The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Eiji Tsuburaya Made Godzilla Come Alive–And It Changed Film Forever”

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At Vox, Phil Edwards profiles special effects master Eiji Tsuburaya and interviews August Ragone about Tsuburaya’s career. “A director, cinematographer, and producer, Tsuburaya is best known for creating the special effects behind Japanese classics like Godzilla (1954), Mothra (1961), and many other films where the giant monsters called kaiju terrorize the good people of Tokyo. […]

Godzilla Noir

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The Gutter’s own Carol shares a bit of her hardboiled Godzilla detective fiction at Monstrous Industry. Here’s a segment from “Three Kings” and two from “A Mark In Blue.”: ‘“Hell,’ I muttered, glancing down. My side was a mess of rearranged gears and blue coolant weeped from a broad gash. There was another smear of […]

“Andrew Hughes: A Life In Japanese Pictures”

“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]

Giant Mr. Darcy, All-Out Pride Attack!

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Please view these pictures of Giant Mr. Darcy from Jane Austen’s Pride & Prejudice rising out of the Serpentine in Hyde Park while listening to this orchestral medley from the Godzilla soundtrack.

Drive-In Mob Ringtones

The Drive-In Mob has created ringtones “perfect for alienating people around you on public transportation” including: Omega Man; Godzilla vs. MechaPetrillo; Super Fuzz; The Wilhelm Scream; and the ants from THEM!

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply […]

The Unholy Tentacles of Weird Noir

Fox Spirit Press has just released an anthology of Weird Noir edited by K.A. Laity and including some hardboiled Godzilla fiction by The Gutter’s own Comics Editor, Carol. “On the gritty backstreets of a crumbling city, tough dames and dangerous men trade barbs, witticisms and a few gunshots. But there’s a new twist where urban […]

Interview with Don Coscarelli

At the Midnight Madness blog, the Gutter’s own Carol Borden interviews Don Coscarelli about adaptation, Godzilla and John Dies At The End.

Special Effects Master Eiji Tsuburaya

Just in time for Eiji Tsuburaya’s birthday, here’s a brief video documentary on his career in special effects for films ranging from Godzilla and War of the Gargantuas to Throne of Blood and Chushingura.  

RIP, Emi Ito

Singer and actress Emi Ito has died. Ito was a member of the singing duo, The Peanuts, with her twin sister, Yumi.  And both were probably most famous as the Shobijin/twin fairies who were mystically connected to Mothra in the Mothra and Godzilla films of the 1960s and 1970s.  More about The Peanuts here and […]

Giant Monster All-Out Attack!

Kaiju invade the airwaves as The Cinementals discuss the work of Godzilla director Ishiro Honda, King Ghidorah is the monster of the month at Monster Island Resort and this week’s Drive-In Mob movie tweetalong will coincide with Turner Classic Movie’s screening of 4 Ishiro Honda movies on Friday, June 15! (The Drive-In Mob is co-sponsored […]

10 Things About Godzilla

At the Criterion Collection blog, Curtis Tsui shares, “10 Things I learned About Godzilla.” My favorite involves sugar wafers. (via Kaijucast)

Godzilla: 3 Reasons

Criterion’s excellent three reasons for its Godzilla (1954) DVD and Blu-Ray.

A Very Kaiju Christmas!

Some Kaijutastic Christmas displays–prominently featuring Godzilla!

A Defense of the Silly Godzilla Movies

At TCM’s Movie Morlocks, David Kalat writes a passionate defense of silly Godzilla movies and how Godzilla vs. Megalon conquired the world in “The Importance of Being Godzilla (Part 1).”

Get Made With The Drive-In Mob

The Gutter, Grindhouse Database and Shelf Life Clothing Company have joined forces to sponsor an evening of genre movie live tweets every Thursday night at 8pm ET.  Tonight’s the last KaiJuly screening with a double feature of the Shaw Bros. kaiju movie, The Mighty Peking Man at followed by Godzilla 2000. Get made by the […]

Akira Ifukube Conducts

Akira Ifukube conducts the Osaka Symphony in a selection of his Godzilla works.

Galleries of Destruction and Awesomeness

“Giant monsters attack Flickr!” and Kung Fu Fridays is there to capture it with links anatomical drawings of kaiju and links to other galleries of monsters, Irwin Allen, architecture, 60s pop styles and all kinds of goodness.

Radio Free Monster Island

Surrounded on all sides by awesome monsters, monstruos and kaiju, Eegah, Tabonga and Rodan do the only thing they can. They make groovy mp3’s sampling monster movie soundtracks from all over including Hammer, Toho, American International and anything a go-go or defeated by Santo.

A Kaiju A Week

There’s a kaiju a week at August Ragone site dedicated to Godzilla, Toho and the rubber-suited menace. Here’s his entry on an early incarnation of the three-headed fan favorite, King Ghidorah. (Warning: extreme kaiju knowledge!)

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  • Of Note Elsewhere

    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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    At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your own tiny gay face: Stormer and Kimber from Jem are truly, outrageously, canonically queer….This is good news. Great news. But it’s not really news news. Of course Stormer and Kimber are gay. They’ve been in love since 1987!”

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    “Over the last couple of weeks, I’ve been binge-watching one of the most innovative series on television. Like many of the gems of the current TV renaissance, it features extended narratives with complex plots, intricate backstories, and layered characters. Its approach to storytelling is remarkably adventurous, shattering television, and even cinematic conventions.

     I’m speaking, of course, of General Hospital.” Noah Berlatsky writes about the influence of soap operas on “prestige television” at Quartz. (And make sure to click through to Akash Nikolas’ “Yes, Mad Men is a Soap Opera and that Shouldn’t be an Insult”).
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