You may have missed the news, but this is the 50th anniversary of a cheap, scrappy British science fiction series called Doctor Who. Like a fair number of folk my age, I first stumbled across Doctor Who one Saturday afternoon on PBS, back when PBS was able to air things like Doctor Who, The Avengers, The Prisoner, and it being cultural and all, Benny Hill. Unlike many, however, I seem to be one of the few people who came into the show not during an airing of the iconic Tom Baker years, but rather during the tenure of the man with the velvet smoking jackets and Venusian aikido. The Third Doctor, Jon Pertwee, was my introduction to Doctor Who, and he remains my favorite. Continue reading…
A few pages from Guillermo Del Toro’s notebooks and a book trailer for his upcoming, Cabinet of Curiosities: My Notebooks, Collections and Other Obsessions.
It makes sense that so much of Mario Bava’s oeuvre would deal with situations and people that/who are not what they seem. His whole life was spent in the world of deception and illusion. His father was a sculptor who moonlighted as an effects man for Italy’s magnificent silent era spectacles. Bava himself studied to […]
Traumatic Cinematic‘s Lewis Cougill interviews the director of Frankenstein’s Army, Richard Raaphorst. They talk about art, conceptual art, Beyond Re-Animator and Frankenstein’s Army. TC also has a gallery of storyboard art from Frankenstein’s Army. (Listen to Traumatic Cinematic’s discussion of Frankenstein’s Army here).
Odd Things I’ve Seen has a list of the final resting places of actors and actresses who have played classic horror characters. “This isn’t comprehensive, of course, and were I to try to make it so, I’d disappear into a hole in the Internet and not come up until this post was a 10-part mini-series […]
At Popshifter, Paul Casey looks at Blade Runner, Philip K. Dick’s Do Androids Dream of Electric Sheep, Janelle Monáe’s The Electric Lady and The Weeknd’s Kiss Land. “Where The Electric Lady is uplifting and empowering, the story of a righteous dissident fighting for every wronged being in existence, Kiss Land is from the other side. […]
At Tor.com, Grady Hendrix rereads Stephen King’s IT:
Fellow MOSS Agents at The Greatest Movie EVER! Podcast return to Equestria with a look at My Little Pony: Equestria Girls.
All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival. And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]
Do you like monsters, creatures and aliens? We sure do! Here are two galleries of conceptual designs for the Austrian horror movie, The Station / Der Blutgletscher: Part I and Part II. The art is by TOMAK and the movie is directed by Marvin Kren.
The Midnight Madness Program at the Toronto International Film Festival has been announced. The films being screened are: All Cheerleaders Die; The Station / Der Blutgletscher; The Green Inferno; Oculus (that’s the trailer for the original short); Afflicted; Almost Human; Rigor Mortis; R100; Why Don’t You Play In Hell?; and, Witching & Bitching / Las […]
Actress Julie Harris has died. The Los Angeles Times remembers her. The Hollywood Reporter has an obituary. She appeared in countless film, television and stage roles. Here she is as Eleanor in The Haunting (1963) and as Betty in Harper (1966).
“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]
As Romance Editor Chris Szego has often noted here at The Gutter, the theme of modern romance is that the hero can change. But what about sea mutants—can they change? In Jonathan Cases’s Dear Creature (Tor, 2011) a sea mutant falls in love with a human woman. It’s a beautifully-drawn and beautifully-written Shakespearean comedy with […]
Actress Karen Black has died. She’s best known to genre fans for her work in Trilogy Of Terror, but she also starred in Burnt Offerings, Airport 1975, Nashville, and Five Easy Pieces. The Vault of Horror remembers Black. The LA Times and New York Times have obituaries. And here is an interview with Black, conducted by […]
“In 1962, when Shirley Jackson published her acknowledged masterpiece, We Have Always Lived in the Castle, she was at the height of her fame. She ranked among the most highly regarded writers in America, required reading on literature courses and the recipient of literary prizes, her work regularly anthologised. Her novels and short stories had […]
At Teleport City, The Gutter’s own Carol writes about the sweetness of Sonny Chiba in Terror Beneath The Sea.
In discussing The Following, Todd VanDerWerff writes about violence & wanting “to be only cool moments”: “Violence becomes a kind of cheap conflict drug, and the show’s writers keep trying to get hit after hit. The effect wears thin, particularly for those familiar with horror movies, who will see every single twist coming.”
At Teleport City, Keith Allison reviewins Gail Carriger’s Soulless and slowly wades into “the waters of modern horror writing”. “An entire ocean of literature that teaches young kids that weird, spooky, awkward, and different people are awesome? I can deal with that.”
It turns out there’s a reason why movies are starting to feel the same: “Summer movies are often described as formulaic. But what few people know is that there is actually a formula—one that lays out, on a page-by-page basis, exactly what should happen when in a screenplay. It’s as if a mad scientist has […]
Amazing trailers from Ghanian, Nigerian and Ugandan action movies at Viewer Discretion Advised! (via @TeleportCity)« go back — keep looking »