The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

For Worse And For Better. But Mostly Worse.

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Now is the summer of our discontent… We’ve finally gotten down to actual summer weather in the last two weeks. So of course I spent the last two weeks without AC as I dealt with a series of cascading electrical problems. One complete power shut-down later, things are finally back on the level… just in time […]

Beach Reading

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It may not entirely feel like it, but it’s finally summer. Commercial fiction gets its second biggest bump of the year during the summer (the biggest is at Christmas, obviously), and  because the Romance genre is the largest section, its uptick in sales is the most noticeable.   That’s because mild and humid as it might […]

The Measure Of Success

I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days.  A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]

Nice Guys, Sewers, And Other Relics Of The Past

I’ve been on a bit of a historical binge recently: testing some new authors, re-reading old favourites.  This trip down the historical record lane is due largely to author Sherry Thomas.  More to the point, to her recent novel Ravishing the Heiress. Like this:Like Loading…

Grumpy McCarpsalot

I love to read.   I love the act of reading, the sensation of sinking mind-first into a story.  I need a certain amount of reading if I’m to function at full capacity.  I consider it a physiological necessity, like sleep, or chocolate.  Sure, I can get not-quite-enough for a few days, but sooner or later […]

Lovers In A Dangerous Time

Recently, I’ve been thinking about danger.  Specifically, the kind of danger that runs through a certain subsection of Romance, often called ‘romantic suspense’.  These are the stories that drop the hero and heroine into physical jeopardy in addition to exposing them to all the emotional risks of falling in love.  When done well, they share […]

The Great and the Good

I was a little disappointed by how many Romances I liked this year.  Mostly because  I wanted to love so many more of them.   But as always, some titles managed to rise above the rest.  Here are some of my favourites from this year. Like this:Like Loading…

That’s a Wrap

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I enjoy this time of year. Partly because I work in retail, and the week between Christmas and New Year’s Eve is a kind of gift: festive and fun, and landing somewhere between the insanity of December and the dead quiet of January. But also because I get a kick out of all the lists […]

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  • Of Note Elsewhere

    The Projection Booth tells you of days of high adventure in an epic seven hour podcast on Conan The Barbarian (1982).

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    Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A Baby (1987), two Star Trek films and an episode of Night Gallery (“Death on a Barge”) among others. The New York Times and The Guardian have obituaries. Here are some tweets from William Shatner’s online memorial for Nimoy. George Takei remembers Nimoy. Zachary Quinto remembers Nimoy. EW also has other remembrances, including one from President Obama. Code Switch’s Steve Haruch discusses Spock’s importance as a biracial character. Nimoy talks about his work at the Archive of American Television. You can see some of Nimoy’s photography here. And a reminder that Nimoy had an Etsy shop.

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    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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