The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Zombie Lake Tweetalong Transcript

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The Mysterious Order of the Skeleton Suit gathered together to harrow ourselves with the the movie Jess Franco walked away from, Zombie Lake (1982). Enjoy our harrowing here. (The Cultural Gutter is a proud Agent of M.O.S.S.)

Nippon.com Interviews Artist Juanjo Guarnido

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Blacksad artist Juanjo Guarnido is interviewed at Nippon.com. And Nippon.com shares mangaka Mashima Hiro’s thoughts on Blacksad and Juanjo Guarnido’s influence on his own work.

10 Comics I Liked In 2013

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It’s an amazing time in comics right now. There are too many good ones for me to even read them all. Comics are like a hydra, but without the decapitation or even really the fighting. (So maybe not all that much like a hydra except I find one comic and then there are 3-6 more […]

“Rankin / Bass’s The Thing”

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Trailer for Rankin / Bass’s The Thing. (Also, please enjoy The Thing re-enacted with G.I. Joe action figures).

Video Essay on Dario Argento

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Filmmakers Bruno Forzani and Helene Cattet made a four-minute video essay on director Dario Argento’s films for the French television channel Arte. via @Popshifter

Joe Sacco’s Panorama of War

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Artist Joe Sacco talks with NPR about his latest book, The Great War: July 1, 1916: The First Day of the Battle of the Somme. It’s a 24 foot panorama of one day. “Each panel in the panorama is dense and detailed. Fresh troops march in looking eager for battle. Some soldiers eat and relax, […]

Interviews and Q&A from Midnight Madness 2013

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All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival.  And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]

“If it wasn’t them, they’d be playing their song”

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Stephen Colbert talks about Daft Punk, among other things, on the Paul Mercurio Show: “Well, I’m beginning to see why they don’t do TV.”

“Cross-Cultural Representations of the Female Cyborg”

At Babbler Dabbler, Briana discusses female cyborgs in Ghost In The Shell and in Alien: Resurrection.

Collaborators

Paul Williams, Nile Rodgers and Giorgio Moroder talk about their careers, music and working with Daft Punk. (via Daily Grindhouse)

“Persepolis is aimed in part at kids”

“[Persepolis is] aimed in part at kids–not despite the fact that it includes charged material, but because it does. Satrapi shows herself, as a child and then as a young woman, dealing with violence, with sexuality–with moving away from her parents, and failing, and trying again….But even if their exact experiences don’t map onto hers, […]

“The Heist Always Goes Wrong”

“In a good heist film, the heist always goes wrong.” Andrew Nette shares his favorites.

A Talk on 3D Comics

Jason Little talks about 3D comics from Wheatstone to Duchamp to now at Dare2Draw. (via Becky Cloonan)

Crimewave!

It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]

“150 Pages of Craziness”

A copy of Invectives Against The Sect of Waldensians was discovered in an Alberta library. “The manuscript is thought to have been written around 1465 by a monk in what is now France’s Burgundy region, possibly for England’s King Edward IV, said Gow.   It is exceedingly rare—one of only four copies known to exist—and is […]

Reading Proto-Elamite

“[T]he Reflectance Transformation Imaging System, which uses a combination of 76 separate photographic lights and computer processing to capture every groove and notch on the surface of the clay tablets.” Dr. Jacob Dahl, director of the Ancient World Research Cluster, and a team of researchers capture images of proto-Elamite to help translate the world’s oldest […]

RIP, Sylvia Kristel

Actress Sylvia Kristel has died.  While she worked with many directors on many films, Kristel is best known for the 1974 film, Emmanuelle, and its many sequels. The Guardian and  The New York Times have obituaries. The Guardian also has a review of her memoir, Undressing Emmanuelle: “I was dressed, but people preferred me naked. […]

A Haunted House and a Diabolical Manor

Possibly the world’s first old dark house movie, The Haunted House (1908) by Segundo de Chomón and the first vampire/Satanic castle movie, Le Manoir du Diable (1896) by Georges Méliès. (Thanks, Keith and Teleport City!)

Vanguard 2012 Trailers!

This year’s Vanguard program at the Toronto International Film Festival also looks pretty sweet with Soi Cheang’s Motorway, starring Anthony Wong Chau-Sang; 90 Minutes; Berberian Sound Effects; Blondie; I Declare War; iLL Manors; Painless; Pusher; Sightseers; Thale; and Michel Gondry’s The We And The I. I haven’t found trailers for Beijing Flickers; Here Comes The […]

Batman vs. The French Revolution

“A hero can be anyone, even a man doing something as simple and reassuring as putting a coat around a young boy’s shoulders to let him know the world hasn’t ended.” “The mask is to show that Batman could be anybody.” Is saying anyone can be Batman the same as saying anyone can be a […]

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  • Of Note Elsewhere

    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n'roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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    Architecture Daily has an excerpt from City of Darkness detailing the development of Hong Kong’s Kowloon Walled City. “By the 1970s, the City had filled out to its maximised form, with buildings of up to 14 storeys in height, and virtually no ground level daylight penetration save at its centre. Its density was estimated to have reached a mere 7 square feet per person. The yamen area had somehow remained an exception to the vertical development, leased to a missionary society in 1949 for use as an almshouse and old people’s home. Eventually, it defined the sole substantial void within the Walled City, with visible sky above it.”

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