The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Giant Mr. Darcy, All-Out Pride Attack!

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Please view these pictures of Giant Mr. Darcy from Jane Austen’s Pride & Prejudice rising out of the Serpentine in Hyde Park while listening to this orchestral medley from the Godzilla soundtrack.

Drive-In Mob Ringtones

The Drive-In Mob has created ringtones “perfect for alienating people around you on public transportation” including: Omega Man; Godzilla vs. MechaPetrillo; Super Fuzz; The Wilhelm Scream; and the ants from THEM!

The Words Got Stuck In My Throat

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“If I had a hidden microphone inside of my heart/I would turn the power on/It would amplify my love for you and swear to always love you/and you’d never be gone.” I love when old movies–that are not musicals per se–spotlight the performance of a song, because it’s symptomatic of a sincere desire to entertain […]

RIP, Carlo Rambaldi

Special effects master Carlo Rambaldi has died. Rambaldi is probably most famous for his work in ET, The Extraterrestrial; Alien; and Dune, but Rambaldi also worked extensively for Mario Bava. The New York Times has an obituary. Here are a video homage, another by Il Centro Sperimentale di Cinematografia di Roma and a clip of […]

RIP, Emi Ito

Singer and actress Emi Ito has died. Ito was a member of the singing duo, The Peanuts, with her twin sister, Yumi.  And both were probably most famous as the Shobijin/twin fairies who were mystically connected to Mothra in the Mothra and Godzilla films of the 1960s and 1970s.  More about The Peanuts here and […]

Giant Monster All-Out Attack!

Kaiju invade the airwaves as The Cinementals discuss the work of Godzilla director Ishiro Honda, King Ghidorah is the monster of the month at Monster Island Resort and this week’s Drive-In Mob movie tweetalong will coincide with Turner Classic Movie’s screening of 4 Ishiro Honda movies on Friday, June 15! (The Drive-In Mob is co-sponsored […]

A Very Kaiju Christmas!

Some Kaijutastic Christmas displays–prominently featuring Godzilla!

Terror of Monkeys vs. Robots

Manipulated by mad scientists, humiliated for humanity’s pleasure, will robots and apes tire of making our cars, vacuuming our floors, fighting our wars, washing our cats and smoking our cigarettes? Who will break first as humankind continually fails to distinguish androids from robots, apes from monkeys? We return again to the question that 2012 inevitably […]

A Defense of the Silly Godzilla Movies

At TCM’s Movie Morlocks, David Kalat writes a passionate defense of silly Godzilla movies and how Godzilla vs. Megalon conquired the world in “The Importance of Being Godzilla (Part 1).”

Get Made With The Drive-In Mob

The Gutter, Grindhouse Database and Shelf Life Clothing Company have joined forces to sponsor an evening of genre movie live tweets every Thursday night at 8pm ET.  Tonight’s the last KaiJuly screening with a double feature of the Shaw Bros. kaiju movie, The Mighty Peking Man at followed by Godzilla 2000. Get made by the […]

The Disturbing Nature of Ultraman

A meditation on Ultraman and Ultraman in manga form, drawn by “horror comics auteur” Kazuo Umezu:  “The boys who read this would grow up to read even more outlandish and violent mens’ comics; the girls would have a whole sub-genre of girls’ horror comics, jam-packed with beheadings, defenestrations, and entrails, some drawn by Umezu, for […]

80 Years of Genre Snubs

Horror movies are celebrating their hundredth year in 2010, with the anniversary of the 1910 Edison Lab’s production of Frankenstein.  Bloody Disgusting catalogs “some of the biggest…genre snubs in Oscar history, in Part Four of B-D’s ’100 Years in Horror’ series.”

Taiwanese Giant Monsters, Discussed!

Die, Danger, Die, Die, Kill! and TarsTarkas.net join forces to discuss Taiwanese giant monster films and you can listen in!

The United Monster Talent Agency

Movietone News: The United Monster Talent Agency helps bring monsters to a screen near you!

Waiting for Gorgo?

Do you remember Gorgo? The giant monster that raced up from the oceanic depths and devastated London? The DMOA do.

Giant/Human Relations

2 animated shorts from Celine & Yann record giant/human relations. “Giant: Army” and “Giant: Sun.”

The Troll Hunter

The most important documentary of our time is Norwegian: The Troll Hunter. Teaser, trailer, a pretty neat clip and a review.

Akira Ifukube Conducts

Akira Ifukube conducts the Osaka Symphony in a selection of his Godzilla works.

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  • Of Note Elsewhere

    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n'roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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    Architecture Daily has an excerpt from City of Darkness detailing the development of Hong Kong’s Kowloon Walled City. “By the 1970s, the City had filled out to its maximised form, with buildings of up to 14 storeys in height, and virtually no ground level daylight penetration save at its centre. Its density was estimated to have reached a mere 7 square feet per person. The yamen area had somehow remained an exception to the vertical development, leased to a missionary society in 1949 for use as an almshouse and old people’s home. Eventually, it defined the sole substantial void within the Walled City, with visible sky above it.”

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