Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!
Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut […]
Carol Borden has been summoned to mysterious gathering of sorcerers in a haunted castle this week and so she is covering herself with a non-comics piece about the 1963 film, The Raven. One of my favorite things about American International Productions is their opening credit sequences. While low-budget, the opening credits are clever, creative and, […]
In honor of director Mario Bava’s birthday, Shudder TV is having a Bava-thon with nine of his classic horror films chosen by friend of the Gutter Colin Geddes streaming free online all weekend. See the line-up here and watch here.
At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many […]
Friend of the Gutter Less Lee Moore interviews friend of the Gutter Colin Geddes about his work on the new horror streaming service, Shudder.
Mike White, Rob St. Mary and Cinema Snob’s Brad Jones explore the mystery of Alien 3 and its production at The Projection Booth. “We talked to Vincent Ward who brought the idea of ‘monks in space’ to the game and the late John Fasano who worked on a few drafts of the Alien 3 script. […]
I’ve been watching the CW television series iZombie and thinking of few things. Like, how glad I am that it’s not a faithful adaptation of the comic iZombie. And whether all apocalypses, even zombie ones, are personal. And I can’t help wondering if my zombie fatigue has gone into remission. Have I been cured?
Graveyard Shift Sisters Eden Royce interviews writer Jayde Brooks and reviews Brooks’ Daughter of Gods and Shadows. “If you’re looking for a sweeping, dark adventure/quest novel, look no further. This story had what I love to read in a book: strong female characters and the ultimate in high stakes – saving the world. Blend that […]
At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]
At Vox, Phil Edwards profiles special effects master Eiji Tsuburaya and interviews August Ragone about Tsuburaya’s career. “A director, cinematographer, and producer, Tsuburaya is best known for creating the special effects behind Japanese classics like Godzilla (1954), Mothra (1961), and many other films where the giant monsters called kaiju terrorize the good people of Tokyo. […]
At the New Republic, B. D. McClay writes about Shirley Jackson and a new collection containing previously unpublished stories and essays by Jackson. “Let Me Tell You, on the other hand, is for the already-converted fan, who will be delighted to read so many new stories and essays. The greatest attraction is the 15 essays, […]
At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.
The Summer Solstice is nearly upon us, and I’m sure you all have your wicker men (or factionalist bee helmets) nearly done and your bonfire safely planned. (Remember, Lord Summerisle recommends nude leaping as the crucial component in bonfire safety). And just in time for the arrival of summer, I have a short selection of […]
Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.
There’s a fine piece at Nitrate Diva about the 1935 film, Kongo. “In this monument to morbidity, nearly all the taboos festering at the edges of pre-Code cinema come out and play: blasphemy, drug addiction, prostitution, torture, slavery, bestiality, and (spoiler alert!) incest. The movie positively wallows in depravity. Degradation is its subject, its project, […]
Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza. Nimoy directed Three Men And A […]
At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”
I’ve been thinking about disreputable art more than usual lately, between the film adaptation of 50 Shades of Grey coming out and Jonathan Franzen franzenating about women mucking up the whole respectable novel business. I can’t help but think of the history of the novel in Europe and North America. A tawdry form that was […]
At Tor.com, Alex Brown shares her top ten favorite Black comic book characters. “For all their talk about diversity and inclusion, comic books still tend to be pretty straight, white, and male (and catered to same). But that doesn’t mean there aren’t a lot of great characters of color that do more than fill the […]
I never expected to be reading Archie comics. Archie Andrews’ irresistible appeal to ladies mystified me and I came late to an appreciation for soap operas and straight melodrama. Then there was residual stuff around romance, a punk rock hostility towards the wholesome squares, a dash of internalized sexism mixed with gender dysphoria and a […]keep looking »