The Thrilling Adventure Hour is a beacon in a grittily realistic, grimdark pop culture landscape, one guiding lost souls to fun, charm and adventure. And I’m glad to see The Thrilling Adventure Hour adapted from podcast radio play into graphic novel because I like what it portends for fun stories in the future and because charm is something I can use more of in my entertainment and my life. Continue reading…
When I was a mere lad, I picked up a battered newsstand copy of Power Man and Iron Fist. I had grown up with superheroes in Spider-Man and His Amazing Friends, The Incredible Hulk, and The Herculoids on the television, but my comics reading prior to that issue of Power Man and Iron Fist was […]
Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch)
When I was about 12, my parents took me to see a stage version of Tolkien’s The Lord of the Rings performed with life-sized puppets. As Frodo was agonizing over pitching his precious ring into the fiery pit of Mount Doom, Sam, exhausted from the epic journey but determined to help his beloved friend, inched […]
My best friend growing up had a theory about people claiming to have special abilities like ESP, levitation, or astral projection. She had a babysitter who claimed she could levitate, but only when she was alone. My friend’s theory wasn’t that these things were impossible, but that realistically they wouldn’t be very cool. She figured […]
Gail Simone has written a very personal, moving piece on the Aurora shooting and the power of heroes. “I write stories about morals all day…stories about fictional heroes and fictional villains. And I want to believe they have influenced my life, that they have taught me to stand up when called upon, to try to […]
There’s an interesting exploration of the fan fiction term “Mary Sue” and it’s sexist connotations at Adventures of Comic Book Girl: “So the only time female can be default is when discussing a badly written character, someone who is more powerful or important or liked than they should be allowed to be, someone the plot […]
How to make better heroes? Weaken them.
For all his various meanings, attributes and forms, the hero of a Romance novel is really just the male protagonist. He can be heroic in nature, of course, and he often is, but it isn’t required. Sometimes the actual heroism, should there be any, falls to the heroine. And sometimes it falls to the writer.
It might be Round 7, but it’s not too late to particpate in Cinematical’s Heroes vs. Villains tournament. Vote here.
At his superb blog, Too Busy Thinking About My Comics, Colin Smith wonders, what’s happened to Superman? “For I can’t help believing that Clark isn’t walking across America to find either it or himself, but to avoid finding himself. Or to put it another way; he isn’t walking to anything at all, but rather, he’s […]
Apparently, once I get started on archetypes, I can’t stop. So having touched on the archtypes found in stories and in heroes, I’m going to have to complete the trifecta. Theories about the nature of the modern Romance heroine are legion. She’s a placeholder. She’s an expression of modern femininity. She’s an aspect of human […]
There’s a sickness in my stomach I’ve been carrying a while, an unpleasant acid feeling that bothers me when I’ve been reading or reading about comics lately. And I guess it’s time for me to cough it up and see what the hell is burning a hole inside.
Some types of stories are so familiar that the only way to tell your own version of, say, a detective yarn is to find an interesting new angle. Jim Butcher’s Harry Dresden series makes the title character a wizard who solves supernatural crimes in Chicago. Additionally, Harry has feelings, which seems like the more interesting […]
I recently read a column by Ilona Andrews about heroes, which A) though light-hearted was also informative, and B) I immediately decided to steal use as a springboard for an article of my own.< There’s a lot of discussion as to the role of the hero in modern Romance. Is he a placeholder for the […]
James Poniewozik on Lost and Heroes: “Put another way: you have to be willing to suck if you ever want to be great. ‘Awesome’ and ‘awful’ are actually closer to each other on the continuum of quality than either is to ‘meh.’”