The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Director Lucile Hadžihalilović

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The Gutter’s own Carol interviews director and screenwriter Lucile Hadžihalilović at the Vanguard Program Blog of the Toronto International Film Festival. Hadžihalilović is the director of Innocence (2004) and Evolution (2015), as well as the screenwriter of Gaspar Noé’s Enter The Void (2009).

Vanguard 2015

Behold the creepy, eerily beautiful, hellishly frightening and sometimes hilarious delights of this year’s Vanguard Program at the Toronto International Film Festival: Demon; February; The Missing Girl; Evolution; Lace Crater; Der Nachtmahr; Collective Invention; Love; Men & Chickens; My Big Night; Veteran; Hellions; Endorphine; Zoom; and, No Men Beyond This Point. (The Gutter’s own Carol […]

“Friday Five: 5 Nifty Noir Films From Before 1955”

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At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

“13 Barrier-Breaking Women of Early Cinema and Old Hollywood”

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Friend of the Gutter, Nitrate Diva writes about 13 women who helped shape cinema. “Hollywood is, in many ways, a more male-dominated environment today than it was 90 or so years ago. Scary, huh? In order to perpetuate a culture where more women make movies now, we need to recognize the women who made movies in […]

“Watercolor Superheroes Made Of Big Color Splashes”

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deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)  

Yesterday’s Tomorrow: A Visit to Tativille


Against my better judgement, the lights in my apartment are connected to a wireless network controlled via an app. There are physical buttons, but they are located near the plugs, at ground level and often behind obstructions. When I leave, turning off the light requires digging my phone out of my pocket, typing in the unlock code, […]

Later is when we have less time

Adele Blanc-Sec book

Impatience is a trait that can be irritating, both in other people and oneself, and often results in disaster. In one of my previous articles, Don’t Be That Guy, I used the term “incapacitatingly impatient” to describe all the crazy things people do because they can’t bring themselves to wait long enough to make a […]

RIP, Louis Jourdan

Actor Louis Jourdan has died. Jourdan starred in both films and television including, Gigi (1958), Letter From An Unknown Woman (1948), Swamp Thing (1982), Octopussy (1983), Madame Bovary (1949), Julie (1956), Columbo (1978), Paris Precinct (1955) and Dracula (1977). The BBC, The Guardian and The New York Times have obituaries. Here’s a brief interview with […]

The Titanic, Mechanical, Time-Traveling Elephant.


“The Sultan’s Elephant was a show created by the Royal de Luxe theatre company, involving a huge moving mechanical elephant, a giant marionette of a girl and other associated public art installations. In French it was called, La visite du sultan des Indes sur son éléphant à voyager dans le temps (literally, “Visit from the […]

Let’s not realize your dreams…

28 days later bad dream

For our anniversary, my wife and I got a really nice message from my family wishing us good things, including that we would “realize our dreams”. When I’d finished responding, I looked over at her and noticed she had a strange expression on her face. You might think that after I woke up to find […]

“Classy Ladies, Scary Movies”


At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.”  “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to feature an actress over 50 in some […]

“Beauty Is The Beast”


At Bookview Cafe, Sherwood Smith reviews Rosmund Hodge’s Cruel Beauty and goes on to discuss the history and the many variations on the story of “The Beauty and the Beast.” “At my age, I find that the more interesting versions of the tale are not just about heroine versus sexy-but-dangerous hero/villain. Though that can be […]

“Le Bestiare Fabuleux”


“A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)

Line Up for the TIFF 2014 Vanguard Program


Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

Movies! Movies! Movies!


The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

The History of the Eye Close-Up

At, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

“Glamorous Insect Ladies”

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Boing Boing has a gallery of photographer Laurent Seroussi’s images of women melded with insects. (Thanks, Chuck!)

Global Pop Offensive!


Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

Zombie Lake Tweetalong Transcript


The Mysterious Order of the Skeleton Suit gathered together to harrow ourselves with the the movie Jess Franco walked away from, Zombie Lake (1982). Enjoy our harrowing here. (The Cultural Gutter is a proud Agent of M.O.S.S.) Interviews Artist Juanjo Guarnido


Blacksad artist Juanjo Guarnido is interviewed at And shares mangaka Mashima Hiro’s thoughts on Blacksad and Juanjo Guarnido’s influence on his own work.

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  • Of Note Elsewhere

    At Playboy, Jake Rossen writes about the story behind the filming and the restoration of Manos: The Hands of Fate. “For a long time no one wanted to see it unless it was accompanied by MST3K’s taunts. Then, in 2011, a collector of film prints uncovered the original negative of Manos and embarked on an inexplicable project to restore the film with all the white-glove attention archivists give to Hollywood classics. His efforts would incur the wrath of a mysterious man with a fake New Zealand accent named Rupert, as well as Joe Warren, Hal Warren’s embittered son, who intends to preserve the Manos legacy at all costs.” (Thanks, Ed!)


    At Die, Danger, Die, Die, Kill!, Todd reviews the two part Ghanian director Ninja’s film, 2016. “2016 is a movie that I am obligated to review by virtue of my having long ago joined the internet chorus of people trumpeting on about its insane trailer—and this despite the fact that all of you with any interest in seeing it have most likely tracked it down already. In that case, you already know that it is essentially a no-budget remake of Independence Day set in the suburbs of Ghana. And if that sounds like a massive over-reach to you, you obviously know very little about Ghanaian action cinema, and even less about the films of maverick multi-hyphenate Ninja.”

    Read about part one, here, and part two, here.


    Look, it’s the trailer for “The Abominable Snowman” a new episode of classic Thunderbirds. Huffington Post UK has more: “It’s exactly half a century since we heard the ominous tones of voice actor Peter Dyneley bringing us the Thunderbirds intro ‘5 -4 – 3 – 2 -1 Thunderbirds are go’, and to celebrate, the team are producing three brand new original episodes, based on audio-only recordings made in 1966, which means fans will get to enjoy the original voices, with some 21st century gadgetry thrown in on screen.” (Thanks, Todd!)


    At the Guardian, Elizabeth Day talks with Geena Davis about feminism, sexism in the film industry and the Geena Davis Institute on Gender in Media. “I mean, it’s freaky when you start examining it. For decades it’s been the same ratio – we’ve all grown up on that ratio. Could it be that women’s presence stalls at about the rate of female participation in the fiction that we watch? Could it be you get to that level and you feel done? That that looks normal? It’s just a completely unconscious image that we have in our heads that women only need to take up a certain amount of space and then we’ve done right by them.”


    At fbomb, Sabrina N. interviews Ashley Armitage. “21-year-old Seattle-based photographer and filmmaker Ashley Armitage’s work is largely a tribute to female friendships and femininity. Her dreamy, nuanced photography lets viewers into the intimate, magical moments of girlhood. They depict beauty routines and sleepovers. They unabashedly celebrate and normalize body hair, tampons and bras. The collection is a celebration of girlhood by one of its own products.” (via @GeekGirlCon)


    You can read every issue of No Magazine. “Be warned before you download and open these issues—they aren’t exactly safe for workplace viewing. If Larry Flynt and the Vienna Aktionists got together and published a punk zine in the late ‘70s, it would have looked a lot like NO MAG. NO MAG‘s publisher Bruce Kalberg, and the sordid turns of his life, were recently covered in LA Weekly‘s piece ‘Beautiful Loser, Tortured Killer.’”  (Thanks, Stephanie).


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