The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Mike Le asks Joss Whedon a Question

“One of the things I loved about Firefly  was the exploration of the fusion of Asian and American cultures. Many Asian Americans go through a similar journey. I was wondering, if you were to explore that again in the future, if you would be willing to include Asian or Asian American performers?” More at Racebending. […]

The Avengers and Philosophy

The first chapter from the book, The Avengers and Philosophy, is available online–for free! Like this:Like Loading…

The merits of space cowboys and vengeance demons

Realism has a lot to answer for. For instance, the number of raised eyebrows I’ve received when recommending tv shows like Battlestar Galactica, Firefly, or Buffy the Vampire Slayer. Even when I talk about them in terms of artistic merit, interesting narrative structure and social relevance, more often than not I get a pause followed […]

Wonder Woman in Pants

Wonder Woman would’ve also had pants in Joss Whedon’s version. But if she has to have spurs, I’m a sucker for this cowgirl version with invisible pony. (And, following Chris Sims, could go with a Fistful of Dollars poncho). Like this:Like Loading…

Picking It Apart

Another reason to love This American Life. Joss Whedon performs part of the commentary track for Dr. Horrible’s Sing-a-long Blog. (via Film School Rejects) Like this:Like Loading…

Home Stretch

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I have a theory that television shows get a lot of practice in the cliff-hanger, in hooking the viewer to come back next week, but almost zero experience in creating satisfying endings. Structurally, commercially, the need for such a thing just doesn’t compute. A few genre shows in the throes of concluding long-term stories right […]

So Many Fan Films!

The monkeys over at See Monkey round up a whole whack of fan film action including “the greatest fan film of all time,” which “def[ies] all laws of God, man and intellectual property and cramming vastly different fictive universes — Marvel, DC, Power Rangers, Ninja Turtles, you name it — into one great big ball […]

Defending Dollhouse

A woman with her personality wiped and a new one programmed in every week? Joss Whedon talks about misogyny, identity and Dollhouse. Like this:Like Loading…

Follow-Up Visit

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I love shiny new things. I’m also getting more ruthless about my time than I used to be. Those competing impulses get resolved in a simple activity that everyone does naturally: following writers who have proved themselves in the past. On that note, here are a few follow-up visits to Gutter pieces of the past. […]

Nobody Dies: The Eternal Return of LEGO Batman

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I’ve written before that I was put off superhero comics by all the dying and resurrected X-Men—the eternal return and the attempts to escape it. You might have noticed that DC and Marvel’s superhero titles have become a bloodbath. Sure, it started it with big crossovers and the death of Superman. Captain America’s death at […]

Dr. Horrible’s Sing-Along Blog

Everybody loves a supervillain. Especially a low-end one. Especially me. Here’s a teaser for Joss Whedon’s Dr. Horrible’s Sing-Along Blog. And here’s the crosspromotional Captain Hammer comic. Like this:Like Loading…

Spoilerific

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I’m the person who hates spoilers, mainly because they wreck a book or movie for me. I’m a stickler for experiencing something in the way that the creator intended (whether this is a smart or helpful habit is quite another question). In the case of, say, a TV show like Buffy or Angel that’s been […]

He Can Say This Because He’s a Browncoat

Henry Jenkins says Snakes on a Plane might do better than Serenity, two films with comparable prerelease internet buzz, and thinks Whedon should have broken out of the broadcast media mold: “…if he had gone that route, we would have been able to enjoy many more hours of quality science fiction/western action on television, where […]

Kicking Ass, Literary Style

The cast is fabulous, a strong point in the show

I don’t have much patience for vampire stories, so I never felt much attraction to the Buffy and Angel universe. I could see how people would get pretty wrapped up in it: ongoing storylines, smart characterization, constant action, snappy one-liners, reportedly the whole bit. When Joss Whedon, Buffy creator, decided to do a science fiction […]

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  • Of Note Elsewhere

    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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