Last April, I wrote about my first foray into anime. I had a great time with it, and my successful venture had a of couple unintended side-effects. For one thing, I enjoyed that first series so much that I tried another, then another, then many more (which led to me finally figuring out how to make Netflix play it in Japanese. Hurrah, technological success!). And then, when my choices narrowed down to only shows I didn’t want to watch, I began to read manga instead. Continue reading…
A few pages from Guillermo Del Toro’s notebooks and a book trailer for his upcoming, Cabinet of Curiosities: My Notebooks, Collections and Other Obsessions.
I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]
The New Yorker tours Guillermo del Toro’s Los Angeles mansion and gets a look at Smaug and The Mountains of Madness. (via @Propnomicon)
An underground monster that can’t see, but senses your steps via vibrations. A giant ape that falls in love with a woman and fights lots of dinosaurs. And a hellish creature that fights on the side of humanity against mechanical armies and wayward elves. What do these have in common? I interrupt this critical essay […]
Guillermo del Toro has a lot to say about Hellboy and hobbits at the L.A. Film Festival. (Really, it’s an hour interview).
Mysterious creatures. Bizarre science. A dark, snowbound fortress. The occult. Tentacled, crustacean-inspired monsters. Hellish apocalypse. Primordial evil. Madness. Hellboy, the well-received latest film from neo-post-schlock auteur Guillermo del Toro (Cronos, The Devil’s Backbone, Blade II), offers these and other delights, all of which are common motifs in the work of that impossibly influential champion of […]