Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.
At TCM’s Movie Morlocks, David Kalat writes a passionate defense of silly Godzilla movies and how Godzilla vs. Megalon conquired the world in “The Importance of Being Godzilla (Part 1).”
The Gutter, Grindhouse Database and Shelf Life Clothing Company have joined forces to sponsor an evening of genre movie live tweets every Thursday night at 8pm ET. Tonight’s the last KaiJuly screening with a double feature of the Shaw Bros. kaiju movie, The Mighty Peking Man at followed by Godzilla 2000. Get made by the […]
A meditation on Ultraman and Ultraman in manga form, drawn by “horror comics auteur” Kazuo Umezu: “The boys who read this would grow up to read even more outlandish and violent mens’ comics; the girls would have a whole sub-genre of girls’ horror comics, jam-packed with beheadings, defenestrations, and entrails, some drawn by Umezu, for […]
Every April at the Gutter, the editors write about something outside their usual domains. This month Comics Editor Carol Borden writes about movies. This is not even close to a full retrospective, because while Minoru Kawasaki doesn’t have a huge number of films, many of them are not available with English subtitles and I don’t […]
Ultraman consoles a sad kaiju he finds on the moon. Ukelele! Surfing! Hawai’ian vacation for everyone!
It’s Kaiju Christmas over at wtfFILM. What the hell am I saying? It’s Kaiju Christmas everywhere!
Die, Danger, Die, Die, Kill! and TarsTarkas.net join forces to discuss Taiwanese giant monster films and you can listen in!
Do you remember Gorgo? The giant monster that raced up from the oceanic depths and devastated London? The DMOA do.
Akira Ifukube conducts the Osaka Symphony in a selection of his Godzilla works.
The BBC has a nice interview with Ray Harryhausen, Stop-Motion and SFX Overlord!
The New York Asian Film Festival is coming up and actors Sammo Hung and Simon Yam will be in attending their films Kung Fu Chefs, Bodyguards and Assassins, Echoes of the Rainbow and Eastern Condors. But even if you can’t make it, it’s worth checking out the films and trailers for the Hong Kong/China and […]
In the interest of Science: gallery of anatomical drawings of yokai, Japanese folk monsters. Hopefully, no actual yokai were harmed in making these drawings.
A Doppelganger. A Giant Carp. A Tengu. The Curated Object has more images from “Graphic Heroes, Magic Monsters: Japanese Prints by Utagawa Kuniyoshi.”
Kaijutastic Ultraman poster art by Takayoshi Mizuki. (via The Japan Society)
The Japan City in New York City has posted a gallery of images from their current exhibition, “Graphic Heroes, Magic Monsters: prints by Utagawa Kuniyoshi.” There’s a cephalopod with what looks like a naginata. There are samurai and a giant skeleton. If you can’t make it to the exhibit, see some of it here. (via […]
Sometimes it seems like the world is an empty, awesomeless place. And then there is another clip from a Japanese variety/game show. This one involves kaiju and Ultramen.
The New York Asian Film Festival wants to help you escape joblessness, global pandemics and despair. Why don’t you let it? (Info here).
It’s a sad time for fan of martial arts and Shaw Bros. Filmmaker Ho Meng-Hua has died. Ho started in the 1950s at Cathay studios, but his wuxia and kaiju work at Shaw Bros. Studios is probably more familiar to most fans. He directed Cheng Pei-Pei and Lo Lieh in The Lady Hermit and Danny […]
Giant animals square off in Mega Shark vs. Giant Octopus. You might think Minoru Kawasaki is behind it. But you’d be wrong–Deborah “Debbie” Gibson’s behind it all. (Thanks, Steven!)
An underground monster that can’t see, but senses your steps via vibrations. A giant ape that falls in love with a woman and fights lots of dinosaurs. And a hellish creature that fights on the side of humanity against mechanical armies and wayward elves. What do these have in common? I interrupt this critical essay […]« go back — keep looking »