The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Powers That Be

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By some strange quirk of timing and location, I am currently involved in or gearing up for three different elections at once.  On the federal front it’s just a by-election to fill a recently vacated seat: it is the least visible and strident of the three. The provincial election is in full swing, loud and […]

No, It Really Is What You Know

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Holy crap, it’s Labour Day weekend already. Seems like one minute I was looking at hopeful seedlings in my garden and the next I was staring sadly at the mashed detritus of spindly broken plants and cursing construction workers… wait, I’m getting off track. What I really mean is, the unofficial end of summer really snuck […]

The Many Faces Of Man. Or Rather, Men.

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Alex’s excellent article last week prompted Gutter Overlord Carol to suggest we each use this month to write about masculinity in our own particular capacity. Having been by odd coincidence right in the middle of reading The Male Brain by Louann Brizendine (a fascinating look at the physical and hormonal characteristics unique to, um, the […]

Money For Nothing

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Most writers get into the Romance genre because they read it, and they read it because they love it. Each writer is drawn to the genre for different reasons, of course. Whether the concentration on character; the focus on primary relationships; or the essence of the triumph of hope, the many appeals of the happy […]

Peanut Butter and Jayne

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No matter the genre or subject, every reader has her Absolute Favourite writers.  The ones whose books she’ll charge the stores to get, and drop everything to read.  Diving into those books is a particularly edifying treat, a gourmet of literary delight.  But there’s more than one kind of favourite. Sometimes a reader wants plain […]

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  • Of Note Elsewhere

    Graveyard Shift Sisters reviews Adilifu Nama’s Black Space: Imagining Race in Science Fiction Film and looks at the history of race in science fiction films from teh 1950s to the present. “Adilifu Nama concocted a thorough read that blends a critical look at science fiction cinema’s milestone works in conjunction with American sociopolitical history, specifically with some of the most profound shifts in American race relations and policy.”

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    There’s a fine piece at Nitrate Diva about the 1935 film, Kongo. “In this monument to morbidity, nearly all the taboos festering at the edges of pre-Code cinema come out and play: blasphemy, drug addiction, prostitution, torture, slavery, bestiality, and (spoiler alert!) incest. The movie positively wallows in depravity. Degradation is its subject, its project, its study.”

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    At Bitch, Liza Dadoly writes about Never Alone. “Never Alone’s plot is based around Alaskan indigenous folklore, specifically the story ‘Kunuuksaayuka,’ a tale told by storyteller Robert Nasruk Cleveland of the Inupiaq people. ‘Kunuuksaayuka’ tells of a young boy who goes out into a blizzard to discover its source and, by doing so, save his people and their way of life from the terrible storm. According to Never Alone’s website, nearly forty Alaskan Native participants, including storytellers and elders, were involved with the development of the game. These Inupiat representatives and Never Alone’s development team worked together to turn ‘Kunuuksaayuka’ into the game, notably changing the protagonist from a young boy into a young girl, Nuna, and giving her an adorable fox to accompany her on her quest.”

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    Quartz has a gallery of Jessica Fulford-Dobson’s photographs of the skater girls of Kabul, Afghanistan.

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    PBS’ Newshour has a gallery of Norbert Ostrowski’s amazing automotive design sketches from 1946 to 1973. “The designs were never meant to leave the studios. Automakers routinely destroyed early sketches for fear they would fall into the wrong hands. But some of them made their way out of Ford, GM and Chrysler, as well as now defunct Studebaker, Packard and AMC. According to one designer, they were smuggled out in boxes with false bottoms. One employee famously hid his sketches inside the liner of his trench coat.”

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    Swell songs on disreputable topics: “Gom Jabbar “ by Chica Non Grata and “Bad Clone” by Victoria Squid.

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