The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Disturbing Nature of Ultraman

A meditation on Ultraman and Ultraman in manga form, drawn by “horror comics auteur” Kazuo Umezu:  “The boys who read this would grow up to read even more outlandish and violent mens’ comics; the girls would have a whole sub-genre of girls’ horror comics, jam-packed with beheadings, defenestrations, and entrails, some drawn by Umezu, for […]

Minoru Kawasaki: Look Back in Fun Fur

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Every April at the Gutter, the editors write about something outside their usual domains.  This month Comics Editor Carol Borden writes about movies. This is not even close to a full retrospective, because while Minoru Kawasaki doesn’t have a huge number of films, many of them are not available with English subtitles and I don’t […]

Ultraman + Ukelele

Ultraman consoles a sad kaiju he finds on the moon. Ukelele! Surfing! Hawai’ian vacation for everyone!

Kaiju Christmas 2010

It’s Kaiju Christmas over at wtfFILM. What the hell am I saying?  It’s Kaiju Christmas everywhere!

Taiwanese Giant Monsters, Discussed!

Die, Danger, Die, Die, Kill! and TarsTarkas.net join forces to discuss Taiwanese giant monster films and you can listen in!

Waiting for Gorgo?

Do you remember Gorgo? The giant monster that raced up from the oceanic depths and devastated London? The DMOA do.

Akira Ifukube Conducts

Akira Ifukube conducts the Osaka Symphony in a selection of his Godzilla works.

Another Interview with Ray Harryhausen

The BBC has a nice interview with Ray Harryhausen, Stop-Motion and SFX Overlord!

NYAFF 2010

The New York Asian Film Festival is coming up and actors Sammo Hung and Simon Yam will be in attending their films Kung Fu Chefs, Bodyguards and Assassins, Echoes of the Rainbow and Eastern Condors. But even if you can’t make it, it’s worth checking out the films and trailers for the Hong Kong/China and […]

Yokai, Dissected.

In the interest of Science: gallery of anatomical drawings of yokai, Japanese folk monsters. Hopefully, no actual yokai were harmed in making these drawings.

More Utagawa Kuniyoshi

A Doppelganger. A Giant Carp. A Tengu. The Curated Object has more images from “Graphic Heroes, Magic Monsters: Japanese Prints by Utagawa Kuniyoshi.”

Ultramen vs. Kaiju

Kaijutastic Ultraman poster art by Takayoshi Mizuki. (via The Japan Society)

There’s a cephalopod with a naginata.

The Japan City in New York City has posted a gallery of images from their current exhibition, “Graphic Heroes, Magic Monsters:  prints by Utagawa Kuniyoshi.”  There’s a cephalopod with what looks like a naginata.  There are samurai and a giant skeleton. If you can’t make it to the exhibit, see some of it here.  (via […]

Kaiju vs Ultramen

Sometimes it seems like the world is an empty, awesomeless place. And then there is another clip from a Japanese variety/game show.  This one involves kaiju and Ultramen.

NYAFF 2009 and Hypnotic Escapism

The New York Asian Film Festival wants to help you escape joblessness, global pandemics and despair. Why don’t you let it? (Info here).

RIP, Ho Meng-Hua

It’s a sad time for fan of martial arts and Shaw Bros. Filmmaker Ho Meng-Hua has died. Ho started in the 1950s at Cathay studios, but his wuxia and kaiju work at Shaw Bros. Studios is probably more familiar to most fans. He directed Cheng Pei-Pei and Lo Lieh in The Lady Hermit and Danny […]

Mega Shark vs. Giant Octopus

Giant animals square off in Mega Shark vs. Giant Octopus. You might think Minoru Kawasaki is behind it. But you’d be wrong–Deborah “Debbie” Gibson’s behind it all. (Thanks, Steven!)

Let There Be Monsters

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An underground monster that can’t see, but senses your steps via vibrations. A giant ape that falls in love with a woman and fights lots of dinosaurs. And a hellish creature that fights on the side of humanity against mechanical armies and wayward elves. What do these have in common? I interrupt this critical essay […]

Where Does the Art Start?

It’s hard to know where the art starts and ends in this story about the in-fighting in the wrestling cabaret stylings of Seattle Semi-Pro Wrestling. “It’s a bunch of grown men and women in costumes pretending to be professional wrestlers. It is to wrestling as ‘West Side Story’ is to actual gang relations.” Who knows […]

Kaiju Shakedown Goes Down Again

Like King Ghidorah, Kaiju Shakedown has succumbed to market forces. Again. Hopefully like King Ghidorah, Kaiju Shakedown will rise again.  Kaiju Shakedown’s writer, Grady Hendrix, is taking some time to figure out how.

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  • Of Note Elsewhere

    Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!

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    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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