The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

For Worse And For Better. But Mostly Worse.

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Now is the summer of our discontent… We’ve finally gotten down to actual summer weather in the last two weeks. So of course I spent the last two weeks without AC as I dealt with a series of cascading electrical problems. One complete power shut-down later, things are finally back on the level… just in time […]

Beach Reading

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It may not entirely feel like it, but it’s finally summer. Commercial fiction gets its second biggest bump of the year during the summer (the biggest is at Christmas, obviously), and  because the Romance genre is the largest section, its uptick in sales is the most noticeable.   That’s because mild and humid as it might […]

The Measure Of Success

I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days.  A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]

Nice Guys, Sewers, And Other Relics Of The Past

I’ve been on a bit of a historical binge recently: testing some new authors, re-reading old favourites.  This trip down the historical record lane is due largely to author Sherry Thomas.  More to the point, to her recent novel Ravishing the Heiress. Like this:Like Loading…

Grumpy McCarpsalot

I love to read.   I love the act of reading, the sensation of sinking mind-first into a story.  I need a certain amount of reading if I’m to function at full capacity.  I consider it a physiological necessity, like sleep, or chocolate.  Sure, I can get not-quite-enough for a few days, but sooner or later […]

Lovers In A Dangerous Time

Recently, I’ve been thinking about danger.  Specifically, the kind of danger that runs through a certain subsection of Romance, often called ‘romantic suspense’.  These are the stories that drop the hero and heroine into physical jeopardy in addition to exposing them to all the emotional risks of falling in love.  When done well, they share […]

The Great and the Good

I was a little disappointed by how many Romances I liked this year.  Mostly because  I wanted to love so many more of them.   But as always, some titles managed to rise above the rest.  Here are some of my favourites from this year. Like this:Like Loading…

That’s a Wrap

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I enjoy this time of year. Partly because I work in retail, and the week between Christmas and New Year’s Eve is a kind of gift: festive and fun, and landing somewhere between the insanity of December and the dead quiet of January. But also because I get a kick out of all the lists […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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