The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Harold Ramis

GetDownGutter_Thumb

Actor, writer and director Harold Ramis has died. He is probably best known for  SCTV, Animal House, Meatballs, Stripes, Caddyshack, Ghostbusters, Ghostbusters II, and Groundhog Day. He also had memorable roles in As Good As It Gets and Knocked Up.  The Chicago Tribune, The New York Times and The Los Angeles Times have obituaries. The […]

10 Thankfully Deleted Scenes

Cracked presents 10 deleted scenes–with video clips–that would have ruined movies, from the very good, Alien, to the very bad, Revenge of the Sith. Like this:Like Loading…

Saturday Morning Happy Hour

police academy 80.jpg

Racial epithets. Topless women. Speeches interrupted by blowjobs. Steve Guttenberg. Doesn’t seem like fodder for a Saturday morning cartoon show. But in the late 80s the film Police Academy, which subjected viewers to such adult situations, spawned an animated series of the same name. Running for two seasons, the series featured the original franchise’s characters–Mahoney, […]

  • Support The Gutter

  • The Book!

  • Of Note Elsewhere

    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

    ~

    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

    ~

    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

    ~

    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

    ~

    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

    ~

    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: