The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Lighten Up”

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At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic. Like this:Like Loading…

“Churning It All Out”

At Kris Writes, Kristine Kathryn Rusch has some thoughts about “churning out books,” marketing and the publishing industry: “It’s become a cliché. Any writer who writes fast ‘churns out’ material. Or she ‘cranks out’ or ‘pounds out’ whatever it is that she writes. Because clearly, no writer who writes fast can think about what she […]

Chris Sims on Comics and Lettering

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At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it […]

“How The Death Of The Mid-Budget Film Left A Generation Of Filmmakers MIA”

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“While we weren’t looking, the mid-budget adult-oriented motion picture has all but disappeared. And the gifted directors behind them are in danger of disappearing as well. Movie wonks and box-office watchers have written and talked about the death of mid-budget filmmaking, but mostly in business terms—as opposed to personal ones, contemplating the phenomenon’s effect on […]

Lexi Alexander on The Movie Crypt

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Director Lexi Alexander joins Adam Green and Joe Lynch on Geek Nation’s The Movie Crypt. “From Lexi’s early days as a martial arts world champion living in Germany, to a comprehensive look into how her short film (Johnny Flynton) secured an Oscar nomination and how the Academy’s nomination process really works, to Lexi’s opinions on […]

Interview with Pendleton Ward

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Rolling Stone‘s Neill Strauss profiles Adventure Time creature Pendleton Ward and talks to him about why he decided to stop running the show. “He sighs and looks down at his stomach. ‘It’s nice to just be sleepy and make stuff,’ he says. ‘That’s the root of what I like doing. Make stuff on my own […]

Interview with Michael Keaton

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Tom Chiarella conducts an Esquire interview with Michael Keaton interesting in both form and content: “Keaton. On the versions and versions and versions of himself. Glib young man, mook, weird spook, superhero, villain, operative, hitman, guy with a parakeet on his shoulder, corporate shill, and ex-superhero. He never got caught in any one. How?” Like […]

“Rookie Mistakes”

Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is […]

“Remembering Koh Masaki”

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The Awl’s Rich Bellis writes about Koh Masaki and the importance of Masaki’s visibility as an out gay man working in the Japanese porn industry. “By the time he died from peritonitis after an appendix operation, at just 29, Masaki had established a celebrity persona in a business where such a thing hadn’t existed before. […]

Writing Nicole Perlman out of Guardians Of The Galaxy

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“If [James] Gunn’s dismissal of Perlman’s milestone [screenwriting] credit continues to go unchecked, it seems possible that Perlman’s involvement in the success of Guardians of the Galaxy will eventually be forgotten. As it is, she was not invited back for the sequel, which Gunn will write and direct on his own.” Ellen Killoran has more […]

“The Ambush At Sheridan Springs”

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Jon Peterson discusses how Gary Gygax lost control of Dungeons & Dragons. “What did Gygax see, in that moment? He saw enough shares in play that he stood to lose control of TSR, a company he had founded and transformed into a global brand. But he surely also saw something even more dear at stake: […]

The Return of a Classic Soap Opera

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Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.   Like this:Like Loading…

Google Streetview Camera’s Museum Self-Portraits

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Quartz writes about “Camera In The Mirror,” an Mario Santamaría’s Tumblr art project collecting the Google Streetview camera’s photographs of itself in museums. “Collected together, the Google-camera selfies are at turns unsettling, revealing, and absurd—unintentionally upstaging the art they’re meant to quietly document.” Like this:Like Loading…

“Revealing the Secrets of the Modern Movie Poster”

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Former graphic designer for Intralink Film Graphic Design and current Google graphic designer Alex Griendling talks about designing film posters and campaigns at The Art House. Like this:Like Loading…

Pirates On One Hand, Privateers On The Other

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Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]

RIP, Al Feldstein

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Al Feldstein has died. Feldstein got his start at EC Comics, creating Tales From The Crypt and several other titles, and later became editor for MAD Magazine. The Comics Journal, The New York Times, The Los Angeles Times, Time Magazine and Robot 6 have obituaries. NPR’s All Things Considered remembers Feldstein. At The Atlantic Wire, […]

Recognizing Colorists

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AV Club’s Big Issues focuses on giving comics’ colorists their due. And Jordie Bellaire is mad as hell and she’s not going to take it anymore. Like this:Like Loading…

A Profile of Archie Comics’s Creative Director Roberto Aguirre-Sacasa

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The New York Times profiles Archie Comics’ new creative director, Roberto Aguirre-Sacasa. Aguirre-Sacasa scripted both the recent Afterlife With Archie and the Archie/Glee crossover and he is also a screenwriter and playwright. Like this:Like Loading…

Interview with Denys Cowan

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“Legendary comic book artist and Milestone Media co-founder Denys Cowan joined CBR executive producer Jonah Weiland in the CBR Speakeasy for a lengthy discussion covering Cowan’s career, diversity, and the current state of Milestone properties at DC Comics. They begin by discussing Cowan’s seminal work on The Question with Dennis O’Neil and the mistakes he […]

RIP, Sid Caesar

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Comedian, actor and writer Sid Caesar has died. The New York Times and Variety have obituaries. Time has gathered clips of his work. The Archive of American Television has an interview with Caesar here. Like this:Like Loading…

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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