The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Lights Out, Please”

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“Lights Out, Please combines retellings of traditional ghost stories and urban legends, alongside new, personal stories from a variety of international authors in order to tell others about the kinds of fears we live with. We tell our stories as a ghost story or urban legend to get people to believe us.” Find out more here […]

“Haunted Houses: Tokyo’s Real Estate Listings With Problems”

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“Japan’s estimated population at the time of their last census was 127 million, and people have been living on this small collection of islands since the Jomon period (~12,000 BCE.) In an increasingly crowded country with a strong traditional belief in ghosts and hauntings, the question of avoiding a marauding ghost becomes impossible to solve, […]

Line Up for the TIFF 2014 Vanguard Program

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Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available). Like […]

Summer Fun Time Reading ’14

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Summer is almost here, and I can’t tell you how glad I am. So smear yourself up with sunscreen and bug repellent, find your kickiest sandals, put the finishing touches on your Wicker Man and don’t forget to wear a hat because I have some comics to make your summer just a little more fun […]

Theater as Seance

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“In 1911, the famed American medium Anna Eva Fay held a public seance at the London Coliseum, inviting audience members to ask questions that she would answer by channelling the dead. Seated in the auditorium was Violet Coward, whose beloved 11-year-old son, Noël, had just begun his stage career after Violet spotted an advert in the […]

Haunted History

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Just in time for Halloween, The Gutter’s own Keith Allison explores haunted history in New York City; Louisville, KY; Centralia, PA; London, UK; and Sydney, Australia at his website, Teleport City. Like this:Like Loading…

Ghost Stories of Old New York

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The Bowery Boys present their annual Halloween podcast, with terrifying tales of Old New York: “For this episode, we’ve decided to go truly old-school, reaching back to old legends and tales from the years of the Revolutionary War and early 19th century.   These ghosts have two things in common–George Washington (directly or indirectly) and ghosts!” […]

“A History of British Folk Horror”

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Spectacular Optical has an overview of British folklore in horror film and television. (Thanks, Colin!) Like this:Like Loading…

Creepy BBC Tales

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BBC Radio has several horror and ghost stories available right now, including the series, “Algernon Blackwood’s Ghost Stories,” “The Monkey’s Paw” and “The House of Doctor Dee.”  Each segment expires after seven days. Like this:Like Loading…

RIP, Julie Harris

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Actress Julie Harris has died. The Los Angeles Times remembers her.  The Hollywood Reporter has an obituary. She appeared in countless film, television and stage roles. Here she is as Eleanor in The Haunting (1963) and as Betty in Harper (1966). Like this:Like Loading…

Soulless and The Waters of Modern Horror Writing

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At Teleport City, Keith Allison reviewins Gail Carriger’s Soulless and slowly wades into “the waters of modern horror writing”. “An entire ocean of literature that teaches young kids that weird, spooky, awkward, and different people are awesome? I can deal with that.” Like this:Like Loading…

Things That Change You Forever

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I have a ghost story of my own.  At least, I have a ghost-cat story. My final year as an undergraduate was spent in relative splendor.  My friends and I lucked into tenancy in the house of a professor on sabbatical.  Twelve foot ceilings!  Built in bookshelves! Three cats! Real, grown-up furniture!  Wait… let’s get […]

Women In Horror Month: “Celebrating Shirley Jackson”

Erin Horakova looks at author Shirley Jackson’s masterful, The Haunting of Hill House and We Have Always Lived In The Castle.  “Haunting is stunning, and while it’s a must-read for anyone interested in ghost stories, haunted houses, or psychological horror, it also stretches beyond its demographic.” Like this:Like Loading…

Abuse and Paranormal Activity

Maria at The Hathor Legacy looks at the Paranormal Activity franchise from the standpoint of abuse, neglect and gaslighting. “It’s also a reminder that one of the franchise’s major themes is that when women and children are victims of abuse, they are not only not likely to be believed, they are also often put into […]

Things That Go Bump In The Night

(No, I don’t mean that kind of bump. Sheesh.  You people.) Given the timing of this column, and its proximity to Halloween, it seemed logical to write about the spooky side of Romance.  But it was a little harder than I thought to put together a reading list.  I wanted to concentrate on books that […]

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for). Like this:Like Loading…

Ramsay International Horror

“The ‘Ramsay Brothers,’ as they are called, have in these films, and in India’s first horror show on television, featured ghosts, ghouls, monsters, zombies, witches, vampires and every conceivable version of things that go bump in the night. Mostly, they’ve been the first to do so.”  More on the Ramsay Brothers and Hindi film horror […]

Kaneto Shindo, Onibaba and Kuroneko

The Gutter’s own Carol was kindly invited to discuss director Kaneto Shindo and his ghostly films, Onibaba and Kuroneko on Monster Island Resort Podcast. If you’re curious, feel free to listen here. Like this:Like Loading…

RIP, Kaneto Shindo

Director and screenwriter Kaneto Shindo has died. He lived past 100 and made masterpieces including Onibaba, Kuroneko, Children of Hiroshima, Lucky Dragon No. 5 and The Naked Island. He also wrote the screenplays for Seijun Suzuki’s Fighting Elegy, Yasuzo Masumura Irezumi, Kinji Fukasaku’s Under the Flag of the Rising Sun, Seijiro Koyama’s Hachi / Hachiko […]

Dark Shadows Roundtable

The Cinementals, the Collinsport Historical Society and Monster Island Resort join together for a thoughtful discussion of Tim Burton’s Dark Shadows. Like this:Like Loading…

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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