The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Menahem Golan

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Producer and director Menahem Golan has died. Golan produced (and sometimes wrote and directed) many, many films including: The Delta Force (1986), Death Wish (1974), The Apple (1980), The Texas Chainsaw Massacre 2 (1986), Missing In Action (1984), Invasion U.S.A. (1985), American Ninja (1985), Lifeforce (1985), Cobra (1986), Masters of the Universe (1987) Bloodsport (1988), Breakin’ […]

Jean-Luc Godard & Jean-Claude Van Damme

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At Vern Reviews The Films Of Cinema, Outlaw Vern offers “one Seagalologist’s perspective on the ‘vulgar auteurism’ debate”: “The practitioners are trying to bring recognition to artists who they think are marginalized, but they’re accidentally creating a ranking of ‘vulgar auteur’ beneath ‘actual auteur.’ And that also shines a spotlight on the idea’s most glaring […]

ActionFest 2012 Trailers

Trailers for movies playing at ActionFest 2012: Solomon Kane; Manborg; Wonder Women! The Untold Story of American Superheroines; The Raid; True Romance; Wu Xia; Dragon Eyes;  Let The Bullets Fly; A Gang Story;  The Lost Bladesman; God Bless America; Goon; The Aggression Scale; The Day;  Headhunters; Transit; Sinners and Saints; Bad Ass; The Wild Bunch  […]

For Jean-Claude on his 50th Birthday

Mubi has a lovely, thoughtful post on Jean-Claude van Damme in honor of his 50th birthday. ” But what does that make of an action-star-inverse like Van Damme, who’s at his most interesting when he’s at his most vulnerable and who does not, unlike Stallone or Willis, wield that vulnerability as a weapon, but presents […]

VARIETY PAK

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It’s been just over a year since I became a partner in the Mayfair Theatre, Ottawa’s oldest operating cinema. We’ve shown a lot of films in that time (we average about 40 a month), and I’ve written the synopsis for almost every one.

Unthawing Action Heroes

Dolph Lundgren and Jean Claude Van Damme have been unthawed for the upcoming Universal Soldier: Regeneration. (Well, JCVD’s only been in the crisper drawer since JCVD).

2008 Madness Begins

The 2008 Midnight Madness films have been announced.  If you’re in Toronto then, you’ll have a chance to see movies like Chocolate, Detroit Metal City, JCVD and The Burrowers (no trailer) on the big screen. I’ma be there.

JCVD is Jean-Claude Van Damme

Jean-Claude Van Damme is Jean-Claude Van Damme in JCVD. Watch the trailer. Seriously.

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  • Of Note Elsewhere

    NPR interviews cartoonist Alison Bechdel on the occasion of her MacArthur Genius Grant. “I guess I’m proudest of just really sticking with this odd thing I loved and was good at — drawing comics about marginal people (lesbians) in a marginal format (comics). I never thought much about whether that was responsible, or respectable, or lucrative.”

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    At Comics Alliance, Kate Leth provides, “Roll With It”–an interactive tool for deciding on your Halloween costume this year.

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    Tom Burtonwood has created Folium, a book of three-dimensional printing of bas relief, for the Art Institute of Chicago from its collection. (Via Boing Boing)

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    We have been bereft since GWAR lost Oderus Ungerus. But lift up your heads and rejoice, fans of GWAR, there is a new member. She is Vulvatron! (via @saladinahmed)

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    Throne of the Crescent Moon author Saladin Ahmed has posted “a micro-mini Crescent Moon Kingdoms world guide that had previously only been available as part of a UK-exclusive ebook” for people to use in their roleplaying games. But even if you aren’t a gamemaster, it’s pretty sweet.

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    At We Are Respectable Negroes, Chauncey Devega interviews friend of the Gutter Mark D. White about the virtues of Captain America. “In this, the ninth episode, of the second season of WARN’s podcast series, we talk about what comic books and superheroes can tell us about philosophy and politics, work through what makes someone ‘heroic,’ the ways that the general public often misunderstands and misreads the Captain America character, as well as how American exceptionalism, race, and identity relate to superhero and other types of comic books and graphic novels.”

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