The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Powers That Be

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By some strange quirk of timing and location, I am currently involved in or gearing up for three different elections at once.  On the federal front it’s just a by-election to fill a recently vacated seat: it is the least visible and strident of the three. The provincial election is in full swing, loud and […]

No, It Really Is What You Know

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Holy crap, it’s Labour Day weekend already. Seems like one minute I was looking at hopeful seedlings in my garden and the next I was staring sadly at the mashed detritus of spindly broken plants and cursing construction workers… wait, I’m getting off track. What I really mean is, the unofficial end of summer really snuck […]

The Many Faces Of Man. Or Rather, Men.

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Alex’s excellent article last week prompted Gutter Overlord Carol to suggest we each use this month to write about masculinity in our own particular capacity. Having been by odd coincidence right in the middle of reading The Male Brain by Louann Brizendine (a fascinating look at the physical and hormonal characteristics unique to, um, the […]

Money For Nothing

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Most writers get into the Romance genre because they read it, and they read it because they love it. Each writer is drawn to the genre for different reasons, of course. Whether the concentration on character; the focus on primary relationships; or the essence of the triumph of hope, the many appeals of the happy […]

Peanut Butter and Jayne

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No matter the genre or subject, every reader has her Absolute Favourite writers.  The ones whose books she’ll charge the stores to get, and drop everything to read.  Diving into those books is a particularly edifying treat, a gourmet of literary delight.  But there’s more than one kind of favourite. Sometimes a reader wants plain […]

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  • Of Note Elsewhere

    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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    At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your own tiny gay face: Stormer and Kimber from Jem are truly, outrageously, canonically queer….This is good news. Great news. But it’s not really news news. Of course Stormer and Kimber are gay. They’ve been in love since 1987!”

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