The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

For Worse And For Better. But Mostly Worse.

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Now is the summer of our discontent… We’ve finally gotten down to actual summer weather in the last two weeks. So of course I spent the last two weeks without AC as I dealt with a series of cascading electrical problems. One complete power shut-down later, things are finally back on the level… just in time […]

These Are A Few Of My Favourite Things

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I always enjoy writing a ‘Best Of’ column, and this year it’s particularly timely. Not only do I work in retail (which is category 5 insane right now) but my week also included a bicycle accident and a broken water main. Frankly, I needed some happy time. It did me good to think about and/or […]

Top 10 of 2012

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It’s the end of the year; I work in retail; I have the flu.  All  of which means that for the past couple weeks I’ve been re-reading rather than reading. Mostly Eva Ibbotson, whose warmth reminds me not only that I love reading, but why.  Which makes this a good time for a retrospective list. […]

Hitting The Books, Hard

As I said this time last year, I like back to school season.  I love the energy of it.  I miss the sense of anticipation, of knowing I had lots of new things to look forward to.  At least, usually I do.  Perhaps I’m just feeling particularly curmudgeonly this season, or maybe summer was just […]

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  • Of Note Elsewhere

    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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    Christopher Lee has released a promotional video for his latest album, Darkest Carols, Faithful Sing.  You should probably watch everything at Charlemagne Productions.

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    At Asking The Wrong Questions, Abigail Nussbaum writes about Aaron Sorkin, the “Oh Shenandoah” episode of  Sorkin’s The Newsroom, The Newsroom writer Alena Smith and women speaking out about their experiences. “What we’re seeing here is Aaron Sorkin becoming an Aaron Sorkin character, making the same arguments as Don.  In his conception of reality, a woman who feels that she’s been treated unjustly and has no hope of redress from the hierarchy above her, also has no right to speak out, because doing so is Rude.” (She also gathers together responses from many other television writers).

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