The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Pondering The Red Wedding

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The AV Club consider the emotional impact of Game of Thrones’ Red Wedding episode.  Gus Mustrapa considers pranks, punchlines,  Schadenfreude and the Red Wedding: “This weekend a booby-trap three years in the making was sprung. Millions of TV viewers watching A Game of Thrones took the proverbial blow. A good many nerds, having read the books […]

Breaking Bad + Laugh Track

Breaking Bad re-imagined as an ABC sitcom.

How HBO Makes Money With Game of Thrones

Slate is wondering, “If premium cable channels like HBO and Showtime aren’t judged by the Nielsens, how do they define success? And how does a niche program like Game of Thrones—beloved by fans, but watched by a tiny fraction of the viewing public—make money?”

Future Self, Meet Past Self… Now Fight!

I just finished re-reading A Game of Thrones, George R.R. Martin’s first volume in his (currently very hot) fantasy series, and I quite enjoyed it. Looking back on my notes from my first read-through ten years ago, I was startled to discover that I found it ho-hum and/or offensive! What gives?

NPR Interviews George R. R. Martin

Callers ask fiction and fantasy author, George R. R. Martin questions on NPR’s “On Point.”  “I never saw distinctions between these two genres. They all seemed to me to be flavors, if you will, of imaginative fiction, romantic fiction The great romantic tradition as opposed to realistic tradition in literature. My father called it all […]

The Superiority of Game of Thrones as a Show

Abigail Nussbaum writes about how television has improved George R. R. Martin’s Game of Thrones. ” I can think of no response that more thoroughly encapsulates how much Game of Thrones improves on Martin’s novel–the same death that left me yawning on the page when I only suspected it was coming, riveted me on screen […]

“Hi, I’m Twilight. And I’m True Blood.”

Twilight and True Blood have an animated Barbie off. (via Cinema Junkie)

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  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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