The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Where Have All The Midnight Movies Gone?”

Midnight Madness Programmer and Gutter Friend, Colin Geddes, is interviewed (along with many others) about the history of midnight movies from El Topo and Eraserhead till now.

To Kill A Mockingbird and Horror

“Even if we were to discount the element of Southern small town prejudice and the ugly courtroom trial that occupies the film’s center, this adaptation of the Pulitzer Prize winning novel by Harper Lee is just plain spooky… and it is my feeling that it has bestowed upon us a legacy of horror that we […]

RIP, Bill Hinzman

Bill Hinzman has died. Hinzman played the first modern zombie, who staggered across the graveyard in George Romero’s Night of the Living Dead.

What Do Zombies Mean to Americans?

Meanwhile, Annalee Newitz presents, “A Brief History of Zombies in America.”

Grr, Argh, Trailer Round-up

Grr, argh! Here’s a little undead creatures trailer round-up from the Toronto International Film Festival’s Midnight Madness program:  Daybreakers,  Survival of the Dead and [Rec]2.  Grr, argh!

John Wayne Can’t Save You

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This month we’re mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here. Blood Red Earth has been on FEARnet for weeks now. A horror movie set in the Old West with a Native American cast? […]


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In the run-up to, and wake of, the release of Watchmen, it has become common currency to say that adapting Zach Snyder, et al undertook a massive challenge in adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen. But I’m going to suggest that they actually undertook an even […]



In Videodrome, shortly before the arrival of the least sexy waiter in the history of cinema (no link for this, you’ll just have to go rent the movie), Max Renn (James Woods, no hyperlink needed) and Masha (Lynne Gorman, IMDb listing not interesting enough to link to) share the following exchange on the nature of […]


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After breaking my own vow never to do a list article last month, I felt like I should come back with something a little more rigorous to make up. So here it is: a postmodern examination of the zombie, and a chance for me to use up all my five-dollar words. And yes, I will […]

Knitted Zombie Doom

Behold the power of a knitted Dawn of the Dead, Tom Savini from Dawn of the Dead, Day of the Dead (see the flickr slideshow if you’d prefer) and the knitted Shaun of the Dead all created by cakeyvoice. cakeyvoice sells them, too. (All props to jiang tou at spiltpopcorn for the catch)

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  • Of Note Elsewhere

    In a 1988 Sight And Sound interview, Patricia Highsmith talks about film adaptations of her novels, from Strangers On A Train (1950) to The American Friend (1977)


    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


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