The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Hal Needham

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Director, stunt coordinator  and stuntman Hal Needham has died. Needham directed Smokey and the Bandit and The Cannonball Run, but he also performed and coordinated stunts in The French Connection II, Three The Hard Way, Chinatown, Our Man Flint, The War Wagon and Blazing Saddles. and in television shows such as, Mission: Impossible, Star Trek, […]

“When Is A Pony Not A Pony?”

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Fellow MOSS Agents at The Greatest Movie EVER! Podcast return to Equestria with a look at My Little Pony: Equestria Girls.

Starscream vs. Rainbow Dash

Deceptacon Transformer Starscream faces My Little Pony Rainbow Dash in a battle to the death at Death Battle! Start about halfway through the video to get straight to the battlin’!  

Worldbuilding x2

Charles Stross continues his series on worldbuilding, with a look at what goes into the future: “The ratio of the near future is: 90% of it is just like today, 9% is stuff that is on the drawing boards, and 1% is unutterably strange and alien and unexpected.” Also check out this in-depth piece by […]

My Little Pony: About 20% Cooler

I was uncertain about My Little Pony: Friendship Is Magic.  I don’t fondly remember the toy-hawking cartoons of the 1980s and I’ve always had an uneasy relationship with the girly.  Dying my hair pink in my 20s was my solution to the impossibility of girlhood.  But then I saw Lauren Faust was making it and […]

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  • Of Note Elsewhere

    The Royal Court Theatre hosts a conversation among former Anonymous LulzSec members facilitated by anthropologist Gabriella Coleman.

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    “Japan’s estimated population at the time of their last census was 127 million, and people have been living on this small collection of islands since the Jomon period (~12,000 BCE.) In an increasingly crowded country with a strong traditional belief in ghosts and hauntings, the question of avoiding a marauding ghost becomes impossible to solve, without outside help.”Atlas Obscura has more (with neat illustrations).

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    At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.”  “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to feature an actress over 50 in some sort of peril, a melodramatic plot and a title that ends in a question mark.  But there is another, related tradition that goes back further that I think we could place these films in.” (via Dr. Giallo)

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    “I want to tell you about when violent campaigns against harmless bloggers weren’t any halfway decent troll’s idea of a good time—even the then-malicious would’ve found it too easy to be fun. When the punches went up, not down. Before the best players quit or went criminal or were changed by too long a time being angry. When there was cruelty, yes, and palpable strains of sexism and racism and every kind of phobia, sure, but when these things had the character of adolescents pushing the boundaries of cheap shock, disagreeable like that but not criminal. Not because that time was defensible—it wasn’t, not really—but because it was calmer and the rage wasn’t there yet. Because trolling still meant getting a rise for a laugh, not making helpless people fear for their lives because they’re threatening some Redditor’s self-proclaimed monopoly on reason. I want to tell you about it because I want to make sense of how it is now and why it changed.” Emmett Rensin writes more at Vox.

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    At Smart Bitches, Trashy Books, Elyse has some things to say about reading Romance. “In the end, it doesn’t matter what I read. It doesn’t even matter that I do read, quite frankly. What matters is that we live in a world where fiction aimed directly at women is perceived as garbage. That doesn’t say anything at all about me, it says a lot about what needs to change.”

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    Brain Pickings looks at the life and work of Tove Jansson and the wisdom of her character, Too-ticky. “Too-ticky, the sage of Moominvalley who solves even the most existential of problems with equal parts practicality and wisdom, was inspired by the love of Jansson’s life — the great Finnish sculptor and graphic arts pioneer Tuulikki “Tooti” Pietilä, Jansson’s spouse. The two women met in art school during their twenties and remained together until Jansson’s death more than six decades later, collaborating on a lifetime of creative projects — all at a time when queer couples were straddling the impossible line between anguishing invisibility and dangerous visibility.” (via Kate Laity)

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