I’m still thinking about willpower from my last article, and while it’s true that ‘stick-to-it-iveness’ (as my Grandma used to call it) is an important skill, it also really helps to know when to bail. Oddly, even though the desire to give up comes pretty naturally, deciding when you should actually do it doesn’t seem to. Watching the things that have made me and the people I care about unhappy in our lives over the years, I feel like learning how and when to walk away can’t be overrated. Continue reading…
A gallery of Medieval European beasts and creatures who can’t even.
Cleopatra’s Weave draws some amazing Elves of color (and David J. Prokopetz shares a story trying to get more racial representation in a fantasy illustration project).
A BBC documentary on the life and work of writer and artist Tove Jansson, best known for her Moomin books. (via Kate Laity)
Artist Jason Thompson creates illustrated walkthroughs of a Dungeons & Dragons game modules. And for more retro gaming fun, Retroist has a 1993 video TSR produced as a tutorial for the boardgame, Dragon Strike, and here is a trailer for TSR’s Wild Space. (via SharpCrye and Gravediggers Local)
Former graphic designer for Intralink Film Graphic Design and current Google graphic designer Alex Griendling talks about designing film posters and campaigns at The Art House.
Graphic designer Anthony Goldschmidt has died. Goldschmidt’s company Intralink Film Graphic Design was the first to offer poster design as well as titles and trailers. Intralink created posters for countless films and Goldschmidt himself designed the titles for films including Young Frankenstein (1974), Blazing Saddles (1974) and Stargate (1994). The Hollywood Reporter, The Wrap and […]
Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.
A gallery of colorful monsters from a Fifteenth Century book of hours.
“The British Library has uploaded one million public domain scans from 17th-19th century books to Flickr!” (Thanks, Kate!)
A few pages from Guillermo Del Toro’s notebooks and a book trailer for his upcoming, Cabinet of Curiosities: My Notebooks, Collections and Other Obsessions.
Brain Pickings has a gallery of Maurice Sendak’s posters promoting reading, books and imagination from the collection, Posters By Maurice Sendak.
Evan Munday has created a gallery of his supervillain erotica. “[A]s I noted in one of the oddest interviews I’ve ever done, with Playboy‘s sort-of-safe-for-work site, comic readers are used to having their female characters overtly sexualized. Despite the spandex and bulging muscles, male characters just aren’t treated the same way by illustrators. So at […]
Adrian Curry looks at Takashi Kono’s poster from Yasujiro Ozu’s The Lady And The Beard and includes a gallery of more fine Kono art.
Hand-painted film posters from Ghana, West Africa, including local films as well as Master of Shaolin, The Golden Voyage of Sinbad, Raiders of the Lost Ark, The Evil Dead and Blade 3. (via Pornokitsch)
Fashionably Geek reminds everyone that “Little Girls Design Superhero Costumes Better Than Anyone.” via @ANappyGirlNerd
“The type of thing I came up with was what sold at the time: Guys with guns and gals with no pants on.”–Norm Saunders (1983) A man presses himself against the wall of a collapsed mine as a grizzly, reared on its hind legs, swipes at him through a gap in the rocks. A man, […]
At the School of Visual Art, Greil Marcus delivers a commencement speech discussing “high art” vs. “low art,” art, and influence. (Thanks, Andrew!)
The Flapper Girl has amazing resources on Twenties and Thirties art, design, illustration, millinery, and, especially, Flappers. Meanwhile, The Library of Congress has a sweet selection of articles on “The Rise of the Flapper!“
Mad Men‘s latest ad was created by veteran illustrator, Brian Sanders. The New York Times profiles Sanders and a little bit of illustration in the 1960s. “Illustrating for and watching the series was doubly meaningful for him, Mr. Sanders said, because Mad Men depicts a world he was once very much a part of. ‘The […]
The Comics Journal has published a goodly excerpt of Gary Groth’s interview with illustrator and writer Maurice Sendak. “And one of the passions I have about children is, we don’t know what they see, we don’t know what they really hear. And occasionally they are polite enough to let us in.” Make sure to click […]keep looking »