The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Women In Horror Month: “Celebrating Shirley Jackson”

Erin Horakova looks at author Shirley Jackson’s masterful, The Haunting of Hill House and We Have Always Lived In The Castle.  “Haunting is stunning, and while it’s a must-read for anyone interested in ghost stories, haunted houses, or psychological horror, it also stretches beyond its demographic.”

Ann Radcliffe and The Supernatural in Poetry

Monster Island Resort Podcast celebrates Women In Horror Month with a reading of horror forerunner, Romantic and Gothic novelist Ann Radcliffe’s “The Supernatural in Poetry.” Terror vs. Horror. Gore vs. No Gore. Realism vs. Atmosphere. It’s all discussed.

The Gothic Imagination

BBC Radio 4 presents dramatizations of Frankenstein and Dracula, as well as extras including discussions of the difficulty of performing Frankenstein’s Creature, Vitalism, and who Stoker might’ve based his Count on. Click through to The Gothic Imagination. (via @booksadventures)

The Specter of Frankenstein

the adam of his labors

The specter of Victor Frankenstein’s creature has been haunting me, confronting me with the horror if his creation and inherent in his being. He stalks me, in his way, as surely as he stalked Victor. Perhaps he’s just been curiously peering at me, as the creature watched humans in Mary Shelley’s novel, emulating our virtues […]

Ramsay International Horror

“The ‘Ramsay Brothers,’ as they are called, have in these films, and in India’s first horror show on television, featured ghosts, ghouls, monsters, zombies, witches, vampires and every conceivable version of things that go bump in the night. Mostly, they’ve been the first to do so.”  More on the Ramsay Brothers and Hindi film horror […]

Sexcula!

“Shot in Vancouver by one-time producer Clarence Neufeld and a cast of unknown exhibitionists, the adult monster spoof Sexcula is not only an almost lost piece of undeniably sleazy Canadiana, it’s also one of earliest monster movies made north of the border, a spoofy take-off on the Universal classic horror films.”  More at Canuxploitation!

“Book’em, Brontës!”

Brontë Sisters Power Dolls. They’re not action figures, they’re Power Dolls! “Book’em, Brontës!” (thanks, Denis!)

Gothtober 2008

Explore the mysterious mission de las calaveras in Gothtober’s 2008 Halloween advent calendar.

It Was A Dark And Stormy Night

moon2.jpg

There’s a scene at the end of the film of Jane Austen’s Persuasion (the Ciaran Hines version, natch) that I love.  In it, the hero holds out his hand, and the heroine takes it.  That’s it, just two people holding hands.  What makes it so powerful is what led up to that quiet moment – […]

Lara’s more interesting sisters

In BloodRayne, the line between necking and feeding is blurry.

Powerful women are sexy, and this cuts both ways. MobyGames, a game documentation and review project, has a categorization for female protagonists that shows that there have been about as many games released in the first three years of this decade as there was in the entire previous one. There’s a bunch of factors involved, […]

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  • Of Note Elsewhere

    “I want to tell you about when violent campaigns against harmless bloggers weren’t any halfway decent troll’s idea of a good time—even the then-malicious would’ve found it too easy to be fun. When the punches went up, not down. Before the best players quit or went criminal or were changed by too long a time being angry. When there was cruelty, yes, and palpable strains of sexism and racism and every kind of phobia, sure, but when these things had the character of adolescents pushing the boundaries of cheap shock, disagreeable like that but not criminal. Not because that time was defensible—it wasn’t, not really—but because it was calmer and the rage wasn’t there yet. Because trolling still meant getting a rise for a laugh, not making helpless people fear for their lives because they’re threatening some Redditor’s self-proclaimed monopoly on reason. I want to tell you about it because I want to make sense of how it is now and why it changed.” Emmett Rensin writes more at Vox.

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    At Smart Bitches, Trashy Books, Elyse has some things to say about reading Romance. “In the end, it doesn’t matter what I read. It doesn’t even matter that I do read, quite frankly. What matters is that we live in a world where fiction aimed directly at women is perceived as garbage. That doesn’t say anything at all about me, it says a lot about what needs to change.”

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    Brain Pickings looks at the life and work of Tove Jansson and the wisdom of her character, Too-ticky. “Too-ticky, the sage of Moominvalley who solves even the most existential of problems with equal parts practicality and wisdom, was inspired by the love of Jansson’s life — the great Finnish sculptor and graphic arts pioneer Tuulikki “Tooti” Pietilä, Jansson’s spouse. The two women met in art school during their twenties and remained together until Jansson’s death more than six decades later, collaborating on a lifetime of creative projects — all at a time when queer couples were straddling the impossible line between anguishing invisibility and dangerous visibility.” (via Kate Laity)

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    Photographer Kevin Weir uses vintage photographs to create haunting animation in “The Flux Machine.” The Guardian has an interview with Weir and more on his work.

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    At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman was inspired by Margaret Sanger, who, hidden from the world, was a member of Marston’s family.”

     

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    Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is also the greatest, most liberating thing and you can and should totally do it.” (Thanks, Colin!)

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