The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Vanguard 2015

Behold the creepy, eerily beautiful, hellishly frightening and sometimes hilarious delights of this year’s Vanguard Program at the Toronto International Film Festival: Demon; February; The Missing Girl; Evolution; Lace Crater; Der Nachtmahr; Collective Invention; Love; Men & Chickens; My Big Night; Veteran; Hellions; Endorphine; Zoom; and, No Men Beyond This Point. (The Gutter’s own Carol […]

Midnight Madness 2015

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Here’s the genre-tastic line-up for this year’s Midnight Madness Program at the Toronto International Film Festival–with trailers where available: The Chickening; Green Room; Baskin; Hardcore; The Devil’s Candy; The Girl In The Photographs; The Mind’s Eye; Southbound; SPL 2: A Time For Consequences; Yakuza Apocalypse; and, The Final Girls. (The Gutter’s own Carol runs the […]

“Friday Five: 5 Nifty Noir Films From Before 1955”

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At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

Interview with Lexi Alexander


The Kernal interviews director Lexi Alexander about the film industry, the ACLU investigation of gender discrimination in Hollywood, the connection between file-sharing and gender equality, trying to get an Arab-led series on television and the problem with crowdfunding.

The Fairy Tale Collection of Franz Xaver von Schönwerth


“Once upon a time … the fairytales you thought you knew had endings you wouldn’t recognise. A new collection of German folk stories has Hansel and Gretel getting married after an erotic encounter with a dwarf, an enchanted frog being kissed not by a damsel in distress but by a young man, and Cinderella using […]

Lexi Alexander on The Movie Crypt


Director Lexi Alexander joins Adam Green and Joe Lynch on Geek Nation’s The Movie Crypt. “From Lexi’s early days as a martial arts world champion living in Germany, to a comprehensive look into how her short film (Johnny Flynton) secured an Oscar nomination and how the Academy’s nomination process really works, to Lexi’s opinions on […]

On Writing The Spy Who Came In From The Cold


John Le Carré writes about writing The Spy Who Came In From The Cold. “It was the Berlin Wall that had got me going, of course: I had flown from Bonn to take a look at it as soon as it started going up. I went with a colleague from the Embassy and as we […]

Line Up for the TIFF 2014 Vanguard Program


Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

Movies! Movies! Movies!


The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

The History of the Eye Close-Up

At, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

Stale Candy, Punk Rock, Failure, Assimilation and Punisher: War Zone

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Last summer, the repairman who came to patch my kitchen ceiling, discovered I read comics and then kept asking me about different blockbuster superhero movies and shows. And I’d keep saying I wasn’t very interested. He stood on the ladder, shaking his head in a reverie, saying the superhero movies were like candy to him […]

RIP, Carla Laemmle

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Actor and dancer Carla Laemmle has died. She appeared in The Phantom of the Opera (1925), Dracula (1931) and The Broadway Melody (1929). Laemmle returned to film with The Vampire Hunters Club (2001).  The New York Times, The Hollywood Reporter and The Los Angeles Times have obituaries. Here Laemmle is interviewed by her niece. And […]

How Did This Get Made: Punisher: War Zone

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And director Lexi Alexander discusses making Punisher: War Zone (2008) with the Patton Oswalt and How Did This Get Made‘s Paul and June. (Thanks, Meow!)

Pirates On One Hand, Privateers On The Other

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Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]

Global Pop Offensive!


Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

Hebrew Horrors


To enumerate the number of horror films that draw from Christian folklore and mysticism would result in a list long enough to qualify as a tome. To do similarly with Buddhist and Taoist folklore would result in much the same, only with a lot more Lam Ching-ying doing backflips. But if you turn the horrific […]

“It’s A Graveyard Threat: Classic Monster Graves”


Odd Things I’ve Seen has a list of the final resting places of actors and actresses who have played classic horror characters. “This isn’t comprehensive, of course, and were I to try to make it so, I’d disappear into a hole in the Internet and not come up until this post was a 10-part mini-series […]

The Sweetness of Sonny Chiba


At Teleport City, The Gutter’s own Carol writes about the sweetness of Sonny Chiba in Terror Beneath The Sea.

Metropolis Magazine

Program pages for Fritz Lang’s Metropolis depicting “Scenes, Story and Incidents in the Making of the World’s Greatest Modern Spectacular Film Masterpiece[.]”

The Empire of Crime: Mabuse vs. Wertham vs. Marston

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When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.” —The Testament of Dr. Mabuse “[W]hatever factors come into play in the cases that we have studied, the conclusion is inescapable […]

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  • Of Note Elsewhere

    There’s a free audio book adaptation of Joe Hill and Gabriel Rodriguez’ Locke & Key at


    At Actionland, Heroic Sister Achillesgirl writes about subtitling the 1964 wuxia film, Buddha Palm. And she provides you with the subtitles and a link to the film!


    At Bleeding Cool, Cap Blackard writes about the contested homeworld of Howard the Duck. “If you’ve seen the much maligned Howard the Duck film or read any Howard the Duck stories published since 1979, you’re probably familiar with the concept of Duckworld. You know, an alternate Earth where everyone is ducks and everything is duck-themed: Ducktor Strange, Bloomingducks, etc, etc. Sounds like a recipe for a finite barrel of bad jokes, right? It is, and it’s also not Howard’s real point of origin. During his landmark initial run, Howard’s creator Steve Gerber had the down-and-out duck hailing from a world of talking animals, but all that changed when Gerber was kicked off the book and Disney flashed a lawsuit. Now, after decades of backstory fumbling, Mark Waid has reinstated Howard’s point of origin in a one-shot issue of S.H.I.E.L.D.” (Thanks, Mark!)


    At The Village Voice, Jackson Connor writes about the making of The Warriors. Amid the refurbished boardwalk and laughter of children, it’s easy to forget that Coney Island was once a place where tourists did not venture. For much of the latter half of the twentieth century, street gangs dominated this neighborhood. They ran rampant through the area’s neglected housing projects, tearing along Surf and Neptune avenues toward West 8th Street. Those gangs, or gangs like them, and that incarnation of Coney Island would form the backbone of author Sol Yurick’s 1965 debut novel, The Warriors, about the young members of a street gang. More than a decade after the novel’s publication it would be optioned and, eventually, turned into a major motion picture of the same name.” (via @pulpcurry)


    Edith Garrud taught Suffragettes jiu-jitsu and formed Emmeline Pankhurst’s Bodyguard. “The first connection between the suffragettes and jiu-jitsu was made at a WSPU meeting. Garrud and her husband William, who ran a martial arts school in London’s Golden Square together, had been booked to attend. But William was ill, so she went alone. ‘Edith normally did the demonstrating, while William did the speaking,’ says Tony Wolf, writer of Suffrajitsu, a trilogy of graphic novels about this aspect of the suffragette movement. ‘But the story goes that the WSPU’s leader, Emmeline Pankhurst, encouraged Edith to do the talking for once, which she did.'”


    At Playboy, Jake Rossen writes about the story behind the filming and the restoration of Manos: The Hands of Fate. “For a long time no one wanted to see it unless it was accompanied by MST3K’s taunts. Then, in 2011, a collector of film prints uncovered the original negative of Manos and embarked on an inexplicable project to restore the film with all the white-glove attention archivists give to Hollywood classics. His efforts would incur the wrath of a mysterious man with a fake New Zealand accent named Rupert, as well as Joe Warren, Hal Warren’s embittered son, who intends to preserve the Manos legacy at all costs.” (Thanks, Ed!)


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