Last February, Todd Stadtman and Tars Tarkas invited me on the Infernal Brains podcast to discuss space ladies with them. We covered a lot of films, but I didn’t get to one film Todd suggested we watch, Darna Vs. The Planet Women (1975). I finally did recently and he was so right—Darna Vs. The Planet Women was a movie I needed to see. Since then, I’ve watched Darna And The Giants (1973) and Darna At Ding/Darna And Ding (1980). And these movies bring together so many fine things: a costumed comic book superhero, space ladies, supernatural creatures, black magic robots, disco fabulousness and the sassiness of Vilma Santos’ Darna. Continue reading…
Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).
The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.
At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)
Last summer, the repairman who came to patch my kitchen ceiling, discovered I read comics and then kept asking me about different blockbuster superhero movies and shows. And I’d keep saying I wasn’t very interested. He stood on the ladder, shaking his head in a reverie, saying the superhero movies were like candy to him […]
Actor and dancer Carla Laemmle has died. She appeared in The Phantom of the Opera (1925), Dracula (1931) and The Broadway Melody (1929). Laemmle returned to film with The Vampire Hunters Club (2001). The New York Times, The Hollywood Reporter and The Los Angeles Times have obituaries. Here Laemmle is interviewed by her niece. And […]
And director Lexi Alexander discusses making Punisher: War Zone (2008) with the Patton Oswalt and How Did This Get Made‘s Paul and June. (Thanks, Meow!)
Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]
Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.
To enumerate the number of horror films that draw from Christian folklore and mysticism would result in a list long enough to qualify as a tome. To do similarly with Buddhist and Taoist folklore would result in much the same, only with a lot more Lam Ching-ying doing backflips. But if you turn the horrific […]
Odd Things I’ve Seen has a list of the final resting places of actors and actresses who have played classic horror characters. “This isn’t comprehensive, of course, and were I to try to make it so, I’d disappear into a hole in the Internet and not come up until this post was a 10-part mini-series […]
At Teleport City, The Gutter’s own Carol writes about the sweetness of Sonny Chiba in Terror Beneath The Sea.
Program pages for Fritz Lang’s Metropolis depicting “Scenes, Story and Incidents in the Making of the World’s Greatest Modern Spectacular Film Masterpiece[.]“
When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.” –The Testament of Dr. Mabuse “[W]hatever factors come into play in the cases that we have studied, the conclusion is inescapable […]
Dion Fortune and the Fraternity of the Inner Light protected Britain from Germany’s occult attacks during World War II. Read more here. (via @mattstaggs)
In Berlin, gamers score points for destroying CCTV surveillance cameras.
At The Globe and Mail, Michael Posner writes on Apple’s corporate censorship of Peter Ovig Knudsen’s books, Hippie 1 and 2. “The Hippie book controversy follows a series of similar attempts by Apple to censor–or deny market access–to artistic material it deems offensive.”
Couchcutter asks horror fans not to cheat themselves out of the future: “I’m not asking you to buy less Hollywood. I’m telling you that we *need* to buy more Independent. At least, if there is any independent stuff that you love or have ever loved. If one of the two have to suffer out of […]
Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.” Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films […]
A fascinating discussion on fantasy, violence and catharsis between Michael Kosakowski, director of Zero Killed, a documentary in which people re-enact their fantasies of murder, and Miguel Rodriguez is on Monster Island Resort Podcast.
This year’s Vanguard program at the Toronto International Film Festival also looks pretty sweet with Soi Cheang’s Motorway, starring Anthony Wong Chau-Sang; 90 Minutes; Berberian Sound Effects; Blondie; I Declare War; iLL Manors; Painless; Pusher; Sightseers; Thale; and Michel Gondry’s The We And The I. I haven’t found trailers for Beijing Flickers; Here Comes The […]keep looking »