The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

It doesn’t matter, it’s in the past

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I’m not much for making New Year’s resolutions. The idea of a chance to reset the clock on things I keep meaning to do more consistently or successfully than I ever seem to manage is appealing, but it seems like a bit of a gimmick to me. It’s never really a clean slate because you […]

“I’ll find a match / Or maybe two or three.”

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Bertha Antoinette Mason Rochester as a Disney Princess by Shipwrecked’s Sinead Persaud. Like this:Like Loading…

Women In Horror Month: “Celebrating Shirley Jackson”

Erin Horakova looks at author Shirley Jackson’s masterful, The Haunting of Hill House and We Have Always Lived In The Castle.  “Haunting is stunning, and while it’s a must-read for anyone interested in ghost stories, haunted houses, or psychological horror, it also stretches beyond its demographic.” Like this:Like Loading…

Ann Radcliffe and The Supernatural in Poetry

Monster Island Resort Podcast celebrates Women In Horror Month with a reading of horror forerunner, Romantic and Gothic novelist Ann Radcliffe’s “The Supernatural in Poetry.” Terror vs. Horror. Gore vs. No Gore. Realism vs. Atmosphere. It’s all discussed. Like this:Like Loading…

The Gothic Imagination

BBC Radio 4 presents dramatizations of Frankenstein and Dracula, as well as extras including discussions of the difficulty of performing Frankenstein’s Creature, Vitalism, and who Stoker might’ve based his Count on. Click through to The Gothic Imagination. (via @booksadventures) Like this:Like Loading…

The Specter of Frankenstein

the adam of his labors

The specter of Victor Frankenstein’s creature has been haunting me, confronting me with the horror if his creation and inherent in his being. He stalks me, in his way, as surely as he stalked Victor. Perhaps he’s just been curiously peering at me, as the creature watched humans in Mary Shelley’s novel, emulating our virtues […]

Ramsay International Horror

“The ‘Ramsay Brothers,’ as they are called, have in these films, and in India’s first horror show on television, featured ghosts, ghouls, monsters, zombies, witches, vampires and every conceivable version of things that go bump in the night. Mostly, they’ve been the first to do so.”  More on the Ramsay Brothers and Hindi film horror […]

Sexcula!

“Shot in Vancouver by one-time producer Clarence Neufeld and a cast of unknown exhibitionists, the adult monster spoof Sexcula is not only an almost lost piece of undeniably sleazy Canadiana, it’s also one of earliest monster movies made north of the border, a spoofy take-off on the Universal classic horror films.”  More at Canuxploitation! Like […]

“Book’em, Brontës!”

Brontë Sisters Power Dolls. They’re not action figures, they’re Power Dolls! “Book’em, Brontës!” (thanks, Denis!) Like this:Like Loading…

Gothtober 2008

Explore the mysterious mission de las calaveras in Gothtober’s 2008 Halloween advent calendar. Like this:Like Loading…

It Was A Dark And Stormy Night

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There’s a scene at the end of the film of Jane Austen’s Persuasion (the Ciaran Hines version, natch) that I love.  In it, the hero holds out his hand, and the heroine takes it.  That’s it, just two people holding hands.  What makes it so powerful is what led up to that quiet moment – […]

Lara’s more interesting sisters

In BloodRayne, the line between necking and feeding is blurry.

Powerful women are sexy, and this cuts both ways. MobyGames, a game documentation and review project, has a categorization for female protagonists that shows that there have been about as many games released in the first three years of this decade as there was in the entire previous one. There’s a bunch of factors involved, […]

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    The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.

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    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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