The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Elisabeth Luytens: Horror Queen of Composers”


At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]

RIP, Francis Matthews

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Actor Francis Matthews has died. Matthews voiced Captain Scarlet in the Supermarionation adventure show Captain Scarlet and the Mysterons (1967-8). He also appeared in Hammer horror films The Revenge of Frankenstein (1958), Dracula, Prince of Darkness (1966) and Rasputin, The Mad Monk (1966) and as the suave detective, Paul Temple in the eponymous television series. […]

RIP, Kate O’Mara


Actor Kate O’Mara has died. She performed the Rani in Doctor Who, Caress Morell in Dynasty, Mademoiselle Perrodot in The Vampire Lovers and Alys in The Horror of Frankenstein. O’Mara also had roles in Absolutely Fabulous, The Avengers, The Saint, Danger Man / Secret Agent, The Persuaders and Adam Adamant Lives!  The Guardian, Digital Spy […]

The Monster in Me


I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

Fire Fang Has Risen From The Grave!

Over the holidays, I participated in the Mysterious Order of the Skeleton Suit‘s Secret Santa Exchange. I sent Tars Tarkas, Apocalypse IV: Judgment. And Permission To Kill‘s David Foster sent me two comics : Vampire! Featuring Fire Fang and Vampire! #2: The Brothers of Fire Fang (Meteor Comics, 1995). Together they reprint five of Australian […]

Interview with Marcus Hearn

At TCM’s Movie Morlocks blog, Kimberley Lindbergs interviews Marcus Hearn on Hammer Studio’s enduring legacy.  “The best of the films have now been critically rehabilitated, but it’s depressing when they’re overlooked or misrepresented as camp or trashy. So I guess I’m on something of a crusade!”

Time Magazine’s View of Horror in 1961

The Belated Nerd reprints a 1961 Time review of Hammer and American Intertnational horror, including The Pit and The Pendulum, Curse of the Werewolf and Black Sunday.  “Those who cannot bear the tension may be grateful for the Fright Break, during which they may ‘follow the Yellow Streak to the Coward’s Corner and have the […]

RIP, Ingrid Pitt

Ingrid Pitt died today. She was an icon of Hammer Studios and especially Hammer horror movies, starring in The Vampire Lovers, The Countess Dracula and The Wicker Man. She was also in 2 Doctor Who adventures. Marcus Hearn pays tribute to Pitt at Hammer’s official site. The Guardian has a brief story here.

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein.

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  • Of Note Elsewhere

    At Playboy, Jake Rossen writes about the story behind the filming and the restoration of Manos: The Hands of Fate. “For a long time no one wanted to see it unless it was accompanied by MST3K’s taunts. Then, in 2011, a collector of film prints uncovered the original negative of Manos and embarked on an inexplicable project to restore the film with all the white-glove attention archivists give to Hollywood classics. His efforts would incur the wrath of a mysterious man with a fake New Zealand accent named Rupert, as well as Joe Warren, Hal Warren’s embittered son, who intends to preserve the Manos legacy at all costs.” (Thanks, Ed!)


    At Die, Danger, Die, Die, Kill!, Todd reviews the two part Ghanian director Ninja’s film, 2016. “2016 is a movie that I am obligated to review by virtue of my having long ago joined the internet chorus of people trumpeting on about its insane trailer—and this despite the fact that all of you with any interest in seeing it have most likely tracked it down already. In that case, you already know that it is essentially a no-budget remake of Independence Day set in the suburbs of Ghana. And if that sounds like a massive over-reach to you, you obviously know very little about Ghanaian action cinema, and even less about the films of maverick multi-hyphenate Ninja.”

    Read about part one, here, and part two, here.


    Look, it’s the trailer for “The Abominable Snowman” a new episode of classic Thunderbirds. Huffington Post UK has more: “It’s exactly half a century since we heard the ominous tones of voice actor Peter Dyneley bringing us the Thunderbirds intro ‘5 -4 – 3 – 2 -1 Thunderbirds are go’, and to celebrate, the team are producing three brand new original episodes, based on audio-only recordings made in 1966, which means fans will get to enjoy the original voices, with some 21st century gadgetry thrown in on screen.” (Thanks, Todd!)


    At the Guardian, Elizabeth Day talks with Geena Davis about feminism, sexism in the film industry and the Geena Davis Institute on Gender in Media. “I mean, it’s freaky when you start examining it. For decades it’s been the same ratio – we’ve all grown up on that ratio. Could it be that women’s presence stalls at about the rate of female participation in the fiction that we watch? Could it be you get to that level and you feel done? That that looks normal? It’s just a completely unconscious image that we have in our heads that women only need to take up a certain amount of space and then we’ve done right by them.”


    At fbomb, Sabrina N. interviews Ashley Armitage. “21-year-old Seattle-based photographer and filmmaker Ashley Armitage’s work is largely a tribute to female friendships and femininity. Her dreamy, nuanced photography lets viewers into the intimate, magical moments of girlhood. They depict beauty routines and sleepovers. They unabashedly celebrate and normalize body hair, tampons and bras. The collection is a celebration of girlhood by one of its own products.” (via @GeekGirlCon)


    You can read every issue of No Magazine. “Be warned before you download and open these issues—they aren’t exactly safe for workplace viewing. If Larry Flynt and the Vienna Aktionists got together and published a punk zine in the late ‘70s, it would have looked a lot like NO MAG. NO MAG‘s publisher Bruce Kalberg, and the sordid turns of his life, were recently covered in LA Weekly‘s piece ‘Beautiful Loser, Tortured Killer.’”  (Thanks, Stephanie).


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