The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Robert Drew

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Filmmaker, cinema verité innovator and journalist Robert Drew has died. The New York Times, The Los Angeles Times and The Guardian have obituaries. Grantland has a memoriam of his work and life. “Drew died last week. He was 90. His genre was cinema verité, which is a much more artful way into truth. He made portraits […]

Happenings With The Projection Booth?

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What’s happening with The Projection Booth, you ask? This week The Projection Booth watches Caligula (1979) and TPB‘s Mike White is interviewed by Dave Pace at La Politique Psychotronique.

The Cruelty of Idiocracy

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At Paleofuture, Matt Novak writes about Idiocracy‘s unpleasant implications: “Sure. As an over-the-top comedic dystopia, the movie is actually enjoyable. But the movie’s introduction makes it an unnerving reference to toss around as our go-to insult….Unlike other films that satirize the media and the soul-crushing consequences of sensationalized entertainment (my personal favorite being 1951′s Ace […]

CG Round-Up

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Screen Editor Alex’s latest piece for the Gutter is one of RogerEbert.com’s daily Thumbnails. Meanwhile, at the Alcohol Professor, SF/F Editor Keith writes about the Stonewall Inn, aka, “The Bar That Launched Pride.”

RIP, Massimo Vignelli

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Designer Massimo Vignelli has died. Fast Company Design, The Smithsonian Magazine and The New York Times have obituaries. The Verge shares a gallery of his work from the New York subway system map to Bloomingdale’s bags to American Airlines’ logo. Here Vignelli talks about design and his career.

Ushering In A New Regime: Johnnie To, Crime Films and Dissent

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Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has creeped into the crime films, so this […]

“Deadly Art of Survival”

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The Gutter’s own Keith writes about No Wave, Black cinema, ninjas, kung fu, cultural sharing, cultural appropriation, music and New York in a piece on The Deadly Art of Survival for Teleport City. “Its curious place in the history of cinema, for instance, [is] as this weird amalgamation of no wave, black cinema, and martial […]

“America, Be Seated!”

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The Smithsonian Magazine‘s Vicky Gan looks at “The Story Behind the Failed Minstrel Show at the 1964 World’s Fair.” “Remarkably, the musical received support from the NAACP. The organization, understandably turned off by the minstrel show label, was critical of the production at first, but after seeing a Boston preview NAACP officials reversed their stance, […]

Blurry Images Coming Clear: Hong Kong Cinema, Censorship and Me

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Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. I don’t remember the first kung fu movie I ever watched. I am terrible at remembering “firsts.”  But I do remember the […]

Revenge In South Korean Cinema

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Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

“Cambodia’s Lost Rock’n’Roll

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Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the […]

“The Architecture of Kowloon Walled City”

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Architecture Daily has an excerpt from City of Darkness detailing the development of Hong Kong’s Kowloon Walled City. “By the 1970s, the City had filled out to its maximised form, with buildings of up to 14 storeys in height, and virtually no ground level daylight penetration save at its centre. Its density was estimated to […]

Killers’ Style

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The Gutter’s own Keith has started a new side project, Killers’ Style, exploring the style of well-dressed villains. His first post is a look at Hannibal Lecter’s full Windsor knot.

Prithviraj Kapoor Is Alexander The Great

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At Beth Loves Bollywood, Beth watches Sikandar, a 1941 Hindi-language, sword and sandals movie in which Alexander the Great’s army sings these words as they march on Hindustan: “Life exists because of love, so let it be spent in love.”

Kansas City’s Drag Balls

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Private Birthday Party has a collection of photographs from Kansas City’s Drag Balls in the 1950s and 1960s.

Black Victoriana

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A gallery of photographs of people of African descent from the Victorian era. (Via Kit Marlowe)

“On The Trail Of The Golem”

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The Gutter’s own Keith tracks the story of Rabbi Loew and the Golem–with some dips into alchemy and art–through Prague.  “So how did Rabbi Loew’s name become associated with the legend of the golem? Well, it’s no surprise, really, given how much weird, wizardy stuff is already attributed to him. It seems more or less […]

“Googling Nazca”

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A gallery of images of the Nazca Lines taken via Google Maps. (via @mattstaggs)

Black Napoleon’s Throne Of Satan

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This week, Guest Star David Foster writes about how an Australian pulp thriller is altered when it was published in the United States as part of the Mysterious Order of the Skeleton Suit‘s Swapathon. Comics Editor Carol will be back in April. There are many elements that made up the counter culture movement of the […]

“The Public Voice of Women”

Mary Beard writes about gender, speech, and the depiction of the sound of women’s voices from Homer’s time until now. “I want to start very near the beginning of the tradition of Western literature, and its first recorded example of a man telling a woman to ‘shut up’; telling her that her voice was not […]

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  • Of Note Elsewhere

    The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded.

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    A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite)

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    Actor Lauren Bacall has died. Bacall is most famous for work with her first husband Humphrey Bogart, To Have And Have Not (1944), The Big Sleep (1946) and Key Largo (1948), but she also starred in Douglas Sirk’s classic melodrama Written On The Wind (1956), co-starred with Marilyn Monroe and Betty Grable in How To Marry A Millionaire (1953), The Fan (1981), she appeared in Misery (1990) and voiced the Witch of the Waste in the English language dub of Howl’s Moving Castle (2004) and the Gray One in the English language version of Ernest and Celestine (2014). The Guardian and The Los Angeles Times, have obituaries. The Hollywood Reporter collects responses and remembrancesJulianne Escobedo Shepherd writes that “What I love about her is the intelligence and pluckiness that defined her acting and her life. That is what we should be most remembering — her talent, her strength, her fierce essence—the elements that made her an icon of the silver screen.” Here is Bacall’s 1994 interview with Charlie Rose.

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    Simon Fowler shares “The Five Best North Korean Films” at The Guardian. Did Pulgasari make the cut? Is the list Pulgasari five times? Click through to find out. (Thanks, Earl!)

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    Actor and comedian Robin Williams has died. There are many obituaries and remembrances out there, so we’re just choosing a few.  The AV Club, RogerEbert.com and Boing Boing have obituaries. The writers of RogerEbert.com offer tributes. Terry Gilliam talks about directing Williams in The Fisher King. Penny Marshall talks about working with Williams on Laverne & Shirley and directing him in Awakenings.  Marc Maron reposts his interview with Williams on Maron’s WTF Podcast. And here are a few of his less mentioned, darker films: Death To Smoochy (2002);  One Hour Photo (2002); Insomnia (2002); The Secret Agent (1996) and World’s Greatest Dad (2009).

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    Cleopatra’s Weave draws some amazing Elves of color (and David J. Prokopetz shares a story trying to get more racial representation in a fantasy illustration project).

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