madness and Vanguard program blogs of the Toronto International Film Festival. And I usually try to find a guest writer to cover me here at the Gutter, write a piece ahead of time or even, sometimes, just totally wander out of  my assigned comics domain to write […]

Interview with Director Ringo Lam

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At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties […]

Line Up for the Midnight Madness 2014 Program

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Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

Writing Nicole Perlman out of Guardians Of The Galaxy

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“If [James] Gunn’s dismissal of Perlman’s milestone [screenwriting] credit continues to go unchecked, it seems possible that Perlman’s involvement in the success of Guardians of the Galaxy will eventually be forgotten. As it is, she was not invited back for the sequel, which Gunn will write and direct on his own.” Ellen Killoran has more […]

RIP, Menahem Golan

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Producer and director Menahem Golan has died. Golan produced (and sometimes wrote and directed) many, many films including: The Delta Force (1986), Death Wish (1974), The Apple (1980), The Texas Chainsaw Massacre 2 (1986), Missing In Action (1984), Invasion U.S.A. (1985), American Ninja (1985), Lifeforce (1985), Cobra (1986), Masters of the Universe (1987) Bloodsport (1988), Breakin’ […]

“Fifteen Years Later: Tom Cruise and Magnolia”

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Amy Nicholson writes about Tom Cruise and the filming of Paul Thomas Anderson’s Magnolia (1999). “Cruise leaped into his three-week stint on Magnolia almost immediately after Kubrick said ‘Cut.’ He was in a rush to squeeze in Mission: Impossible II (2000) that same year — he did, after all, have his own production company to […]

RIP, Robert Drew

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Filmmaker, cinema verité innovator and journalist Robert Drew has died. The New York Times, The Los Angeles Times and The Guardian have obituaries. Grantland has a memoriam of his work and life. “Drew died last week. He was 90. His genre was cinema verité, which is a much more artful way into truth. He made portraits […]

The History of the Eye Close-Up

At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

“Revealing the Secrets of the Modern Movie Poster”

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Former graphic designer for Intralink Film Graphic Design and current Google graphic designer Alex Griendling talks about designing film posters and campaigns at The Art House.

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  • Of Note Elsewhere

    deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)

     

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    In honor of director Mario Bava’s birthday, Shudder TV is having a Bava-thon with nine of his classic horror films chosen by friend of the Gutter Colin Geddes streaming free online all weekend. See the line-up here and watch here.

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    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

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    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

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    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

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    Friend of the Gutter Less Lee Moore interviews friend of the Gutter Colin Geddes about his work on the new horror streaming service, Shudder.

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