The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Daughter of Dawn

The 1920 film, Daughter of Dawn has been restored. Daughter of Dawn is set before European settlers landed in the Americas and features a cast of 300 Kiowa and Comanche actors, including the children of Quanah Parker, White and Wandada Parker, and also includes footage of the Tipi with Battle Pictures, an important part of […]

Loving the Alien: Superman and Masculinity

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Since alex, Chris and I decided to write about masculinity this month, I’ve been thinking about Superman. Actually, I’ve been thinking and rethinking Superman almost as long as I’ve been writing for The Cultural Gutter. I began really thinking about him while watching Justice League and Justice League Unlimited. I’ve spent most of my life—and […]

USA Today Interviews Beverly Jenkins

Author Beverly Jenkins talks with USA Today about writing romance rooted in 19th Century African-American history as well as her new projects and favorite authors. “I got a bit of push back because publishers didn’t seem to know what to make of my story. It was based on the 19th-century, all-black townships of Kansas and […]

The Learning Tree Revisited

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In this companion piece to his retrospective of Gordon Parks’ career, Guest Star Robert Mitchell looks at Parks’ The Learning Tree and interviews lead actor, Kyle Johnson. 1968 was a tumultuous year in American history. A year marred by wide spread violence that would see Martin Luther King Jr. assassinated in Memphis and Bobby Kennedy […]

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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