Art News shares 12 artist cameos on tv shows. (Thanks, Ami!)
At the Guardian, Elizabeth Day talks with Geena Davis about feminism, sexism in the film industry and the Geena Davis Institute on Gender in Media. “I mean, it’s freaky when you start examining it. For decades it’s been the same ratio – we’ve all grown up on that ratio. Could it be that women’s presence […]
At the Guardian, Kate Beaton talks about comics, history and her years working in Alberta’s oil sands.
Shea Hennum has some thoughts on “What We Talk About When We Talk About Money In Comics” at Loser City.
Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very […]
This month’s Guest Star is John Crye, a storyteller, filmmaker and producer and a long time friend of the Gutter. For as long as I can remember, I have loved movies. I consumed all things cinema long before I was involved in the business of entertainment, even before my first jobs managing a video store […]
The Kernal interviews director Lexi Alexander about the film industry, the ACLU investigation of gender discrimination in Hollywood, the connection between file-sharing and gender equality, trying to get an Arab-led series on television and the problem with crowdfunding.
At Bitter Empire, Kaleb Horton writes about Entourage: “This movie, with all the charm of a seasoned leisure class alcoholic, coldly and mechanically celebrates the degradation of humanity. It is a movie with no moral center. A movie with no worldview. A commercial for having a million dollars to kill on the Sunset Strip. It […]
In “The Marvel-Industrial Complex” James Rocchi has some thoughts about Disney’s Marvel movies–and some things to say in response to the responses to his essay. “In the ’80s, Spiderman told me that with great power comes great responsibility; Marvel Studios, via Disney, has money and power both, and we’ve given it to them; as consumers […]
Make-up artist Lucia Pittalis transforms herself into Rambo, Walter White, Bette Davis, Iggy Pop and many more.
PBS’ Newshour has a gallery of Norbert Ostrowski’s amazing automotive design sketches from 1946 to 1973. “The designs were never meant to leave the studios. Automakers routinely destroyed early sketches for fear they would fall into the wrong hands. But some of them made their way out of Ford, GM and Chrysler, as well as […]
At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.
At Kris Writes, Kristine Kathryn Rusch has some thoughts about “churning out books,” marketing and the publishing industry: “It’s become a cliché. Any writer who writes fast ‘churns out’ material. Or she ‘cranks out’ or ‘pounds out’ whatever it is that she writes. Because clearly, no writer who writes fast can think about what she […]
At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it […]
“While we weren’t looking, the mid-budget adult-oriented motion picture has all but disappeared. And the gifted directors behind them are in danger of disappearing as well. Movie wonks and box-office watchers have written and talked about the death of mid-budget filmmaking, but mostly in business terms—as opposed to personal ones, contemplating the phenomenon’s effect on […]
Director Lexi Alexander joins Adam Green and Joe Lynch on Geek Nation’s The Movie Crypt. “From Lexi’s early days as a martial arts world champion living in Germany, to a comprehensive look into how her short film (Johnny Flynton) secured an Oscar nomination and how the Academy’s nomination process really works, to Lexi’s opinions on […]
Rolling Stone‘s Neill Strauss profiles Adventure Time creature Pendleton Ward and talks to him about why he decided to stop running the show. “He sighs and looks down at his stomach. ‘It’s nice to just be sleepy and make stuff,’ he says. ‘That’s the root of what I like doing. Make stuff on my own […]
Tom Chiarella conducts an Esquire interview with Michael Keaton interesting in both form and content: “Keaton. On the versions and versions and versions of himself. Glib young man, mook, weird spook, superhero, villain, operative, hitman, guy with a parakeet on his shoulder, corporate shill, and ex-superhero. He never got caught in any one. How?”
Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is […]
The Awl’s Rich Bellis writes about Koh Masaki and the importance of Masaki’s visibility as an out gay man working in the Japanese porn industry. “By the time he died from peritonitis after an appendix operation, at just 29, Masaki had established a celebrity persona in a business where such a thing hadn’t existed before. […]
“If [James] Gunn’s dismissal of Perlman’s milestone [screenwriting] credit continues to go unchecked, it seems possible that Perlman’s involvement in the success of Guardians of the Galaxy will eventually be forgotten. As it is, she was not invited back for the sequel, which Gunn will write and direct on his own.” Ellen Killoran has more […]keep looking »