Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since he first brought his creations to frame-by-frame life on the big screen. That makes sense. So how can I really say anything of worth when I say that I was also profoundly influenced by the artistry of Ray Harryhausen? With modesty, and a story about Clash of the Titans. Continue reading…
Every April at the Gutter, the editors switch things up. This week Comics Editor Carol writes about tv. ‘Ware ye spoilers! “Sometimes I wonder what it would be like for everything inside me that’s denied and unknown to be revealed, but I’ll never know. I live my life in hiding. My survival depends on it.”–Dexter [...]
Marcel Duchamp is ahead of all of us once again: “Who knew that Duchamp would also loosely anticipate the emerging field of internal atmospheric forensics, deployed as evidence in a U.S. murder case?” More about Duchamps’ 50 CC of Paris Air, the historical study of air environments and the gasses of the dead.
As part of TCM‘s Race & Hollyood: Native American Images on Film” festival, Movie Morlocks has posted part 1 of an essay on Native Americans in horror movies from The Werewolf a 1913 Canadian silent to J.T. Petty’s The Burrowers and Twilight: New Moon: “The inclusion of Native Americans into actual horror movies boils down [...]