Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since he first brought his creations to frame-by-frame life on the big screen. That makes sense. So how can I really say anything of worth when I say that I was also profoundly influenced by the artistry of Ray Harryhausen? With modesty, and a story about Clash of the Titans. Continue reading…
Becoming Human
Every April at the Gutter, the editors switch things up. This week Comics Editor Carol writes about tv. ‘Ware ye spoilers! “Sometimes I wonder what it would be like for everything inside me that’s denied and unknown to be revealed, but I’ll never know. I live my life in hiding. My survival depends on it.”–Dexter [...]
The Study of Air
Marcel Duchamp is ahead of all of us once again: “Who knew that Duchamp would also loosely anticipate the emerging field of internal atmospheric forensics, deployed as evidence in a U.S. murder case?” More about Duchamps’ 50 CC of Paris Air, the historical study of air environments and the gasses of the dead.
“Tresspassing on Sacred Ground”
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As part of TCM‘s Race & Hollyood: Native American Images on Film” festival, Movie Morlocks has posted part 1 of an essay on Native Americans in horror movies from The Werewolf a 1913 Canadian silent to J.T. Petty’s The Burrowers and Twilight: New Moon: “The inclusion of Native Americans into actual horror movies boils down [...]





