The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Lives! Camaraderie! Action!

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I talk a lot. This comes as zero surprise to anyone who has ever met me. But it’s not just a personal preference. No, really! It’s also pretty much required for what I do. I run an independent bookstore: talking to customers is a large part of my job. One of the best parts, in fact. […]

Strong. Women.

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Ever have one of those months in which several disparate threads from different aspects of your life all suddenly seem to be part of the same cloth? I’m having one right now. The recent truly excellent articles by carol and alex combined with the current interwebs-fueled firestorm over ‘fake geek girls’ and the collective cognitive […]

Beach Reading

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It may not entirely feel like it, but it’s finally summer. Commercial fiction gets its second biggest bump of the year during the summer (the biggest is at Christmas, obviously), and  because the Romance genre is the largest section, its uptick in sales is the most noticeable.   That’s because mild and humid as it might […]

Top 10 of 2012

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It’s the end of the year; I work in retail; I have the flu.  All  of which means that for the past couple weeks I’ve been re-reading rather than reading. Mostly Eva Ibbotson, whose warmth reminds me not only that I love reading, but why.  Which makes this a good time for a retrospective list. […]

The Measure Of Success

I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days.  A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]

These Are A Few Of My Least Favourite Things

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Every now and again, I like to pause in my appreciation of the romance genre and take the opportunity to bitch about it instead. I know it’s not perfect. As the largest genre in the world, it also contains the largest collection of bad books. I don’t review books I think are terrible – mostly […]

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    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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    John Reppion continues his series on English magic and Jonathan Strange And Mr. Norrell. Next up, “Away With The Fairies.”

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    At the Mary-Sue, Ana Mardoll reviews Vertigo’s new Furiosa comic, which theoretically presents Imperator Furiosa’s backstory by trying to make Mad Max: Fury Road lazier and shittier. “We need to talk about the Mad Max: Fury Road Furiosa #1 comic and how awful it is. Huge content notes on this post, like, in big block capitals and neon letters because this issue is triggery and terrible, and really aptly illustrates just how awful MMFR could have been if it were made without intentionally setting aside lazy (and terrible) narratives about women and rape in order to be better than that. Also, I would honestly recommend going into this post with the mindset that this comic is some kind of terrible non-canon spinoff, because I don’t want to ruin MMFR for anyone.” (Thanks, Century Scully Ono!)

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