Every fall I write for the official Midnight Madness and Vanguard program blogs of the Toronto International Film Festival. And I usually try to find a guest writer to cover me here at the Gutter, write a piece ahead of time or even, sometimes, just totally wander out of my assigned comics domain to write about the movies I’ve seen and what I think about them. This year, I was lucky enough to get to stay here in my domain, continue my little sorta series on comics and film and, most of all, lucky enough to interview Dave McKean. Continue reading…
Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).
The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard […]
The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.
Tor has an excerpt from Resistance, the latest book by friend of the Gutter, Samit Basu: “A giant lobster rises slowly out of Tokyo Bay. It is an old-school kaiju, 300 feet long, and stands upright, its hind limbs still under water, in defiance of biology, physics and all codes of lobster etiquette.”
Summer is almost here, and I can’t tell you how glad I am. So smear yourself up with sunscreen and bug repellent, find your kickiest sandals, put the finishing touches on your Wicker Man and don’t forget to wear a hat because I have some comics to make your summer just a little more fun […]
Japan Review interviews Natsuo Kirino, an author best known for her dark crime novels: “I don’t think I exclusively tell stories of women criminals. However, being a woman in this society is mainly an anonymous existence. I don’t think the fact that the environment is such that women are nameless and overlooked is a good […]
A gallery of Singaporean, Malaysian, Indonesian, Hong Kong and Japanese pop album covers.
Filmmaker Noribumi Suzuki has died. Suzuki was probably best known for School of the Holy Beast (1974), Sex and Fury (1973) and his Torakku Yarõ / Truck Yaro / Trucker Guys films starring Bunta Sugawara. Here Suzuki talks about working with actresses Reiko Ike and Miki Sugimoto, who appeared in his pinku eiga/ “pinky violence” […]
The Gutter’s own Carol shares a bit of her hardboiled Godzilla detective fiction at Monstrous Industry. Here’s a segment from “Three Kings” and two from “A Mark In Blue.”: ‘“Hell,’ I muttered, glancing down. My side was a mess of rearranged gears and blue coolant weeped from a broad gash. There was another smear of […]
An amazing fan-made trailer for a live-action adaptation of Katsuhiro Otomo’s Akira.
Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. I don’t remember the first kung fu movie I ever watched. I am terrible at remembering “firsts.” But I do remember the […]
Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.
Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.
“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]
Driven from its village by cruel Ch’ing officials, Kaiju Shakedown has spent years righting wrongs and secretly training in the world of martial arts. Now Kaiju Shakedown returns to us, using an improved No Shadow Fist to write about Asian cinema at Film Comment.
The Gutter’s own Carol invaded The Infernal Brains podcast to discuss space ladies with Todd from Die, Danger, Die, Die, Kill! and Tars Tarkas from TarsTarkas.net.
“Bury Me In A Shallow Grave: When The Yakuza Come Calling,” a free . pdf chapter from Jake Adelstein’s book, Tokyo Vice.
Composer Mamoru Samuragochi has issued a statement through his lawyer admitting that another composer has been writing his work. “Samuragochi is perhaps best know for his work in the video game industry, where he worked on notable titles like Resident Evil and Onimusha. It was while composing the score for the latter, in 1999, that […]
Blacksad artist Juanjo Guarnido is interviewed at Nippon.com. And Nippon.com shares mangaka Mashima Hiro’s thoughts on Blacksad and Juanjo Guarnido’s influence on his own work.
Hiroo Onoda has died. Onoda was the last soldier of the Imperial Japanese Army to surrender, after hiding in the Philippines forest until 1974. Asia News and The New York Times have obituaries.keep looking »