John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We showed that year as Barbara made the transition from broken hero to dynamic Oracle. She became a strong and much loved icon for the disabled community. In making her a hero again, Oracle allowed others to heal with her. The reader healed with her.” (via @profmdwhite)
At First Person Scholar, Katherine Cross writes about “GamerGate and the licence to inflict suffering”: “GamerGate is neoliberalism’s distorted reflection of leftist terror: the lust for revolution, to be the Rough Rider ‘good guys’ saving the world by force if necessary, but with none of the obligations or thought inherent to political reasoning.”
At The Daily Beast, Arthur Chu writes about GamerGate, Disco Demolition and Lilith Fair. “The biggest 1970s music bonfire was not done by a church, and the records they destroyed weren’t metal records. And they didn’t use kerosene and a match, they used explosives. And rather than singing hymns and being quietly self-righteous, the event […]
“I want to tell you about when violent campaigns against harmless bloggers weren’t any halfway decent troll’s idea of a good time—even the then-malicious would’ve found it too easy to be fun. When the punches went up, not down. Before the best players quit or went criminal or were changed by too long a time […]
Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.“
At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”
This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.
At The Toast, author Sarah Rees Brennan writes about promoting one’s work and sexism. And author Malinda Lo writes a companion piece about promoting one’s work, being out as a Queer author, heterosexism, homophobia and sexism.
This Cage Is Worms has some thoughts on Grand Theft Auto V, and Grand Theft Auto in general: “By making fun of ‘everything,’ GTAV is trying to convince us that it is above any real commitment to an ideology.” (via @bombsfall)
Game Designer Steve Swink writes about harassment at E3 and some steps the gaming community can take.
“Orson Scott Card isn’t being taken to task solely for his opinions, idiotic and thuggish as they are, but also for his actions. He sits on the board of the National Organization for Marriage, which lobbies and works against basic civil rights for gay people. He is not merely a tool spewing hatred and bile […]
I told my 3 year old that I’d find a bed for his google-eyed dinosaur. “I promise, sweetheart.” Then, after 45 minutes of ducking in and out of his room with him crying and the senile cat howling in the background while I tried to write an article, I threw the dinosaur across the living […]
Slate ponders a Good Living interview with James Deen, porn star, and “porn that women like–why does it make men so uncomfortable.”
In discussing Astron-6’s horror movie, Father’s Day, Dave Pace notes that what seems to make viewers uncomfortable is not the violence but the nudity, the male nudity. “What I don’t understand is the uncomfortable shifting around and the outright revulsion you will hear for the scenes where you just see regular naked men. I also […]
Gamer Girls remind everyone, “Don’t be racist. Don’t be homophobic. Don’t be sexist. Follow that code and everybody will have a good time. And when someone breaks that code, CALL THEM OUT. Don’t just let it ride.” And the comments bear out why it has to be said again and again.
Oh my stars and garters, Orson Scott Card has rewritten Hamlet and called it, Hamlet’s Father. via @houseinrlyeh and @pornokitsch)
A straight male gamer accuses Bioware of ignoring straight male gamers by having queer romance options in Dragon Age II. Bioware responds by talking about having options for everyone and straight male privilege. Seriously.
There’s a sickness in my stomach I’ve been carrying a while, an unpleasant acid feeling that bothers me when I’ve been reading or reading about comics lately. And I guess it’s time for me to cough it up and see what the hell is burning a hole inside.
Comic Con Anti-Harassment Project and further discussion of the post we posted from Bully. Also, the Open Source Women Back Each Other Up Project, here and here. (thanks, Elizabeth!)