The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Good Outnumber You: A Look at Heroism in Storytelling

powerman and iron fist picture

When I was a mere lad, I picked up a battered newsstand copy of Power Man and Iron Fist. I had grown up with superheroes in Spider-Man and His Amazing Friends, The Incredible Hulk, and The Herculoids on the television, but my comics reading prior to that issue of Power Man and Iron Fist was […]

“The Rape of James Bond”

Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch) Like this:Like Loading…

Catharsis denied: when fiery doom
is an anti-climax

lego mount doom 2

When I was about 12, my parents took me to see a stage version of Tolkien’s The Lord of the Rings performed with life-sized puppets. As Frodo was agonizing over pitching his precious ring into the fiery pit of Mount Doom, Sam, exhausted from the epic journey but determined to help his beloved friend, inched […]

Some superpowers are just useless enough to be real

astral projection

My best friend growing up had a theory about people claiming to have special abilities like ESP, levitation, or astral projection. She had a babysitter who claimed she could levitate, but only when she was alone. My friend’s theory wasn’t that these things were impossible, but that realistically they wouldn’t be very cool. She figured […]

Batman and the Heroes of Aurora

Gail Simone has written a very personal, moving piece on the Aurora shooting and the power of heroes. “I write stories about morals all day…stories about fictional heroes and fictional villains. And I want to believe they have influenced my life, that they have taught me to stand up when called upon, to try to […]

“Mary Sue, what are you?”

There’s an interesting exploration of the fan fiction term “Mary Sue” and it’s sexist connotations at Adventures of Comic Book Girl:  “So the only time female can be default is when discussing a badly written character, someone who is more powerful or important or liked than they should be allowed to be, someone the plot […]

How to Make Better Heroes

How to make better heroes?  Weaken them. Like this:Like Loading…

Big Damn Heroes

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For all his various meanings, attributes and forms, the hero of a Romance novel is really just the male protagonist.  He can be heroic in nature, of course, and he often is, but it isn’t required. Sometimes the actual heroism, should there be any, falls to the heroine.  And sometimes it falls to the writer. […]

Heroes vs. Villains

It might be Round 7, but it’s not too late to particpate in Cinematical’s Heroes vs. Villains tournament. Vote here. Like this:Like Loading…

What’s Happened to Superman?

At his superb blog, Too Busy Thinking About My Comics, Colin Smith wonders, what’s happened to Superman? “For I can’t help believing that Clark isn’t walking across America to find either it or himself, but to avoid finding himself. Or to put it another way; he isn’t walking to anything at all, but rather, he’s […]

Heroine Addict

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Apparently, once I get started on archetypes, I can’t stop. So having touched on the archtypes found in stories and in heroes, I’m going to have to complete the trifecta. Theories about the nature of the modern Romance heroine are legion. She’s a placeholder. She’s an expression of modern femininity. She’s an aspect of human […]

The Pitiful Death of Monsieur Mallah

mallah bashed 80.JPG

There’s a sickness in my stomach I’ve been carrying a while, an unpleasant acid feeling that bothers me when I’ve been reading or reading about comics lately. And I guess it’s time for me to cough it up and see what the hell is burning a hole inside. Like this:Like Loading…

Noir, With Feelings

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Some types of stories are so familiar that the only way to tell your own version of, say, a detective yarn is to find an interesting new angle. Jim Butcher’s Harry Dresden series makes the title character a wizard who solves supernatural crimes in Chicago. Additionally, Harry has feelings, which seems like the more interesting […]

Holding Out For a Hero

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I recently read a column by Ilona Andrews about heroes, which A) though light-hearted was also informative, and B) I immediately decided to steal use as a springboard for an article of my own.< There’s a lot of discussion as to the role of the hero in modern Romance. Is he a placeholder for the […]

Lost And Heroes, Compared.

James Poniewozik on Lost and Heroes: “Put another way: you have to be willing to suck if you ever want to be great. ‘Awesome’ and ‘awful’ are actually closer to each other on the continuum of quality than either is to ‘meh.’” Like this:Like Loading…

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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