The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“It Was The Crazy We Needed”

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At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good […]

Lexi Alexander on The Movie Crypt

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Director Lexi Alexander joins Adam Green and Joe Lynch on Geek Nation’s The Movie Crypt. “From Lexi’s early days as a martial arts world champion living in Germany, to a comprehensive look into how her short film (Johnny Flynton) secured an Oscar nomination and how the Academy’s nomination process really works, to Lexi’s opinions on […]

Interview with John Waters

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Friend of the Gutter Beth Accomando interviews John Waters for KPBS: “With his pencil thin mustache and skinny suits, Waters is a pop culture icon as famous as his films. But at the moment, he’s not finding the financial backing to make another movie so he has simply focused his creativity elsewhere. He has been […]

Katsuya Terada Live-Drawing Demonstration

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Video of illustrator and character designer Katsuya Terada drawing and talking about his work. (via @aicnanime) Like this:Like Loading…

RIP, Ken Takakura

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Actor Ken Takakura has died. Takakura starred in films such as Brutal Tales of Chivalry (1965); Red Peony Gambler (1968); Miyamoto Musashi: Duel at Ichijoji (1955) and Miyamoto Musashi: Duel at Ganryu Island (1956); as well as in co-productions like The Yakuza (1974); The Bullet Train (1975); Black Rain (1989) and Riding Alone For Thousands […]

Interview with Adam Savage

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Mythbusters‘ Adam Savage talks about science, women in science, GamerGate and sexism on the Inquiring Minds podcast. Like this:Like Loading…

RIP, Jan Hooks

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Actor and comedian Jan Hooks has died. The New Yorker has an appreciation. Kevin Nealon remembers Hooks at People.com. DListed remembers Hooks. The New York Times, The Los Angeles Times and The Hollywood Reporter have obituaries. Time collected six of her Saturday Night Live sketches. Hooks talks about life after SNL. Here she is as […]

RIP, Geoffrey Holder

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Actor, dancer, choreographer, director, designer and artist Geoffrey Holder has died. Besides his iconic role as Baron Samedi in Live And Let Die (1973), he directed and designed the costumes for the 1975 stage production of The Wiz, performed as the Metropolitan Opera Ballet’s principal dancer in 1955-6, choreographed pieces for the Holder Dance Company […]

Interview with Pendleton Ward

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Rolling Stone‘s Neill Strauss profiles Adventure Time creature Pendleton Ward and talks to him about why he decided to stop running the show. “He sighs and looks down at his stomach. ‘It’s nice to just be sleepy and make stuff,’ he says. ‘That’s the root of what I like doing. Make stuff on my own […]

Interview with Michael Keaton

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Tom Chiarella conducts an Esquire interview with Michael Keaton interesting in both form and content: “Keaton. On the versions and versions and versions of himself. Glib young man, mook, weird spook, superhero, villain, operative, hitman, guy with a parakeet on his shoulder, corporate shill, and ex-superhero. He never got caught in any one. How?” Like […]

“The Big Idea: In Conversation with LULZSEC”

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The Royal Court Theatre hosts a conversation among former Anonymous LulzSec members facilitated by anthropologist Gabriella Coleman. Like this:Like Loading…

Kevin Weir’s Haunting Images

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Photographer Kevin Weir uses vintage photographs to create haunting animation in “The Flux Machine.” The Guardian has an interview with Weir and more on his work. Like this:Like Loading…

Interview with Alison Bechdel

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NPR interviews cartoonist Alison Bechdel on the occasion of her MacArthur Genius Grant. “I guess I’m proudest of just really sticking with this odd thing I loved and was good at — drawing comics about marginal people (lesbians) in a marginal format (comics). I never thought much about whether that was responsible, or respectable, or […]

Mark D. White Talks About Captain America

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At We Are Respectable Negroes, Chauncey Devega interviews friend of the Gutter Mark D. White about the virtues of Captain America. “In this, the ninth episode, of the second season of WARN’s podcast series, we talk about what comic books and superheroes can tell us about philosophy and politics, work through what makes someone ‘heroic,’ […]

“A Blend of Fact and Interpretation of Fact”: An Interview with Dave McKean

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Every fall I write for the official Midnight Madness and Vanguard program blogs of the Toronto International Film Festival. And I usually try to find a guest writer to cover me here at the Gutter, write a piece ahead of time or even, sometimes, just totally wander out of  my assigned comics domain to write […]

Interview with Director Ringo Lam

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At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties […]

Interview with Filmmaker Peter Strickland

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The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog. Like this:Like Loading…

RIP, Stan Goldberg

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Comic Artist Stan Goldberg has died. Best known for his work on Archie Comics, Goldberg also worked for Marvel and DC. He drew romance comics including Patsy Walker and Millie the Model. He worked on Archie Meets The Punisher. And recently he drew Nancy Drew and the Clue Drew.  Comic Book Resources, The Comics Beat […]

Haruki Murakami on his Writing

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The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard […]

RIP, Lauren Bacall

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Actor Lauren Bacall has died. Bacall is most famous for work with her first husband Humphrey Bogart, To Have And Have Not (1944), The Big Sleep (1946) and Key Largo (1948), but she also starred in Douglas Sirk’s classic melodrama Written On The Wind (1956), co-starred with Marilyn Monroe and Betty Grable in How To […]

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  • Of Note Elsewhere

    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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