As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.” “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to feature an actress over 50 in some […]
At Bookview Cafe, Sherwood Smith reviews Rosmund Hodge’s Cruel Beauty and goes on to discuss the history and the many variations on the story of “The Beauty and the Beast.” “At my age, I find that the more interesting versions of the tale are not just about heroine versus sexy-but-dangerous hero/villain. Though that can be […]
“A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)
Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).
The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.
At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)
Boing Boing has a gallery of photographer Laurent Seroussi’s images of women melded with insects. (Thanks, Chuck!)
Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.
The Mysterious Order of the Skeleton Suit gathered together to harrow ourselves with the the movie Jess Franco walked away from, Zombie Lake (1982). Enjoy our harrowing here. (The Cultural Gutter is a proud Agent of M.O.S.S.)
Blacksad artist Juanjo Guarnido is interviewed at Nippon.com. And Nippon.com shares mangaka Mashima Hiro’s thoughts on Blacksad and Juanjo Guarnido’s influence on his own work.
It’s an amazing time in comics right now. There are too many good ones for me to even read them all. Comics are like a hydra, but without the decapitation or even really the fighting. (So maybe not all that much like a hydra except I find one comic and then there are 3-6 more […]
Trailer for Rankin / Bass’s The Thing. (Also, please enjoy The Thing re-enacted with G.I. Joe action figures).
Filmmakers Bruno Forzani and Helene Cattet made a four-minute video essay on director Dario Argento’s films for the French television channel Arte. via @Popshifter
Artist Joe Sacco talks with NPR about his latest book, The Great War: July 1, 1916: The First Day of the Battle of the Somme. It’s a 24 foot panorama of one day. “Each panel in the panorama is dense and detailed. Fresh troops march in looking eager for battle. Some soldiers eat and relax, […]
All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival. And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]
Stephen Colbert talks about Daft Punk, among other things, on the Paul Mercurio Show: “Well, I’m beginning to see why they don’t do TV.”
At Babbler Dabbler, Briana discusses female cyborgs in Ghost In The Shell and in Alien: Resurrection.
Paul Williams, Nile Rodgers and Giorgio Moroder talk about their careers, music and working with Daft Punk. (via Daily Grindhouse)
“[Persepolis is] aimed in part at kids–not despite the fact that it includes charged material, but because it does. Satrapi shows herself, as a child and then as a young woman, dealing with violence, with sexuality–with moving away from her parents, and failing, and trying again….But even if their exact experiences don’t map onto hers, […]
“In a good heist film, the heist always goes wrong.” Andrew Nette shares his favorites.keep looking »