The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Le Bestiare Fabuleux”

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“A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)

Line Up for the TIFF 2014 Vanguard Program

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Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

Movies! Movies! Movies!

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The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

The History of the Eye Close-Up

At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

“Glamorous Insect Ladies”

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Boing Boing has a gallery of photographer Laurent Seroussi’s images of women melded with insects. (Thanks, Chuck!)

Global Pop Offensive!

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Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

Zombie Lake Tweetalong Transcript

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The Mysterious Order of the Skeleton Suit gathered together to harrow ourselves with the the movie Jess Franco walked away from, Zombie Lake (1982). Enjoy our harrowing here. (The Cultural Gutter is a proud Agent of M.O.S.S.)

Nippon.com Interviews Artist Juanjo Guarnido

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Blacksad artist Juanjo Guarnido is interviewed at Nippon.com. And Nippon.com shares mangaka Mashima Hiro’s thoughts on Blacksad and Juanjo Guarnido’s influence on his own work.

10 Comics I Liked In 2013

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It’s an amazing time in comics right now. There are too many good ones for me to even read them all. Comics are like a hydra, but without the decapitation or even really the fighting. (So maybe not all that much like a hydra except I find one comic and then there are 3-6 more […]

“Rankin / Bass’s The Thing”

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Trailer for Rankin / Bass’s The Thing. (Also, please enjoy The Thing re-enacted with G.I. Joe action figures).

Video Essay on Dario Argento

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Filmmakers Bruno Forzani and Helene Cattet made a four-minute video essay on director Dario Argento’s films for the French television channel Arte. via @Popshifter

Joe Sacco’s Panorama of War

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Artist Joe Sacco talks with NPR about his latest book, The Great War: July 1, 1916: The First Day of the Battle of the Somme. It’s a 24 foot panorama of one day. “Each panel in the panorama is dense and detailed. Fresh troops march in looking eager for battle. Some soldiers eat and relax, […]

Interviews and Q&A from Midnight Madness 2013

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All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival.  And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]

“If it wasn’t them, they’d be playing their song”

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Stephen Colbert talks about Daft Punk, among other things, on the Paul Mercurio Show: “Well, I’m beginning to see why they don’t do TV.”

“Cross-Cultural Representations of the Female Cyborg”

At Babbler Dabbler, Briana discusses female cyborgs in Ghost In The Shell and in Alien: Resurrection.

Collaborators

Paul Williams, Nile Rodgers and Giorgio Moroder talk about their careers, music and working with Daft Punk. (via Daily Grindhouse)

“Persepolis is aimed in part at kids”

“[Persepolis is] aimed in part at kids–not despite the fact that it includes charged material, but because it does. Satrapi shows herself, as a child and then as a young woman, dealing with violence, with sexuality–with moving away from her parents, and failing, and trying again….But even if their exact experiences don’t map onto hers, […]

“The Heist Always Goes Wrong”

“In a good heist film, the heist always goes wrong.” Andrew Nette shares his favorites.

A Talk on 3D Comics

Jason Little talks about 3D comics from Wheatstone to Duchamp to now at Dare2Draw. (via Becky Cloonan)

Crimewave!

It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]

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  • Of Note Elsewhere

    Actor Richard Kiel has died. Kiel worked in both film and television, including performances in The Twilight Zone episode, “To Serve Man”; Eegah (1962); The Barbary Coast with William Shatner; Happy Gilmore (1996); Pale Rider (1985); as Vlad in Tangled (201); and as Jaws in The Spy Who Loved Me (1977) and Moonraker (1979).   The New York TimesThe Los Angeles Times and Variety have obituaries. Here he is interviewed with Britt Ekland. And David Letterman interviews Kiel here.

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    Open Culture has a round-up of eight free and complete films by Dziga Vertov, including Man With A Movie Camera (1929) and the first Soviet animated feature, Soviet Toys (1924). (Thanks, Earl!)

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    Matt Zoller Seitz has written a lovely meditation on Robin Williams at RogerEbert.com: “Williams wore the invisible garments of depression. He carried that burden. A lot of the time we didn’t see it, because he was a bright and enthusiastic comic performer and a great actor. But the weight was always there.

    Somehow he lived 63 years.

    What a warrior he was.”

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    At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties and early Nineties. After getting his start in television at CTV and TVB, he directed five features before finding his stride with 1987’s City on Fire, the movie that provided the blueprint for Quentin Tarantino’s Reservoir Dogs.”

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    “[Grace] Jones — who was famous not just for her music, but also for her acting and modeling — took Lundgren to New York, where they partied at the legendary Studio 54 and Andy Warhol took pictures of Lundgren. Jones introduced Lundgren to the world of show business. Meanwhile, Lundgren was still set to begin his Fulbright scholarship at MIT. ‘I started sort of thinking, “Wow, this is kind of cool,”‘ Lundgren remembers: ‘”I don’t know if I want to go back to engineering after this.”‘ More at NPR.

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    “A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)

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