The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Cruelty of Idiocracy

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At Paleofuture, Matt Novak writes about Idiocracy‘s unpleasant implications: “Sure. As an over-the-top comedic dystopia, the movie is actually enjoyable. But the movie’s introduction makes it an unnerving reference to toss around as our go-to insult….Unlike other films that satirize the media and the soul-crushing consequences of sensationalized entertainment (my personal favorite being 1951’s Ace […]

“The World of Kamandi”

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Comic Book Cartography has Jack Kirby’s map of “The World of Kamandi.” (Thanks, Lt. Wilkes!)

“It’s A Bunch Of Years After The War”

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Mallory Ortberg writes some entertaining faux-young adult dystopian fiction at The Toast: “Now, society’s bad. There was only one way for society to survive. Society’s real bad. Our society was bad after the War because of bad things. Remember all the things about your society right now? Just make ‘em worse, that’s our society. Nothing’s […]

Nettrice Gaskins Explores AfroFuturism In Virtual Worlds

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At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]

10 Comics I Liked In 2013

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It’s an amazing time in comics right now. There are too many good ones for me to even read them all. Comics are like a hydra, but without the decapitation or even really the fighting. (So maybe not all that much like a hydra except I find one comic and then there are 3-6 more […]

Strong Female Character

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A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to hell, that I try to keep moving. […]

“Starfleet Must Be Destroyed”

At Sequart, Julian Darius makes the case that Star Trek: Into Darkness damages the Star Trek franchise and that “Starfleet must be destroyed.” (via Mike White)

New Manborg Trailer!

New HD trailer for the most excellent, Manborg!

Recapping The Jetsons: “Elroy’s TV Show”

At Paleofuture, Novak watches The Jetsons and the debates about television depicted in the episode, “Elroy’s Tv Show”: “The episode highlights the perennial debate over the role of TV programming in the American home. The latter half of the 20th century saw numerous fights over the regulation of TV programming and the battles were especially vicious […]

Mike Le asks Joss Whedon a Question

“One of the things I loved about Firefly  was the exploration of the fusion of Asian and American cultures. Many Asian Americans go through a similar journey. I was wondering, if you were to explore that again in the future, if you would be willing to include Asian or Asian American performers?” More at Racebending.

Linda Bronte’s Terrifying Vision of Things To Come

There were not three Brontë Sisters, but four. Only Linda knew the future we all face.

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for).

“Great Changes After The Liberation”

ChinaSmack has scans of of a 1950 propaganda comic predicting China’s future. “From the portrayal of working class hardship, to unaffordable housing, to foreigners behaving as they please in China, the problems of pre-liberation China seems to remain very much relevant even to this day.” (via @paleofuture)

Ghosts With Sh*t Jobs Kickstarter and Premiere!

Gutter founder Jim Munroe’s new film, Ghosts With Shit Jobs, will be premiering in Toronto, Berlin and at the Sci Fi London Festival in the UK. Chip in to the Kickstarter campaign to bring the film to more cities.

“White Until Proven Otherwise”

The New Yorker‘s Anna Holmes reads Hunger Games Tweets and interviews its creator about reading, race and racism. “If the stories we tell ourselves about the future, however disturbing, don’t include black people; if readers of The Hunger Games are so blind as to skip over the author’s specific details and themes of appearance, race, […]

Steven Kostanski Talks Astron-6, Winnipeg and Manborg!

Filmmaker Steven Kostanski answers some questions about mysterious subjects such as, Astron-6, Winnipeg and his latest film, Manborg, questions posited by the Gutter’s own Carol Borden.

Russian Avante-Garde Design

Abebooks has a gorgeous gallery of Russian Avant Garde book cover illustration from the end of the Czarist era through the 1930s.

The Last Canadian

Grady Hendrix reads London Free Press editor William C. Heine’s The Last Canadian, a plague-driven, apocalyptic pulp set in Montreal. Unfortunately, the protagonist’s citizenship papers haven’t come through before the plague hits.  For Canadian pulp fiction featuring full Canadian citizens, check out Tales from the Vault, curated by own own Screen Editor Emeritus, Ian Driscoll.

“Jeez, I can write a better story than that!”

At a panel discussion, Octavia Butler reveals how she became a writer, watching a movie and thinking, “Jeez, I can write a better story than that!”  Butler is interviewed by Charlie Rose in 2000. And a clip of her from a television documentary on science fiction.

RIP, John Christopher

Novelist Samuel Youd, who wrote as John Christopher, has died. Gutter readers might remember him best for his science fiction series, The Tripods, which was adapted for television by the BBC and Australia’s Seven Networks in the 1980s. The Guardian has an overview of his life and career.

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  • Of Note Elsewhere

    At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.”  “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to feature an actress over 50 in some sort of peril, a melodramatic plot and a title that ends in a question mark.  But there is another, related tradition that goes back further that I think we could place these films in.” (via Dr. Giallo)

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    “I want to tell you about when violent campaigns against harmless bloggers weren’t any halfway decent troll’s idea of a good time—even the then-malicious would’ve found it too easy to be fun. When the punches went up, not down. Before the best players quit or went criminal or were changed by too long a time being angry. When there was cruelty, yes, and palpable strains of sexism and racism and every kind of phobia, sure, but when these things had the character of adolescents pushing the boundaries of cheap shock, disagreeable like that but not criminal. Not because that time was defensible—it wasn’t, not really—but because it was calmer and the rage wasn’t there yet. Because trolling still meant getting a rise for a laugh, not making helpless people fear for their lives because they’re threatening some Redditor’s self-proclaimed monopoly on reason. I want to tell you about it because I want to make sense of how it is now and why it changed.” Emmett Rensin writes more at Vox.

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    At Smart Bitches, Trashy Books, Elyse has some things to say about reading Romance. “In the end, it doesn’t matter what I read. It doesn’t even matter that I do read, quite frankly. What matters is that we live in a world where fiction aimed directly at women is perceived as garbage. That doesn’t say anything at all about me, it says a lot about what needs to change.”

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    Brain Pickings looks at the life and work of Tove Jansson and the wisdom of her character, Too-ticky. “Too-ticky, the sage of Moominvalley who solves even the most existential of problems with equal parts practicality and wisdom, was inspired by the love of Jansson’s life — the great Finnish sculptor and graphic arts pioneer Tuulikki “Tooti” Pietilä, Jansson’s spouse. The two women met in art school during their twenties and remained together until Jansson’s death more than six decades later, collaborating on a lifetime of creative projects — all at a time when queer couples were straddling the impossible line between anguishing invisibility and dangerous visibility.” (via Kate Laity)

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    Photographer Kevin Weir uses vintage photographs to create haunting animation in “The Flux Machine.” The Guardian has an interview with Weir and more on his work.

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    At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman was inspired by Margaret Sanger, who, hidden from the world, was a member of Marston’s family.”

     

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