The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Geologic History of Westeros and Essos

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Learn all about the geology of Game Of Thrones at Generation Anthrophocene. Like this:Like Loading…

“How Patriarchy Screwed The Starks”

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There are spoilers in this interesting discussion: “Game of Thrones is about how patriarchal systems damage men as much as they damage women.” Like this:Like Loading…

Beach Reading

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It may not entirely feel like it, but it’s finally summer. Commercial fiction gets its second biggest bump of the year during the summer (the biggest is at Christmas, obviously), and  because the Romance genre is the largest section, its uptick in sales is the most noticeable.   That’s because mild and humid as it might […]

Pondering The Red Wedding

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The AV Club consider the emotional impact of Game of Thrones’ Red Wedding episode.  Gus Mustrapa considers pranks, punchlines,  Schadenfreude and the Red Wedding: “This weekend a booby-trap three years in the making was sprung. Millions of TV viewers watching A Game of Thrones took the proverbial blow. A good many nerds, having read the books […]

The Religions of Westeros

George R.R. Martin talks about the religions in Game of Thrones. Like this:Like Loading…

How HBO Makes Money With Game of Thrones

Slate is wondering, “If premium cable channels like HBO and Showtime aren’t judged by the Nielsens, how do they define success? And how does a niche program like Game of Thrones—beloved by fans, but watched by a tiny fraction of the viewing public—make money?” Like this:Like Loading…

Two Interviews

John Hodgman talks to George R. R. Martin and Fresh Air talks to Maurice Sendak. Like this:Like Loading…

Future Self, Meet Past Self… Now Fight!

I just finished re-reading A Game of Thrones, George R.R. Martin’s first volume in his (currently very hot) fantasy series, and I quite enjoyed it. Looking back on my notes from my first read-through ten years ago, I was startled to discover that I found it ho-hum and/or offensive! What gives? Like this:Like Loading…

NPR Interviews George R. R. Martin

Callers ask fiction and fantasy author, George R. R. Martin questions on NPR’s “On Point.”  “I never saw distinctions between these two genres. They all seemed to me to be flavors, if you will, of imaginative fiction, romantic fiction The great romantic tradition as opposed to realistic tradition in literature. My father called it all […]

The Superiority of Game of Thrones as a Show

Abigail Nussbaum writes about how television has improved George R. R. Martin’s Game of Thrones. ” I can think of no response that more thoroughly encapsulates how much Game of Thrones improves on Martin’s novel–the same death that left me yawning on the page when I only suspected it was coming, riveted me on screen […]

See You Later (Scifi) Suckers!

Lately I’ve noticed a few examples of a trend: authors who got their start writing science fiction have switched to writing fantasy. Why might this be? Probably because it’s become a bigger market!   Like this:Like Loading…

George R. R. Martin in The New Yorker

The New Yorker writes about George R. R. Martin, his fans, his angry fans, his fantasy epic, A Song of Fire and Ice, the upcoming HBO series based on it, and his next book, A Dance of Dragons, six years in the writing:  “I’m living the dream here. I have all of these readers who […]

Game of Thrones 15 Minute Preview

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HBO offers a 15 minute preview of its new series Game of Thrones, based on the George R. R. Martin series. Given how long the series is so far, a 15 minute taste seems about right. And if that’s not enough, Gutter favorite Peter Dinklage talks about playing Tyrion Lannister. (Thanks, Dr. O!) Like this:Like […]

Winter is Coming

Gianluca Maconi’s gallery of characters makes a great case for a comic based on George R.R. Martin’s Game of Thrones. (via Robot 6) Like this:Like Loading…

Genre on TV: Fantasy, Zombies

HBO has a teaser up for George R.R. Martin’s Game of Thrones.  Meanwhile, AMC has a clip up of actors learning to act like zombies for its upcoming The Walking Dead, based on Robert Kirkman’s comic. Like this:Like Loading…

Navigating the Mores of Fan Fiction

Hal Duncan navigates the mores of fan fiction. With stops at the kerfuffled shoals of Diana Gabaldon and George R. R. Martin’s blogs. Like this:Like Loading…

A Dance With Fans

George R. R. Martin has a few things he wants to get off his chest. Like he’s not lying about A Dance With Dragons completion dates. So deal with it. (via Super Punch) Like this:Like Loading…

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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