The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Billie Holiday on Swing Street”

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At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

“Vynalez Zkasy, aka, An Invention of Deconstruction”

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At Die Die Danger Die Kill, Todd thinks about Karel Zeman’s Vynalez Zkasy. “Vynalez Zkasy (released in the U.S. as The Fabulous World of Jules Verne) may represent Czech FX pioneer Karel Zeman’s quest to emulate the style of 19th century fantasy illustration—to the end of presenting the future through a Victorian lens—at its most […]

Watching Aleksander Ptshuko’s Evenings On A Farm Near Dikanka

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At Teleport City, the Gutter’s own Keith spends Evenings on a Farm near Dikanka. “The movie opens as all good Christmas movies should: with a scene of a jolly witch tearing across the night sky astride her broomstick, collecting stars for her eldritch brews, while the devil bats the moon around and eventually slips it […]

Halloween At The Gutter

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At Teleport City, the Gutter’s own Keith is sharing Haunted History. Meanwhile, at her personal site, the Gutter’s own Carol is doing her version of 31 Days Of Horror: Part 1, Part 2 and Part 3.

The Gangs of Wasseypur

The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The […]

CG Round-Up

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Screen Editor Alex’s latest piece for the Gutter is one of RogerEbert.com’s daily Thumbnails. Meanwhile, at the Alcohol Professor, SF/F Editor Keith writes about the Stonewall Inn, aka, “The Bar That Launched Pride.”

“Deadly Art of Survival”

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The Gutter’s own Keith writes about No Wave, Black cinema, ninjas, kung fu, cultural sharing, cultural appropriation, music and New York in a piece on The Deadly Art of Survival for Teleport City. “Its curious place in the history of cinema, for instance, [is] as this weird amalgamation of no wave, black cinema, and martial […]

“He Strikes Like A Ball Of Thunder!”

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The Gutter’s own Keith writes about Lightning Bolt for The Gentleman’s Guide to Midnite Cinema. “Imagine Sean Connery asking Robert Shaw how much money he’d need not to kill Bond, then saying, ‘OK, mind if I write you a check?’”

Killers’ Style

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The Gutter’s own Keith has started a new side project, Killers’ Style, exploring the style of well-dressed villains. His first post is a look at Hannibal Lecter’s full Windsor knot.

“On The Trail Of The Golem”

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The Gutter’s own Keith tracks the story of Rabbi Loew and the Golem–with some dips into alchemy and art–through Prague.  “So how did Rabbi Loew’s name become associated with the legend of the golem? Well, it’s no surprise, really, given how much weird, wizardy stuff is already attributed to him. It seems more or less […]

Karel Zeman Galleries

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The Gutter’s Own Keith has posted galleries of charming and wondrous images from Czech animator Karel Zeman’s films: Cesta do Praveku / Journey to the Beginning of Time;  Vynalez Zkazy / The Fabulous World of Jules Verne; and  Baron Prasil / The Fabulous World of Baron Munchausen; Ukradená vzducholod / The Stolen Airship; and,  Na […]

The Prague Museum of Communism

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At Teleport City, The Gutter‘s own Keith Allison continues to share his adventures in Prague. This time, he visits the Prague Museum of Communism.

“The Fleming Files”

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At Teleport City, The Gutter‘s own Keith examines Ian Fleming’s historical and fictional lives in espionage. “There were many British celebrities who dabbled to some degree or other in intelligence work during the war: Fleming, of course, but also entertainer Noel Coward[,] occult fiction author Dennis Wheatley, even notorious Ordo Templi Orientis leader Aleister Crowley […]

“Prague Museum of Medieval Torture Instruments”

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At Teleport City, The Gutter’s Own Keith Allison has a gallery of photographs from Prague’s Museum Of Medieval Torture Instruments.

Gutter Editors On Other Sites!

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SF/F Editor Keith writes about Anchor Distilling for The Alchohol Professor.  Comics Editor Carol shares her Best Comics of 2013 at Popshifter. And The Cultural Gutter is a proud member of The Mysterious Order of the Skeleton Suit (MOSS) and MOSS has a shiny new site where you can enjoy all the MOSS member articles […]

Haunted History

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Just in time for Halloween, The Gutter’s own Keith Allison explores haunted history in New York City; Louisville, KY; Centralia, PA; London, UK; and Sydney, Australia at his website, Teleport City.

“Death of a Citizen, Birth of an Agent”

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At Teleport City, The Gutter’s own Keith writes a four-part series about the adaptation of Donald Hamilton’s Matt Helm from his novels to film. “’I was taking a martini across the room…’ If that line, the first sentence in the first Matt Helm novel by Donald Hamilton, had been the only sentence in the book, […]

Soulless and The Waters of Modern Horror Writing

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At Teleport City, Keith Allison reviewins Gail Carriger’s Soulless and slowly wades into “the waters of modern horror writing”. “An entire ocean of literature that teaches young kids that weird, spooky, awkward, and different people are awesome? I can deal with that.”

“The Poet of Poop”

Gutter friends Todd Stadtman and Keith Allison are quoted in Shaikh Ayaz’ Open Magazine article about Indian filmmaker, Joginder, “The Poet of Poop.” “You need a special sort of brain to invent the lota dance, or potty rap, as it is known in somewhat better civilised parts of the world. And Joginder, according to his […]

The Monster in Me

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I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

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  • Of Note Elsewhere

    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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    At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your own tiny gay face: Stormer and Kimber from Jem are truly, outrageously, canonically queer….This is good news. Great news. But it’s not really news news. Of course Stormer and Kimber are gay. They’ve been in love since 1987!”

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