The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

So Many Fan Films!

The monkeys over at See Monkey round up a whole whack of fan film action including “the greatest fan film of all time,” which “def[ies] all laws of God, man and intellectual property and cramming vastly different fictive universes — Marvel, DC, Power Rangers, Ninja Turtles, you name it — into one great big ball […]

“The Joker is Us”

“No wonder we crave an entertainment like The Dark Knight, where every topic we’re unable to quit not-thinking about is whirled into a cognitively dissonant milkshake of rage, fear and, finally, absolving confusion.” Jonathan Lethem writes about The Dark Knight and America. Like this:Like Loading…

HAVING YOUR DUALITY AND EATING IT, TOO

bruce 80.jpg

Spoiler warning. When the question arises of who could be the villain in a third Batman movie, I’m stymied. I can’t picture The Penguin or The Riddler or Catwoman working in the world Christopher Nolan has created. Poison Ivy? I don’t think so. The Mad Hatter? Clayface? Kite Man? Bane? Nope, nope, nope and please […]

Waiting for the Goddamn Batman to get the Goddamn Joke

Though he’s not much for superhero comics, Marc Sobel gets the joke that inspired so much “righteous, nerd rage”: “Ultimately, the Joker’s rebirth is a physical manifestation of the creative process… accompanied by a profound sense of disillusionment that none of it matters, for the cycle will begin anew before too long…. The ultimate irony, […]

13 Ways of Looking at a Bat

All the Batmans holding hands!

“Among twenty empty warehouses, The only moving thing Was the eye of the Batman.” –sorta Wallace Stevens You should know right from the start that I’m a terrible geek—not extremely geeky, but bad at being a geek. Continuity in the sense of an overarching, epic and harmonized chronology just isn’t that important to me. What […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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