The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Eiji Tsuburaya Made Godzilla Come Alive–And It Changed Film Forever”

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At Vox, Phil Edwards profiles special effects master Eiji Tsuburaya and interviews August Ragone about Tsuburaya’s career. “A director, cinematographer, and producer, Tsuburaya is best known for creating the special effects behind Japanese classics like Godzilla (1954), Mothra (1961), and many other films where the giant monsters called kaiju terrorize the good people of Tokyo. […]

Seven Strange “Indian” Creatures

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Friend of the Gutter, Samit Basu shares “7 Strange ‘Indian’ Creatures” at Huffington Post. “I’ve never written an “about India” book — the closest I’ve come is setting large parts of a superhero novel, Turbulence, in India — but I did notice several British and American reviewers mentioning that reading it made them realize that people […]

An Excerpt from Resistance

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Tor has an excerpt from Resistance, the latest book by friend of the Gutter, Samit Basu: “A giant lobster rises slowly out of Tokyo Bay. It is an old-school kaiju, 300 feet long, and stands upright, its hind limbs still under water, in defiance of biology, physics and all codes of lobster etiquette.”

Trinity Syndrome

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“For the ordinary dude to be triumphant, the Strong Female Character has to entirely disappear into Subservient Trophy Character mode. This is Trinity Syndrome à la The Matrix: the hugely capable woman who never once becomes as independent, significant, and exciting as she is in her introductory scene.” Tasha Robinson writes more about this in […]

Godzilla Noir

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The Gutter’s own Carol shares a bit of her hardboiled Godzilla detective fiction at Monstrous Industry. Here’s a segment from “Three Kings” and two from “A Mark In Blue.”: ‘“Hell,’ I muttered, glancing down. My side was a mess of rearranged gears and blue coolant weeped from a broad gash. There was another smear of […]

“Andrew Hughes: A Life In Japanese Pictures”

“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]

Giant Mr. Darcy, All-Out Pride Attack!

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Please view these pictures of Giant Mr. Darcy from Jane Austen’s Pride & Prejudice rising out of the Serpentine in Hyde Park while listening to this orchestral medley from the Godzilla soundtrack.

Drive-In Mob Ringtones

The Drive-In Mob has created ringtones “perfect for alienating people around you on public transportation” including: Omega Man; Godzilla vs. MechaPetrillo; Super Fuzz; The Wilhelm Scream; and the ants from THEM!

The Words Got Stuck In My Throat

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“If I had a hidden microphone inside of my heart/I would turn the power on/It would amplify my love for you and swear to always love you/and you’d never be gone.” I love when old movies–that are not musicals per se–spotlight the performance of a song, because it’s symptomatic of a sincere desire to entertain […]

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply […]

The Unholy Tentacles of Weird Noir

Fox Spirit Press has just released an anthology of Weird Noir edited by K.A. Laity and including some hardboiled Godzilla fiction by The Gutter’s own Comics Editor, Carol. “On the gritty backstreets of a crumbling city, tough dames and dangerous men trade barbs, witticisms and a few gunshots. But there’s a new twist where urban […]

RIP, Emi Ito

Singer and actress Emi Ito has died. Ito was a member of the singing duo, The Peanuts, with her twin sister, Yumi.  And both were probably most famous as the Shobijin/twin fairies who were mystically connected to Mothra in the Mothra and Godzilla films of the 1960s and 1970s.  More about The Peanuts here and […]

Giant Monster All-Out Attack!

Kaiju invade the airwaves as The Cinementals discuss the work of Godzilla director Ishiro Honda, King Ghidorah is the monster of the month at Monster Island Resort and this week’s Drive-In Mob movie tweetalong will coincide with Turner Classic Movie’s screening of 4 Ishiro Honda movies on Friday, June 15! (The Drive-In Mob is co-sponsored […]

10 Things About Godzilla

At the Criterion Collection blog, Curtis Tsui shares, “10 Things I learned About Godzilla.” My favorite involves sugar wafers. (via Kaijucast)

Godzilla: 3 Reasons

Criterion’s excellent three reasons for its Godzilla (1954) DVD and Blu-Ray.

A Very Kaiju Christmas!

Some Kaijutastic Christmas displays–prominently featuring Godzilla!

Terror of Monkeys vs. Robots

Manipulated by mad scientists, humiliated for humanity’s pleasure, will robots and apes tire of making our cars, vacuuming our floors, fighting our wars, washing our cats and smoking our cigarettes? Who will break first as humankind continually fails to distinguish androids from robots, apes from monkeys? We return again to the question that 2012 inevitably […]

A Defense of the Silly Godzilla Movies

At TCM’s Movie Morlocks, David Kalat writes a passionate defense of silly Godzilla movies and how Godzilla vs. Megalon conquired the world in “The Importance of Being Godzilla (Part 1).”

Get Made With The Drive-In Mob

The Gutter, Grindhouse Database and Shelf Life Clothing Company have joined forces to sponsor an evening of genre movie live tweets every Thursday night at 8pm ET.  Tonight’s the last KaiJuly screening with a double feature of the Shaw Bros. kaiju movie, The Mighty Peking Man at followed by Godzilla 2000. Get made by the […]

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  • Of Note Elsewhere

    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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