The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Francis Matthews

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Actor Francis Matthews has died. Matthews voiced Captain Scarlet in the Supermarionation adventure show Captain Scarlet and the Mysterons (1967-8). He also appeared in Hammer horror films The Revenge of Frankenstein (1958), Dracula, Prince of Darkness (1966) and Rasputin, The Mad Monk (1966) and as the suave detective, Paul Temple in the eponymous television series. […]

RIP, Kate O’Mara

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Actor Kate O’Mara has died. She performed the Rani in Doctor Who, Caress Morell in Dynasty, Mademoiselle Perrodot in The Vampire Lovers and Alys in The Horror of Frankenstein. O’Mara also had roles in Absolutely Fabulous, The Avengers, The Saint, Danger Man / Secret Agent, The Persuaders and Adam Adamant Lives!  The Guardian, Digital Spy […]

The Monster in Me

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I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

Fire Fang Has Risen From The Grave!

Over the holidays, I participated in the Mysterious Order of the Skeleton Suit‘s Secret Santa Exchange. I sent Tars Tarkas, Apocalypse IV: Judgment. And Permission To Kill‘s David Foster sent me two comics : Vampire! Featuring Fire Fang and Vampire! #2: The Brothers of Fire Fang (Meteor Comics, 1995). Together they reprint five of Australian […]

Interview with Marcus Hearn

At TCM’s Movie Morlocks blog, Kimberley Lindbergs interviews Marcus Hearn on Hammer Studio’s enduring legacy.  “The best of the films have now been critically rehabilitated, but it’s depressing when they’re overlooked or misrepresented as camp or trashy. So I guess I’m on something of a crusade!”

Time Magazine’s View of Horror in 1961

The Belated Nerd reprints a 1961 Time review of Hammer and American Intertnational horror, including The Pit and The Pendulum, Curse of the Werewolf and Black Sunday.  “Those who cannot bear the tension may be grateful for the Fright Break, during which they may ‘follow the Yellow Streak to the Coward’s Corner and have the […]

RIP, Ingrid Pitt

Ingrid Pitt died today. She was an icon of Hammer Studios and especially Hammer horror movies, starring in The Vampire Lovers, The Countess Dracula and The Wicker Man. She was also in 2 Doctor Who adventures. Marcus Hearn pays tribute to Pitt at Hammer’s official site. The Guardian has a brief story here.

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein.

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  • Of Note Elsewhere

    The Royal Court Theatre hosts a conversation among former Anonymous LulzSec members facilitated by anthropologist Gabriella Coleman.

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    “Japan’s estimated population at the time of their last census was 127 million, and people have been living on this small collection of islands since the Jomon period (~12,000 BCE.) In an increasingly crowded country with a strong traditional belief in ghosts and hauntings, the question of avoiding a marauding ghost becomes impossible to solve, without outside help.”Atlas Obscura has more (with neat illustrations).

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    At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.”  “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to feature an actress over 50 in some sort of peril, a melodramatic plot and a title that ends in a question mark.  But there is another, related tradition that goes back further that I think we could place these films in.” (via Dr. Giallo)

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    “I want to tell you about when violent campaigns against harmless bloggers weren’t any halfway decent troll’s idea of a good time—even the then-malicious would’ve found it too easy to be fun. When the punches went up, not down. Before the best players quit or went criminal or were changed by too long a time being angry. When there was cruelty, yes, and palpable strains of sexism and racism and every kind of phobia, sure, but when these things had the character of adolescents pushing the boundaries of cheap shock, disagreeable like that but not criminal. Not because that time was defensible—it wasn’t, not really—but because it was calmer and the rage wasn’t there yet. Because trolling still meant getting a rise for a laugh, not making helpless people fear for their lives because they’re threatening some Redditor’s self-proclaimed monopoly on reason. I want to tell you about it because I want to make sense of how it is now and why it changed.” Emmett Rensin writes more at Vox.

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    At Smart Bitches, Trashy Books, Elyse has some things to say about reading Romance. “In the end, it doesn’t matter what I read. It doesn’t even matter that I do read, quite frankly. What matters is that we live in a world where fiction aimed directly at women is perceived as garbage. That doesn’t say anything at all about me, it says a lot about what needs to change.”

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    Brain Pickings looks at the life and work of Tove Jansson and the wisdom of her character, Too-ticky. “Too-ticky, the sage of Moominvalley who solves even the most existential of problems with equal parts practicality and wisdom, was inspired by the love of Jansson’s life — the great Finnish sculptor and graphic arts pioneer Tuulikki “Tooti” Pietilä, Jansson’s spouse. The two women met in art school during their twenties and remained together until Jansson’s death more than six decades later, collaborating on a lifetime of creative projects — all at a time when queer couples were straddling the impossible line between anguishing invisibility and dangerous visibility.” (via Kate Laity)

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