The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Speaking In Tongues”

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At Chhotahazri, Trisha Gupta considers why people resist subtitled films. “I see subtitles as giving me access to a world I wouldn’t otherwise enter – but like a polite, well-spoken guide, providing commentary unobtrusively, not drowning out the voices of the locals.” (via @bethlovesbolly) Like this:Like Loading…

The Great Filmi Comedy Uncle Bracket!

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The final four have been selected in the Great Filmi Comedy Uncle Bracket and you still have a chance to vote. Representing Classic Hindi film, Johny Walker takes on Johny Lever, winner of the Hindi Film 1995-2015 bracket. Representing the South, Brahmanandan takes on Wild Card winner Shammi Kapoor. Learn more about each contender and […]

“The 100 Best Bollywood Films”

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Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here). Like this:Like Loading…

So Much Art

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So much art available for your browsing pleasure as the Smithsonian puts 40,000 pieces of Asian art from the Freer and Saeckler Collection online. Like this:Like Loading…

Bell Hanuman

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An interactive sculpture of Hanuman made from 26,000 light bells made by Charuvi Design Labs. to promote their film Sri Hanuman Chalisa. Here is a video of the interactive experience. (Thanks, Beth!) Like this:Like Loading…

The Gangs of Wasseypur

The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The […]

Seven Strange “Indian” Creatures

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Friend of the Gutter, Samit Basu shares “7 Strange ‘Indian’ Creatures” at Huffington Post. “I’ve never written an “about India” book — the closest I’ve come is setting large parts of a superhero novel, Turbulence, in India — but I did notice several British and American reviewers mentioning that reading it made them realize that people […]

Mithun Chakraborty Returns!

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On a Special Beth Loves Bollywood Audio Edition, Beth and the Gutter’s own Carol discuss Mithun Chakraborty’s Gunmaster G9/secret agent films: Surakksha (1979); Wardaat (1981); and Guru (1989). Fights, mad scientists, zombie robots, radio-controlled locusts, the Green Revolution, amazing clubs that look like Nintendo games or that have plaster animals and villain lairs are discussed. […]

An Excerpt from Resistance

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Tor has an excerpt from Resistance, the latest book by friend of the Gutter, Samit Basu: “A giant lobster rises slowly out of Tokyo Bay. It is an old-school kaiju, 300 feet long, and stands upright, its hind limbs still under water, in defiance of biology, physics and all codes of lobster etiquette.” Like this:Like […]

Global Pop Offensive!

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Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here. Like this:Like Loading…

Prithviraj Kapoor Is Alexander The Great

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At Beth Loves Bollywood, Beth watches Sikandar, a 1941 Hindi-language, sword and sandals movie in which Alexander the Great’s army sings these words as they march on Hindustan: “Life exists because of love, so let it be spent in love.” Like this:Like Loading…

“You Don’t Have To Be Eurocentric To Make It To The Future”

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“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]

Collection of R.K. Laxman Cartoons

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The Times of India has collected a gallery of satirical cartoons by R.K. Laxman. And here are episodes of R.K. Laxman Ki Duniya, a tv show based on his work. (Thanks, Sava!) Like this:Like Loading…

“Indian Comics Beyond Balloons and Panels”

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Alok Sharma spent five years finding creators of Indian comics for his documentary, Chitrakatha: Indian Comics Beyond Balloons and Panels. Check out all the resources at the film’s website and this ten minutes of footage from the film.  There’s also an older news story about the film at The New Indian Express. (Thanks, Aseem Chandaver) […]

Disco! Disco! Disco! Disco! Yeah!

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The Gutter’s own Carol was invited to watch and discuss the 1983 Bollywood classic, Disco Dancer, with Beth at Beth Loves Bollywood as part of the Mysterious Order Of The Skeleton Suit‘s Swap-a-thon. See pictures, read a report and listen here. (Carol also has a little about it here). Like this:Like Loading…

RIP, Suchitra Sen

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Actor Suchitra Sen has died. Sen starred in both Bengali and Hindi films (Aandhi; Devdas) and is probably most famous for her roles opposite Uttam Kumar, including Sharey Chuattar; Agni Pariksha; and, Saptapadi. The Times of India, Firstpost Bollywood, and The Indian Express have obituaries. The Times of India also has a video tribute and […]

“Representation of Women in India Cinema and Beyond”

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Text of Sharmila Tagore’s lecture on women and Indian cinema at the India International Centre. (via Memsaab Story) Like this:Like Loading…

Filmi Fiascos

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Beth Watkins seeks out the truest fiascos in Indian film, which, of course, includes Shaitani Dracula. “To paraphrase Seinfeld, these movies are a mess—and they’re spectacular.” Like this:Like Loading…

It Started Out Being A Book That Obeyed The Laws of Physics: An Interview with Samit Basu

via Times of India

Author Samit Basu’s first American release, Turbulence, is the story of a few regular people who arrive in Delhi on a flight from London…with superpowers. Talk about baggage. Not just the standard flying, invisible, very very fast kinds of superpowers, either: each one of them gets what they most want in life. Basu doesn’t bother […]

100 Years of Indian Film

On the occasion of the 100th anniversary of filmmaking in India, CG Guest Star Beth Watkins offers some things she loves about Indian film. Like this:Like Loading…

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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