The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Guillermo Del Toro’s Cabinet of Curiosities.

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A few pages from Guillermo Del Toro’s notebooks and a book trailer for his upcoming, Cabinet of Curiosities: My Notebooks, Collections and Other Obsessions.

The Monster in Me

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I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

The Chambers of Guillermo del Toro

The New Yorker tours Guillermo del Toro’s Los Angeles mansion and gets a look at Smaug and The Mountains of Madness. (via @Propnomicon)

Let There Be Monsters

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An underground monster that can’t see, but senses your steps via vibrations. A giant ape that falls in love with a woman and fights lots of dinosaurs. And a hellish creature that fights on the side of humanity against mechanical armies and wayward elves. What do these have in common? I interrupt this critical essay […]

Hellboy and the Hobbit

Guillermo del Toro has a lot to say about Hellboy and hobbits at the L.A. Film Festival. (Really, it’s an hour interview).

At The 23-Screen Stadium-Seating Nacho-Serving Cineplex Of Madness

Uzumaki is Lovecraftian cinema at its haircurling best.

Mysterious creatures. Bizarre science. A dark, snowbound fortress. The occult. Tentacled, crustacean-inspired monsters. Hellish apocalypse. Primordial evil. Madness. Hellboy, the well-received latest film from neo-post-schlock auteur Guillermo del Toro (Cronos, The Devil’s Backbone, Blade II), offers these and other delights, all of which are common motifs in the work of that impossibly influential champion of […]

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  • Of Note Elsewhere

    At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.

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    Anne Billson has posted a 1985 interview she did with director George Miller (the Mad Max films). Miller talks about many things including Aunty Entity’s probable past as a hero and Max as, in Mel Gibson’s words, “a closet human being.” (Thanks, Matt!)

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    At New York Magazine, David Wallace-Wells writes about bees, colony collapse disorder and beekeeper Dave Hackenberg. “It’s been a long decade for bees. We’ve been panicking about them nonstop since 2006, when beekeeper Dave Hackenberg inspected 2,400 hives wintering in Florida and found 400 of them abandoned — totally empty. American beekeepers had experienced dramatic die-offs before, as recently as the previous winter in California and in regular bouts with a deadly bug called the varroa mite since the 1980s. But those die-offs would at least produce bodies pathologists could study. Here, the bees had just disappeared. In the U.K., they called it Mary Celeste syndrome, after the merchant ship discovered off the Azores in 1872 with not a single passenger aboard. The bees hadn’t even scrawled CROATOAN in honey on the door on their way out of the hive.”

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    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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