As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
At Paleofuture, Matt Novak writes about Idiocracy‘s unpleasant implications: “Sure. As an over-the-top comedic dystopia, the movie is actually enjoyable. But the movie’s introduction makes it an unnerving reference to toss around as our go-to insult….Unlike other films that satirize the media and the soul-crushing consequences of sensationalized entertainment (my personal favorite being 1951’s Ace […]
Comic Book Cartography has Jack Kirby’s map of “The World of Kamandi.” (Thanks, Lt. Wilkes!)
Mallory Ortberg writes some entertaining faux-young adult dystopian fiction at The Toast: “Now, society’s bad. There was only one way for society to survive. Society’s real bad. Our society was bad after the War because of bad things. Remember all the things about your society right now? Just make ‘em worse, that’s our society. Nothing’s […]
At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]
It’s an amazing time in comics right now. There are too many good ones for me to even read them all. Comics are like a hydra, but without the decapitation or even really the fighting. (So maybe not all that much like a hydra except I find one comic and then there are 3-6 more […]
A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to hell, that I try to keep moving. […]
At Sequart, Julian Darius makes the case that Star Trek: Into Darkness damages the Star Trek franchise and that “Starfleet must be destroyed.” (via Mike White)
New HD trailer for the most excellent, Manborg!
At Paleofuture, Novak watches The Jetsons and the debates about television depicted in the episode, “Elroy’s Tv Show”: “The episode highlights the perennial debate over the role of TV programming in the American home. The latter half of the 20th century saw numerous fights over the regulation of TV programming and the battles were especially vicious […]
“One of the things I loved about Firefly was the exploration of the fusion of Asian and American cultures. Many Asian Americans go through a similar journey. I was wondering, if you were to explore that again in the future, if you would be willing to include Asian or Asian American performers?” More at Racebending.
There were not three Brontë Sisters, but four. Only Linda knew the future we all face.
The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for).
ChinaSmack has scans of of a 1950 propaganda comic predicting China’s future. “From the portrayal of working class hardship, to unaffordable housing, to foreigners behaving as they please in China, the problems of pre-liberation China seems to remain very much relevant even to this day.” (via @paleofuture)
Gutter founder Jim Munroe’s new film, Ghosts With Shit Jobs, will be premiering in Toronto, Berlin and at the Sci Fi London Festival in the UK. Chip in to the Kickstarter campaign to bring the film to more cities.
The New Yorker‘s Anna Holmes reads Hunger Games Tweets and interviews its creator about reading, race and racism. “If the stories we tell ourselves about the future, however disturbing, don’t include black people; if readers of The Hunger Games are so blind as to skip over the author’s specific details and themes of appearance, race, […]
Filmmaker Steven Kostanski answers some questions about mysterious subjects such as, Astron-6, Winnipeg and his latest film, Manborg, questions posited by the Gutter’s own Carol Borden.
Abebooks has a gorgeous gallery of Russian Avant Garde book cover illustration from the end of the Czarist era through the 1930s.
Grady Hendrix reads London Free Press editor William C. Heine’s The Last Canadian, a plague-driven, apocalyptic pulp set in Montreal. Unfortunately, the protagonist’s citizenship papers haven’t come through before the plague hits. For Canadian pulp fiction featuring full Canadian citizens, check out Tales from the Vault, curated by own own Screen Editor Emeritus, Ian Driscoll.
At a panel discussion, Octavia Butler reveals how she became a writer, watching a movie and thinking, “Jeez, I can write a better story than that!” Butler is interviewed by Charlie Rose in 2000. And a clip of her from a television documentary on science fiction.
Novelist Samuel Youd, who wrote as John Christopher, has died. Gutter readers might remember him best for his science fiction series, The Tripods, which was adapted for television by the BBC and Australia’s Seven Networks in the 1980s. The Guardian has an overview of his life and career.keep looking »