The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Francis Matthews

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Actor Francis Matthews has died. Matthews voiced Captain Scarlet in the Supermarionation adventure show Captain Scarlet and the Mysterons (1967-8). He also appeared in Hammer horror films The Revenge of Frankenstein (1958), Dracula, Prince of Darkness (1966) and Rasputin, The Mad Monk (1966) and as the suave detective, Paul Temple in the eponymous television series. […]

RIP, Kate O’Mara

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Actor Kate O’Mara has died. She performed the Rani in Doctor Who, Caress Morell in Dynasty, Mademoiselle Perrodot in The Vampire Lovers and Alys in The Horror of Frankenstein. O’Mara also had roles in Absolutely Fabulous, The Avengers, The Saint, Danger Man / Secret Agent, The Persuaders and Adam Adamant Lives!  The Guardian, Digital Spy […]

The Monster in Me

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I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

Fire Fang Has Risen From The Grave!

Over the holidays, I participated in the Mysterious Order of the Skeleton Suit‘s Secret Santa Exchange. I sent Tars Tarkas, Apocalypse IV: Judgment. And Permission To Kill‘s David Foster sent me two comics : Vampire! Featuring Fire Fang and Vampire! #2: The Brothers of Fire Fang (Meteor Comics, 1995). Together they reprint five of Australian […]

Interview with Marcus Hearn

At TCM’s Movie Morlocks blog, Kimberley Lindbergs interviews Marcus Hearn on Hammer Studio’s enduring legacy.  “The best of the films have now been critically rehabilitated, but it’s depressing when they’re overlooked or misrepresented as camp or trashy. So I guess I’m on something of a crusade!” Like this:Like Loading…

Time Magazine’s View of Horror in 1961

The Belated Nerd reprints a 1961 Time review of Hammer and American Intertnational horror, including The Pit and The Pendulum, Curse of the Werewolf and Black Sunday.  “Those who cannot bear the tension may be grateful for the Fright Break, during which they may ‘follow the Yellow Streak to the Coward’s Corner and have the […]

RIP, Ingrid Pitt

Ingrid Pitt died today. She was an icon of Hammer Studios and especially Hammer horror movies, starring in The Vampire Lovers, The Countess Dracula and The Wicker Man. She was also in 2 Doctor Who adventures. Marcus Hearn pays tribute to Pitt at Hammer’s official site. The Guardian has a brief story here. Like this:Like […]

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein. Like this:Like Loading…

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  • Of Note Elsewhere

    Anne Billson has posted a 1985 interview she did with director George Miller (the Mad Max films). Miller talks about many things including Aunty Entity’s probable past as a hero and Max as, in Mel Gibson’s words, “a closet human being.” (Thanks, Matt!)

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    At New York Magazine, David Wallace-Wells writes about bees, colony collapse disorder and beekeeper Dave Hackenberg. “It’s been a long decade for bees. We’ve been panicking about them nonstop since 2006, when beekeeper Dave Hackenberg inspected 2,400 hives wintering in Florida and found 400 of them abandoned — totally empty. American beekeepers had experienced dramatic die-offs before, as recently as the previous winter in California and in regular bouts with a deadly bug called the varroa mite since the 1980s. But those die-offs would at least produce bodies pathologists could study. Here, the bees had just disappeared. In the U.K., they called it Mary Celeste syndrome, after the merchant ship discovered off the Azores in 1872 with not a single passenger aboard. The bees hadn’t even scrawled CROATOAN in honey on the door on their way out of the hive.”

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    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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