The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Words Got Stuck In My Throat

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“If I had a hidden microphone inside of my heart/I would turn the power on/It would amplify my love for you and swear to always love you/and you’d never be gone.” I love when old movies–that are not musicals per se–spotlight the performance of a song, because it’s symptomatic of a sincere desire to entertain [...]

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply [...]

The Unholy Tentacles of Weird Noir

Fox Spirit Press has just released an anthology of Weird Noir edited by K.A. Laity and including some hardboiled Godzilla fiction by The Gutter’s own Comics Editor, Carol. “On the gritty backstreets of a crumbling city, tough dames and dangerous men trade barbs, witticisms and a few gunshots. But there’s a new twist where urban [...]

RIP, Emi Ito

Singer and actress Emi Ito has died. Ito was a member of the singing duo, The Peanuts, with her twin sister, Yumi.  And both were probably most famous as the Shobijin/twin fairies who were mystically connected to Mothra in the Mothra and Godzilla films of the 1960s and 1970s.  More about The Peanuts here and [...]

Giant Monster All-Out Attack!

Kaiju invade the airwaves as The Cinementals discuss the work of Godzilla director Ishiro Honda, King Ghidorah is the monster of the month at Monster Island Resort and this week’s Drive-In Mob movie tweetalong will coincide with Turner Classic Movie’s screening of 4 Ishiro Honda movies on Friday, June 15! (The Drive-In Mob is co-sponsored [...]

10 Things About Godzilla

At the Criterion Collection blog, Curtis Tsui shares, “10 Things I learned About Godzilla.” My favorite involves sugar wafers. (via Kaijucast)

Godzilla: 3 Reasons

Criterion’s excellent three reasons for its Godzilla (1954) DVD and Blu-Ray.

A Very Kaiju Christmas!

Some Kaijutastic Christmas displays–prominently featuring Godzilla!

Terror of Monkeys vs. Robots

Manipulated by mad scientists, humiliated for humanity’s pleasure, will robots and apes tire of making our cars, vacuuming our floors, fighting our wars, washing our cats and smoking our cigarettes? Who will break first as humankind continually fails to distinguish androids from robots, apes from monkeys? We return again to the question that 2012 inevitably [...]

A Defense of the Silly Godzilla Movies

At TCM’s Movie Morlocks, David Kalat writes a passionate defense of silly Godzilla movies and how Godzilla vs. Megalon conquired the world in “The Importance of Being Godzilla (Part 1).”

Get Made With The Drive-In Mob

The Gutter, Grindhouse Database and Shelf Life Clothing Company have joined forces to sponsor an evening of genre movie live tweets every Thursday night at 8pm ET.  Tonight’s the last KaiJuly screening with a double feature of the Shaw Bros. kaiju movie, The Mighty Peking Man at followed by Godzilla 2000. Get made by the [...]

The Disturbing Nature of Ultraman

A meditation on Ultraman and Ultraman in manga form, drawn by “horror comics auteur” Kazuo Umezu:  “The boys who read this would grow up to read even more outlandish and violent mens’ comics; the girls would have a whole sub-genre of girls’ horror comics, jam-packed with beheadings, defenestrations, and entrails, some drawn by Umezu, for [...]

Minoru Kawasaki: Look Back in Fun Fur

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Every April at the Gutter, the editors write about something outside their usual domains.  This month Comics Editor Carol Borden writes about movies. This is not even close to a full retrospective, because while Minoru Kawasaki doesn’t have a huge number of films, many of them are not available with English subtitles and I don’t [...]

Ultraman + Ukelele

Ultraman consoles a sad kaiju he finds on the moon. Ukelele! Surfing! Hawai’ian vacation for everyone!

Kaiju Christmas 2010

It’s Kaiju Christmas over at wtfFILM. What the hell am I saying?  It’s Kaiju Christmas everywhere!

Taiwanese Giant Monsters, Discussed!

Die, Danger, Die, Die, Kill! and TarsTarkas.net join forces to discuss Taiwanese giant monster films and you can listen in!

Waiting for Gorgo?

Do you remember Gorgo? The giant monster that raced up from the oceanic depths and devastated London? The DMOA do.

Akira Ifukube Conducts

Akira Ifukube conducts the Osaka Symphony in a selection of his Godzilla works.

Another Interview with Ray Harryhausen

The BBC has a nice interview with Ray Harryhausen, Stop-Motion and SFX Overlord!

keep looking »
  • Of Note Elsewhere

    This tumblr collects many bad jokes kids have invented.

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    “It’s easier to tell the same stories everyone else does. There’s no particular shame in it.

    It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be.

    Oh, and it’s not true.”

    Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

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    Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.

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    Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”

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    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

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    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

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