The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Katsuya Terada Live-Drawing Demonstration

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Video of illustrator and character designer Katsuya Terada drawing and talking about his work. (via @aicnanime) Like this:Like Loading…

The Monster in Me

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I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

¡More Cinco de Mayo Celebration!

¡Comics Alliance celebrates Cinco de Mayo with el Santo comics and a roundtable discussion of Hellboy in Mexico–including at least one poster from an el Santo movie! Like this:Like Loading…

Let There Be Monsters

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An underground monster that can’t see, but senses your steps via vibrations. A giant ape that falls in love with a woman and fights lots of dinosaurs. And a hellish creature that fights on the side of humanity against mechanical armies and wayward elves. What do these have in common? I interrupt this critical essay […]

10 Comics I Liked in 2008

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Here they are, ten comics I liked in 2008 that I haven’t written about yet. All ready? Alright. Like this:Like Loading…

Hellboy and the Hobbit

Guillermo del Toro has a lot to say about Hellboy and hobbits at the L.A. Film Festival. (Really, it’s an hour interview). Like this:Like Loading…

Screw-On Head and Hellboy, Unfairly Compared

Two DVDs, one day.

Really, I am trying to be good, but I’m not sure I can help it. Last month, DVD’s for The Amazing Screw-On Head and Hellboy: Sword of Storms were released on the same day. That should have been the best day ever since they’re both based on Mike Mignola’s comics. Unfortunately, releasing both projects on […]

At The 23-Screen Stadium-Seating Nacho-Serving Cineplex Of Madness

Uzumaki is Lovecraftian cinema at its haircurling best.

Mysterious creatures. Bizarre science. A dark, snowbound fortress. The occult. Tentacled, crustacean-inspired monsters. Hellish apocalypse. Primordial evil. Madness. Hellboy, the well-received latest film from neo-post-schlock auteur Guillermo del Toro (Cronos, The Devil’s Backbone, Blade II), offers these and other delights, all of which are common motifs in the work of that impossibly influential champion of […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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