I come from a family of eggheads, so summer camp for me was usually something like Mini University. We’d play with metal shavings and magnets, or compete to design the most aerodynamic paper planes, but one of the things we also got to do was use the Olympic swimming pool with a full size, triple-decker diving board. The very top board was always roped off, but one of my best friends dared me to climb up to the level below it and jump off with her. It was high enough that it was hard to even make ourselves walk to the edge, but we agreed that on the count of three we’d run and jump. It wasn’t until I surfaced that I realized she was still up there, staring down at me. Continue reading…
Actor and singer Polly Bergen has died. Bergen has roles in film and television series as diverse as Desperate Housewives, Commander In Chief, The Sopranos, The Love Boat, Move Over Darling, Cape Fear (1962), and The Polly Bergen Show. The Los Angeles Times, The New York Times and The Guardian have obituaries. Here Rex Reed […]
The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The […]
Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).
Friend of the Gutter, Will McKinley looks at “The 1979 Rockford Files Episode That Inspired The Sopranos.” “A gang from Newark’s South Side is hiding Vinnie Martine’s body in a restaurant freezer. Tony’s mad because Anthony Jr. got caught pranking another mobster. And a boss who’s trying to reform gets his mansion sprayed with bullets. […]
The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.
Actor Eli Wallach has died. He appeared in many, many films and television shows including The Good, The Bad and The Ugly (1966), The Magnificent Seven (1960), The Godfather: Part III (1990), New York, I Love You (2008), Wall Street: Money Never Sleeps (2010) and Baby Doll (1956). He played Mr. Freeze in the 1960s […]
Japan Review interviews Natsuo Kirino, an author best known for her dark crime novels: “I don’t think I exclusively tell stories of women criminals. However, being a woman in this society is mainly an anonymous existence. I don’t think the fact that the environment is such that women are nameless and overlooked is a good […]
Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has creeped into the crime films, so this […]
Producer David Hannay has died. Hannay is probably best known for Dragon Flies / The Man From Hong Kong (1975), The Kung Fu Killers (1974) and Mapantsula (1987). The Sydney Morning Herald, NZ Edge and IF.com.au have obituaries. Jon Hewitt remembers Hannay at SBS. Brian Trenchard-Smith remembers Hannay on Hannay’s Facebook page. Hannay speaks at […]
“Bury Me In A Shallow Grave: When The Yakuza Come Calling,” a free . pdf chapter from Jake Adelstein’s book, Tokyo Vice.
All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival. And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]
A history of women in prison film from the 1920s through the 1970s and a gallery of real-life gun molls. (Thanks, @lowdudgeon)
It’s hot and the air already feels like unset Jell-O, but you still have some time to prepare for summer, because all the list-happy magazines and websites tell me, summer must be prepared for. Dig out your seersucker suit! Bob your hair! Find that most fashionable bathing suit–might I suggest a kicky Twenties number? You’ll […]
The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a […]
Watch 10-year-old Bruce Lee in his first film role, The Kid (1950).
Johnny Tri Nguyen and his brother, director Charlie Nguyen, team up again for the Vietnamese gangster movie, Cho Lon. Check out the trailer here. (via City On Fire).
At Wildgrounds, Kevin Ma shares his most enjoyable “bad” film and most enjoyable “good” film of 2012.
Director and producer Koji Wakamatsu has died. Wakamatsu had just been named filmmaker of the year at the 2012 Busan Film Festival. Wildgrounds has an interview, which Kimberly Lindbergs of Cinebeats helped translate, Keyframe has an obituary and Subway Cinema had a brief overview of Wakamatsu’s career paralleling a 2008 retrospective in Los Angeles. “Divisive, exploitative, […]
“These days, being a yakuza boss isn’t what it once was. In exchange for supreme status you get blamed for everything. In August of 2008, three months after the countermeasures laws went into effect, the Yamaguchi-gumi boss found himself dealing with one of his low-ranking underling’s unpaid McDonald’s tab. That’s because Japan’s approach to its […]
Michelle Kuo and Albert Wu compare Breaking Bad with The Sopranos, The Wire and Mad Men before examining its approach to evil: “Within this quartet, Breaking Bad is most similar to The Wire, and indeed is its twin and mirror image….David Simon likened The Wire to a Greek tragedy, by which he meant that sociology […]keep looking »