The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Revenge In South Korean Cinema

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Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

“You Don’t Have To Be Eurocentric To Make It To The Future”

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“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]

Kaiju Shakedown: Redemption

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Driven from its village by cruel Ch’ing officials, Kaiju Shakedown has spent years righting wrongs and secretly training in the world of martial arts. Now Kaiju Shakedown returns to us, using an improved No Shadow Fist to write about Asian cinema at Film Comment.

“Space Ladies from Outer Space”

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The Gutter’s own Carol invaded The Infernal Brains podcast to discuss space ladies with Todd from Die, Danger, Die, Die, Kill! and Tars Tarkas from TarsTarkas.net.

Free Chapter of Tokyo Vice

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“Bury Me In A Shallow Grave: When The Yakuza Come Calling,” a free . pdf chapter from Jake Adelstein’s book, Tokyo Vice.

Mamoru Samuragochi & The Mystery Composer

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Composer Mamoru Samuragochi has issued a statement through his lawyer admitting that another composer has been writing his work. “Samuragochi is perhaps best know for his work in the video game industry, where he worked on notable titles like Resident Evil and Onimusha. It was while composing the score for the latter, in 1999, that […]

Nippon.com Interviews Artist Juanjo Guarnido

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Blacksad artist Juanjo Guarnido is interviewed at Nippon.com. And Nippon.com shares mangaka Mashima Hiro’s thoughts on Blacksad and Juanjo Guarnido’s influence on his own work.

RIP, Hiroo Onoda

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Hiroo Onoda has died. Onoda was the last soldier of the Imperial Japanese Army to surrender, after hiding in the Philippines forest until 1974. Asia News and The New York Times have obituaries.

You’ve Got A Friend

cartoonfriends

My grade one teacher hung up a lot of art in our classroom. Some pieces were temporary: the cartoon ghosts at Hallowe’en; the fold-out bells at Christmas; the uneven hearts we made for Valentine’s Day. Others were framed and permanent, like the giant map of mostly Canada (the bits of the US that ran along […]

Interview with Kenji Kamiyama

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Andrez Bergen interviews anime director Kenji Kamiyama for Madman.

Interviews and Q&A from Midnight Madness 2013

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All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival.  And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]

Midnight Madness 2013!

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The Midnight Madness Program at the Toronto International Film Festival has been announced. The films being screened are: All Cheerleaders Die; The Station / Der Blutgletscher; The Green Inferno; Oculus (that’s the trailer for the original short); Afflicted; Almost Human; Rigor Mortis; R100; Why Don’t You Play In Hell?; and, Witching & Bitching / Las […]

Hayao Miyazaki Retires

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Director and animator Hayao Miyazaki has announced his retirement. “’In place of feature animation, there are various things I want to try and do,’ he added. One example he gave was exhibits at the Ghibli Museum in Mitaka, Tokyo. ‘I may even put myself on exhibition,’ he wisecracked. Asked if he would make short films, […]

“Big Picture: You In Japan”

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A 1957 US Army training film intended for American servicemen in Japan.

“Andrew Hughes: A Life In Japanese Pictures”

“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]

The Sweetness of Sonny Chiba

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At Teleport City, The Gutter’s own Carol writes about the sweetness of Sonny Chiba in Terror Beneath The Sea.

Mubi’s Movie Poster of the Week: The Lady And The Beard

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Adrian Curry looks at Takashi Kono’s poster from Yasujiro Ozu’s The Lady And The Beard and includes a gallery of more fine Kono art.

Cat Armor

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Armor for your cats by Jeff de Boer!

“Japanese Science Fiction of the 1930s”

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Jess Nevins writes about Sato Minoru’s The Foreign Farm (1931), Japanese science fiction in the late Nineteenth and early Twentieth Centuries and “the White Peril.”

Interview with Takashi Miike

The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a […]

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  • Of Note Elsewhere

    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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