The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Krampuslauf on Space Station Omega 2-7”

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Comics Editor Carol shares a wholesome seasonal story mixing the Alpine monster Krampus in 1960s-style space opera.

Don’t be That Guy

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If I ever write a self help book, I think I’m going to call it Don’t be That Guy. You know that guy? He’s the one who took two brownies even though everyone was asked to only take one and then there weren’t enough for everybody. He’s the guy who completely failed to notice you […]

“Dream-Casting The Live-Action Gargoyles Movie That Does Not Exist”

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At The Toast, Mallory Ortberg creates her dream cast for a rebooted Gargoyles series. “Look, I’m not here to explain the appeal of a decades-old children’s series about living architectural flourishes to you. Either you saw it, and you understand the unique blend of Shakespeare, European folklore, the pain of centuries of isolation and the […]

Katsuya Terada Live-Drawing Demonstration

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Video of illustrator and character designer Katsuya Terada drawing and talking about his work. (via @aicnanime)

The Hateful Tomb of Horrors

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Zack and Steve go through and review Advanced Dungeons & Dragons Module S-1: The Tomb Of Horrors at WTF, D&D?!…so you don’t have to. “Steve: Most of the opening paragraph is a warning about difficulty. ‘You’ll never find the demi-lich’s secret chamber’ and the tomb is fraught with “terrible traps, poison gases, and magical protections.” […]

Fatality: Femmes Fatale, Disappointment, Expectations and Fatale

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Expectations can be a killer, at least for me. I really expected to love Fatale (Image, 2012-4). I had every reason to. Writer Ed Brubaker, artist Sean Phillips and colorist Dave Stewart have made some of my favorite comics together: Sleeper; Criminal; Incognito; and Velvet. Brubaker’s Catwoman brought me back to mainstream comics. And Fatale […]

“Halloween Viewing Recommendations With A Feminine Touch”

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TCM’s Movie Morlocks Blog has a selections of horror movie write-ups from female writers including the Gutter’s own Carol.

“Happy Dreams Daycare”

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Happy Dreams Daycare is a daycare for children from horror movies. It offers a welcoming environment regardless of any person or supernatural issues at home.

Halloween At The Gutter

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At Teleport City, the Gutter’s own Keith is sharing Haunted History. Meanwhile, at her personal site, the Gutter’s own Carol is doing her version of 31 Days Of Horror: Part 1, Part 2 and Part 3.

Geeky Bounty at the Internet Archive

The Internet Archive has archived Starlog, Heavy Metal and they have a collection of Warren Publishing magazines like Blazing Combat, Vampirella, Eerie and Teenage Love Stories.

“Sherlock Holmes vs. Dracula”

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The 1980 BBC Radio dramatization of “Sherlock Holmes vs. Dracula; or, The Adventure of the Sanguinary Count” is now available on YouTube, which is nice since it is no longer available on the Internet Archive.

Philippe Druillet’s Necronomicon

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A gallery of pages from Philippe Druillet’s Nccronomicon. (Via elmatpe and thanks, Steven!)

“Lights Out, Please”

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“Lights Out, Please combines retellings of traditional ghost stories and urban legends, alongside new, personal stories from a variety of international authors in order to tell others about the kinds of fears we live with. We tell our stories as a ghost story or urban legend to get people to believe us.” Find out more here […]

Engulfed by the Shadow of Dracula

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“Beware that his shadow does not engulf you like a daemonic nightmare.” Of Vampyres, Terrible Phantoms and the Seven Deadly Sins (Nosferatu, 1922) “All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same […]

Photography’s Antichrist

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At The Guardian, Chris Campion writes about American photographer William Mortensen, who specialized in the eerie, the grotesque, the fantastic and the macabre. “In his own writings, Mortensen invoked Hogarth, Beardsley, Daumier and Goya as his forebears. But he also had much in common – in technique, style and approach – with European outlier artists […]

Punching Cthulhu in the Face

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Although his prose and his politics can be problematic for some readers, the influence of weird fiction writer HP Lovecraft is substantial and reaches out from beyond the grave like one of his indescribable elder gods. Although not particularly successful financially — which is really just another way of calling him a writer — Lovecraft […]

“Classy Ladies, Scary Movies”

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At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.”  “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to feature an actress over 50 in some […]

“Rookie Mistakes”

Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is […]

“Leave No Black Plume As A Token: Tracing Poe’s Raven”

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At Atlas Obscura, J.W. Ocker writes about Edgar Allan Poe’s “The Raven” in monuments, memorials, artifacts and ephemera. “I spent more than a year visiting memorials, mementos, monuments, and more dedicated or connected to Edgar Allan Poe in the places he lived and visited. That meant traveling from Massachusetts all the way down to an […]

RIP, Polly Bergen

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Actor and singer Polly Bergen has died. Bergen has roles in film and television series as diverse as Desperate Housewives, Commander In Chief, The Sopranos, The Love Boat, Move Over Darling,  Cape Fear (1962), and The Polly Bergen Show.  The Los Angeles Times, The New York Times and The Guardian have obituaries. Here Rex Reed […]

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  • Of Note Elsewhere

    Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!

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    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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