The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“He Wears The Mask Just To Cover The Raw Flesh”

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At The Atlantic, Ta-Nehisi Coates writes about Dr. Doom: “Comics are so often seen as the province of white geeky nerds. But, more broadly, comics are  the literature of outcasts, of pariahs, of Jews, of gays, of blacks. It’s really no mistake that we saw ourselves in Doom, Magneto or Rogue.” Like this:Like Loading…

Writers’ “Lowbrow” Influences

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Writers share their “lowbrow” and gutter influences at Electric Lit: “I love Melville but Melville never wrote me a Choose Your Own Adventure book. And I needed that experience first if I was ever going to get to Melville.” Like this:Like Loading…

RIP, Menahem Golan

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Producer and director Menahem Golan has died. Golan produced (and sometimes wrote and directed) many, many films including: The Delta Force (1986), Death Wish (1974), The Apple (1980), The Texas Chainsaw Massacre 2 (1986), Missing In Action (1984), Invasion U.S.A. (1985), American Ninja (1985), Lifeforce (1985), Cobra (1986), Masters of the Universe (1987) Bloodsport (1988), Breakin’ […]

“Deadly Art of Survival”

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The Gutter’s own Keith writes about No Wave, Black cinema, ninjas, kung fu, cultural sharing, cultural appropriation, music and New York in a piece on The Deadly Art of Survival for Teleport City. “Its curious place in the history of cinema, for instance, [is] as this weird amalgamation of no wave, black cinema, and martial […]

“10 Modern Heroes of Black Nerddom (and Urkel is NOT One)”

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“If the RZA didn’t exist, then we would have had to invent him.” Charles Webb shares his list of “10 Modern Heroes of Black Nerddom (and Urkel is NOT One)” at Topless Robot. Like this:Like Loading…

James Joyce vs. Kool Keith

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Who said it, James Joyce or Kool Keith? Like this:Like Loading…

Chromatophores + “Insane In The Membrane”

Scientists hooked a squid up to an iPod. This is what happened. Like this:Like Loading…

“Protest Style”

HAPS puts PSY’s protest style in context. Like this:Like Loading…

Weird R. Kelly Tales

Tales from R. Kelly’s Trapped in the Closet told by actor Michael K. Williams and drawn by Kagan McLeod. Like this:Like Loading…

What is Gangnam Style?

“PSY does something in his video that few other artists, Korean or otherwise, do: He parodies the wealthiest, most powerful neighborhood in South Korea. Sure, he uses physical humor to make it seemingly about him, a man who wants to project glamour but keeps falling short…But ultimately, by declaring ‘Oppa is Gangnam Style,’ he turns […]

Vice Interviews ICP

“Ah shit, man, being a Juggalo is a hard thing. But at the same time, it’s the closest love you’re ever gonna have.”  More from Jason Webber’s interview with Insane Clown Posse’s Shaggy 2 Dope here. (via Matt Staggs) Like this:Like Loading…

A Letter from Mr. Nathaniel Hornblower

In memoriam, a letter Adam Yauch wrote to The New York Times as Nathaniel Hörnblowér, his nom de direction for Beastie Boys music videos. TheDose.ca has a collection of Mr. Hörnblowér’s work. excluding “Sabotage.” And here’s an interview with Mr. Hörnblowér. Like this:Like Loading…

“Why Do People Hate Rap and Opera?”

At NPR’s classical music blog, Deceptive Cadence, Tom Huizenga discusses the results of a poll asking readers to “name their musical blind spot.” Over and over, people disliked rap and opera  and Huizenga ponders why that might be and what rap and opera might have in common: “Opera and rap take work to appreciate — […]

RIP, Don Cornelius

Soul Train creator and host Don Cornelius has died. The LA Times has an obituary and YouTube has many, many Soul Train clips. Like this:Like Loading…

My Pretty Pony: Remixing is Magic

Variety has a piece on how Hasbro allows fans to use footage from My Pretty Pony: Friendship is Magic, while other media copyright holders continue to try and squash fan use of media properties. “Really it all comes down to a question of control for big media companies….They can either attempt to clamp down on […]

Evan Munday Does Like Breakin’ 2: Electric Boogaloo

Gutter Guest Star Evan Munday reviews the dance classic and possible rival to The Empire Strikes Back as greatest sequel of all time, Breakin’ 2:  Electric Boogaloo! “The makers of Breakin’ 2 know you’re here for the breakin’, and they are all too happy to provide….with only the barest lip service provided to a plot, […]

Who’s That? Brown: The Video Game

Das Racist’s awesome bit-art video for “Who’s That? Brown” is also a game you can play! (Thanks, John!) Like this:Like Loading…

Great Comics That Never Happened Annual #1

The Comics Alliance has gathered together “The Great Comics That Never Happened” all in one place. Thrill to “Aliens vs. Predator vs. Ted Nugent!” Sigh with “Young M.O.D.O.K. Romance!” Discover the “Crisis in the 36 Chamber” with the JLA and the Wu-Tang Clan! Like this:Like Loading…

“And I don’t understand all your references / like what a TARDIS is…”

“I Have Never Watched An Episode of Doctor Who In My Life,” a hip hop confession by Adam WarRock / Eugene Ahn. Like this:Like Loading…

The RZA Directs

The Playlist has the first trailers for the RZA’s first film, Wu-Tang vs. The Golden Phoenix. Like this:Like Loading…

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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