The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Pondering The Red Wedding

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The AV Club consider the emotional impact of Game of Thrones’ Red Wedding episode.  Gus Mustrapa considers pranks, punchlines,  Schadenfreude and the Red Wedding: “This weekend a booby-trap three years in the making was sprung. Millions of TV viewers watching A Game of Thrones took the proverbial blow. A good many nerds, having read the books […]

Breaking Bad + Laugh Track

Breaking Bad re-imagined as an ABC sitcom. Like this:Like Loading…

How HBO Makes Money With Game of Thrones

Slate is wondering, “If premium cable channels like HBO and Showtime aren’t judged by the Nielsens, how do they define success? And how does a niche program like Game of Thrones—beloved by fans, but watched by a tiny fraction of the viewing public—make money?” Like this:Like Loading…

Future Self, Meet Past Self… Now Fight!

I just finished re-reading A Game of Thrones, George R.R. Martin’s first volume in his (currently very hot) fantasy series, and I quite enjoyed it. Looking back on my notes from my first read-through ten years ago, I was startled to discover that I found it ho-hum and/or offensive! What gives? Like this:Like Loading…

NPR Interviews George R. R. Martin

Callers ask fiction and fantasy author, George R. R. Martin questions on NPR’s “On Point.”  “I never saw distinctions between these two genres. They all seemed to me to be flavors, if you will, of imaginative fiction, romantic fiction The great romantic tradition as opposed to realistic tradition in literature. My father called it all […]

The Superiority of Game of Thrones as a Show

Abigail Nussbaum writes about how television has improved George R. R. Martin’s Game of Thrones. ” I can think of no response that more thoroughly encapsulates how much Game of Thrones improves on Martin’s novel–the same death that left me yawning on the page when I only suspected it was coming, riveted me on screen […]

“Hi, I’m Twilight. And I’m True Blood.”

Twilight and True Blood have an animated Barbie off. (via Cinema Junkie) Like this:Like Loading…

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  • Of Note Elsewhere

    The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.

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    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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