The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Vanguard 2015

Behold the creepy, eerily beautiful, hellishly frightening and sometimes hilarious delights of this year’s Vanguard Program at the Toronto International Film Festival: Demon; February; The Missing Girl; Evolution; Lace Crater; Der Nachtmahr; Collective Invention; Love; Men & Chickens; My Big Night; Veteran; Hellions; Endorphine; Zoom; and, No Men Beyond This Point. (The Gutter’s own Carol […]

Midnight Madness 2015

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Here’s the genre-tastic line-up for this year’s Midnight Madness Program at the Toronto International Film Festival–with trailers where available: The Chickening; Green Room; Baskin; Hardcore; The Devil’s Candy; The Girl In The Photographs; The Mind’s Eye; Southbound; SPL 2: A Time For Consequences; Yakuza Apocalypse; and, The Final Girls. (The Gutter’s own Carol runs the […]

“Friday Five: 5 Nifty Noir Films From Before 1955”

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At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

Interview with Lexi Alexander


The Kernal interviews director Lexi Alexander about the film industry, the ACLU investigation of gender discrimination in Hollywood, the connection between file-sharing and gender equality, trying to get an Arab-led series on television and the problem with crowdfunding.

The Fairy Tale Collection of Franz Xaver von Schönwerth


“Once upon a time … the fairytales you thought you knew had endings you wouldn’t recognise. A new collection of German folk stories has Hansel and Gretel getting married after an erotic encounter with a dwarf, an enchanted frog being kissed not by a damsel in distress but by a young man, and Cinderella using […]

Lexi Alexander on The Movie Crypt


Director Lexi Alexander joins Adam Green and Joe Lynch on Geek Nation’s The Movie Crypt. “From Lexi’s early days as a martial arts world champion living in Germany, to a comprehensive look into how her short film (Johnny Flynton) secured an Oscar nomination and how the Academy’s nomination process really works, to Lexi’s opinions on […]

On Writing The Spy Who Came In From The Cold


John Le Carré writes about writing The Spy Who Came In From The Cold. “It was the Berlin Wall that had got me going, of course: I had flown from Bonn to take a look at it as soon as it started going up. I went with a colleague from the Embassy and as we […]

Line Up for the TIFF 2014 Vanguard Program


Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

Movies! Movies! Movies!


The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

The History of the Eye Close-Up

At, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

Stale Candy, Punk Rock, Failure, Assimilation and Punisher: War Zone

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Last summer, the repairman who came to patch my kitchen ceiling, discovered I read comics and then kept asking me about different blockbuster superhero movies and shows. And I’d keep saying I wasn’t very interested. He stood on the ladder, shaking his head in a reverie, saying the superhero movies were like candy to him […]

RIP, Carla Laemmle

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Actor and dancer Carla Laemmle has died. She appeared in The Phantom of the Opera (1925), Dracula (1931) and The Broadway Melody (1929). Laemmle returned to film with The Vampire Hunters Club (2001).  The New York Times, The Hollywood Reporter and The Los Angeles Times have obituaries. Here Laemmle is interviewed by her niece. And […]

How Did This Get Made: Punisher: War Zone

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And director Lexi Alexander discusses making Punisher: War Zone (2008) with the Patton Oswalt and How Did This Get Made‘s Paul and June. (Thanks, Meow!)

Pirates On One Hand, Privateers On The Other

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Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]

Global Pop Offensive!


Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

Hebrew Horrors


To enumerate the number of horror films that draw from Christian folklore and mysticism would result in a list long enough to qualify as a tome. To do similarly with Buddhist and Taoist folklore would result in much the same, only with a lot more Lam Ching-ying doing backflips. But if you turn the horrific […]

“It’s A Graveyard Threat: Classic Monster Graves”


Odd Things I’ve Seen has a list of the final resting places of actors and actresses who have played classic horror characters. “This isn’t comprehensive, of course, and were I to try to make it so, I’d disappear into a hole in the Internet and not come up until this post was a 10-part mini-series […]

The Sweetness of Sonny Chiba


At Teleport City, The Gutter’s own Carol writes about the sweetness of Sonny Chiba in Terror Beneath The Sea.

Metropolis Magazine

Program pages for Fritz Lang’s Metropolis depicting “Scenes, Story and Incidents in the Making of the World’s Greatest Modern Spectacular Film Masterpiece[.]”

The Empire of Crime: Mabuse vs. Wertham vs. Marston

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When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.” —The Testament of Dr. Mabuse “[W]hatever factors come into play in the cases that we have studied, the conclusion is inescapable […]

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  • Of Note Elsewhere

    In a 1988 Sight And Sound interview, Patricia Highsmith talks about film adaptations of her novels, from Strangers On A Train (1950) to The American Friend (1977)


    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


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