The Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) starts off with a fairly shocking scene, even by the standards of today: two bearded men locked in the throes of a passionate kiss. It’s a fake-out, we soon learn, a way to introduce both the central premise of the plot — the future has been ravaged by radioactive fallout that has caused women to grow beards — and the fact that this movie is going to have a grand time tweaking its nose at gender expectations, stereotypes, and comfort zones. The comedy is a mix of subtle and slapstick, something like Monty Python meets Charlie Chaplin meets the Marx Brothers, with a bit of Benny Hill-esque sex farce thrown in. Sadly, no one ever pats an old man on the head, though I’m sure Karel Effa (who should have teamed up with HK comedy actor Richard Ng) would have been up for it. Continue reading…
Former graphic designer for Intralink Film Graphic Design and current Google graphic designer Alex Griendling talks about designing film posters and campaigns at The Art House.
Graveyard Shift Sisters talks with writer/director Kellee Terrell about representation and Black women in horror film . “A story about love, loss, regret and sacrifice could be told in any medium with any kind of backdrop. But I was never really interested in telling Aimee and Cynthia’s story if zombies weren’t part of it. Because […]
And director Lexi Alexander discusses making Punisher: War Zone (2008) with the Patton Oswalt and How Did This Get Made‘s Paul and June. (Thanks, Meow!)
Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]
Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has creeped into the crime films, so this […]
The Gutter’s own Keith writes about No Wave, Black cinema, ninjas, kung fu, cultural sharing, cultural appropriation, music and New York in a piece on The Deadly Art of Survival for Teleport City. “Its curious place in the history of cinema, for instance, [is] as this weird amalgamation of no wave, black cinema, and martial […]
Actor Bob Hoskins has died. Most sources are mentioning Who Framed Roger Rabbit, but Hoskins also appeared in Brazil, Nixon, The Long Good Friday, Pink Floyd The Wall, Unleashed, The Secret Agent and the tv show, Tales From The Crypt (“Fatal Caper”). And Hoskins was Chris Claremont’s first choice for Wolverine (via @Zemrag). The Guardian, The […]
“Is it so outrageous to think that someone my color would be rocking out in a girl band?” Lindsay Taylor reads an open letter to director John M. Chu, director of the upcoming live action film Jem And The Holograms . Taylor talks about what the character Shana means to her as well as whitewashing, […]
Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.
Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.
The Projection Booth podcast discusses Jesus Christ Vampire Hunter this week and features as a guest the Cultural Gutter’s Screen Editor Emeritus Ian Driscoll, who wrote the screenplay and plays Johnny Golgotha in JCVH.
Producer David Hannay has died. Hannay is probably best known for Dragon Flies / The Man From Hong Kong (1975), The Kung Fu Killers (1974) and Mapantsula (1987). The Sydney Morning Herald, NZ Edge and IF.com.au have obituaries. Jon Hewitt remembers Hannay at SBS. Brian Trenchard-Smith remembers Hannay on Hannay’s Facebook page. Hannay speaks at […]
The food stylist for Hannibal, Janice Poon, has a blog and it has recipes, photos, drawings and stories about food and about doings on the television show’s set.
Roger Corman talks with the British Film Institute about Edgar Allan Poe and his film adaptations of Poe’s works.
Voice-over artist Hal Douglas has died. The New York Times and Variety have obituaries. And the Times links to a short documentary about Douglas. From the Times, a documentary about Douglas. And here’s a Douglas demo reel.
Actor, writer and director Harold Ramis has died. He is probably best known for SCTV, Animal House, Meatballs, Stripes, Caddyshack, Ghostbusters, Ghostbusters II, and Groundhog Day. He also had memorable roles in As Good As It Gets and Knocked Up. The Chicago Tribune, The New York Times and The Los Angeles Times have obituaries. The […]
In a tribute to Shirley Temple, Nitrate Diva offers a thoughtful analysis of Temple’s career and appeal. “When I watch Temple, it is with the rapt astonishment that one might feel before a great magician. Not because I consider her talents a ‘trick,’ but rather because I find something infinitely more sacred in the strength […]
At MTV, Cary Fukunaga shares the story of his 6-minute long, single tracking shot in an episode of True Detective. “Having used the technique in both of his feature films, Sin Nombre and Jane Eyre, Fukunaga signed onto True Detective knowing that he wanted to include a long take at some point, because he considers […]
The New York Times profiles The Vinegar Syndrome, a company dedicated to preserving and introducing “a new generation to lost and forgotten films from what’s considered the golden age of American hard-core filmmaking, roughly 1969 to 1986.” (via @willmckinley)
This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.keep looking »