The Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) starts off with a fairly shocking scene, even by the standards of today: two bearded men locked in the throes of a passionate kiss. It’s a fake-out, we soon learn, a way to introduce both the central premise of the plot — the future has been ravaged by radioactive fallout that has caused women to grow beards — and the fact that this movie is going to have a grand time tweaking its nose at gender expectations, stereotypes, and comfort zones. The comedy is a mix of subtle and slapstick, something like Monty Python meets Charlie Chaplin meets the Marx Brothers, with a bit of Benny Hill-esque sex farce thrown in. Sadly, no one ever pats an old man on the head, though I’m sure Karel Effa (who should have teamed up with HK comedy actor Richard Ng) would have been up for it. Continue reading…
Actor Francis Matthews has died. Matthews voiced Captain Scarlet in the Supermarionation adventure show Captain Scarlet and the Mysterons (1967-8). He also appeared in Hammer horror films The Revenge of Frankenstein (1958), Dracula, Prince of Darkness (1966) and Rasputin, The Mad Monk (1966) and as the suave detective, Paul Temple in the eponymous television series. […]
Actor Kate O’Mara has died. She performed the Rani in Doctor Who, Caress Morell in Dynasty, Mademoiselle Perrodot in The Vampire Lovers and Alys in The Horror of Frankenstein. O’Mara also had roles in Absolutely Fabulous, The Avengers, The Saint, Danger Man / Secret Agent, The Persuaders and Adam Adamant Lives! The Guardian, Digital Spy […]
“No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and […]
The Shelley-Godwin Archive has posted all available manuscripts of Mary Shelley’s Frankenstein. Open Culture has a little more context–and a nice engraved frontispiece, “Frankenstein’s Creature,” made by W. Chevalier and T. Holst for the 1831 edition.
To enumerate the number of horror films that draw from Christian folklore and mysticism would result in a list long enough to qualify as a tome. To do similarly with Buddhist and Taoist folklore would result in much the same, only with a lot more Lam Ching-ying doing backflips. But if you turn the horrific […]
“Sometimes I tried to imitate the pleasant songs of the birds but was unable. Sometimes I wished to express my sensations in my own mode, but the uncouth and inarticulate sounds which broke from me frightened me into silence again” (Frankenstein, 110). “He raised her and smiled with such kindness and affection that I felt […]
Traumatic Cinematic‘s Lewis Cougill interviews the director of Frankenstein’s Army, Richard Raaphorst. They talk about art, conceptual art, Beyond Re-Animator and Frankenstein’s Army. TC also has a gallery of storyboard art from Frankenstein’s Army. (Listen to Traumatic Cinematic’s discussion of Frankenstein’s Army here).
Odd Things I’ve Seen has a list of the final resting places of actors and actresses who have played classic horror characters. “This isn’t comprehensive, of course, and were I to try to make it so, I’d disappear into a hole in the Internet and not come up until this post was a 10-part mini-series […]
I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]
B-Sol from Vault of Horror and Miguel from Monster Island Resort team up to discuss the Universal Studios monsters. First up, Frankenstein. (If you feel the urge to write us to explain that “actually, the creator is Frankenstein, please see this article. Thanks).
BBC Radio 4 presents dramatizations of Frankenstein and Dracula, as well as extras including discussions of the difficulty of performing Frankenstein’s Creature, Vitalism, and who Stoker might’ve based his Count on. Click through to The Gothic Imagination. (via @booksadventures)
When I was in grade two, my school thought it’d be a great Halloween activity to have a movie screening of old horror films. They showed us the 1931 adaptations of Dracula and Frankenstein, the original 1932 The Mummy, and the 1954 3-D classic, The Creature from the Black Lagoon. At age eight I had […]
The specter of Victor Frankenstein’s creature has been haunting me, confronting me with the horror if his creation and inherent in his being. He stalks me, in his way, as surely as he stalked Victor. Perhaps he’s just been curiously peering at me, as the creature watched humans in Mary Shelley’s novel, emulating our virtues […]
Summer’s come early this year, with the hum of air conditioners and fans in the air and the grass peacefully brown beneath my feet, the fireflies rising into the trees and all around the internet, Summer Top Ten lists are in bloom, from the Top Ten YA Summer Reads to the Top Ten Summer Eggplant Recipes […]
Every April at the Gutter, the editors switch things up. This week Comics Editor Carol writes about tv. ‘Ware ye spoilers! “Sometimes I wonder what it would be like for everything inside me that’s denied and unknown to be revealed, but I’ll never know. I live my life in hiding. My survival depends on it.”–Dexter […]
“Shot in Vancouver by one-time producer Clarence Neufeld and a cast of unknown exhibitionists, the adult monster spoof Sexcula is not only an almost lost piece of undeniably sleazy Canadiana, it’s also one of earliest monster movies made north of the border, a spoofy take-off on the Universal classic horror films.” More at Canuxploitation!
It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]
Astronomers confirm the day and time of Mary Shelley’s “waking dream” that led to the creation of Frankenstein. They do not explain why they thought her account needed to be confirmed. (via Kate Laity)
B-Sol at the Vault of Horror writes about General Mills Monster cereals and eating what scares us.
Janell Hobson connects Saturday Night Live‘s, “Bride of Blackenstein” to Sara Baartman, the Hottentot Venus, via Mary Shelley’s Frankenstein.keep looking »