The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

CG Round-Up

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Screen Editor Alex’s latest piece for the Gutter is one of RogerEbert.com’s daily Thumbnails. Meanwhile, at the Alcohol Professor, SF/F Editor Keith writes about the Stonewall Inn, aka, “The Bar That Launched Pride.”

“Deadly Art of Survival”

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The Gutter’s own Keith writes about No Wave, Black cinema, ninjas, kung fu, cultural sharing, cultural appropriation, music and New York in a piece on The Deadly Art of Survival for Teleport City. “Its curious place in the history of cinema, for instance, [is] as this weird amalgamation of no wave, black cinema, and martial […]

“He Strikes Like A Ball Of Thunder!”

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The Gutter’s own Keith writes about Lightning Bolt for The Gentleman’s Guide to Midnite Cinema. “Imagine Sean Connery asking Robert Shaw how much money he’d need not to kill Bond, then saying, ‘OK, mind if I write you a check?’”

Killers’ Style

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The Gutter’s own Keith has started a new side project, Killers’ Style, exploring the style of well-dressed villains. His first post is a look at Hannibal Lecter’s full Windsor knot.

“On The Trail Of The Golem”

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The Gutter’s own Keith tracks the story of Rabbi Loew and the Golem–with some dips into alchemy and art–through Prague.  “So how did Rabbi Loew’s name become associated with the legend of the golem? Well, it’s no surprise, really, given how much weird, wizardy stuff is already attributed to him. It seems more or less […]

Karel Zeman Galleries

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The Gutter’s Own Keith has posted galleries of charming and wondrous images from Czech animator Karel Zeman’s films: Cesta do Praveku / Journey to the Beginning of Time;  Vynalez Zkazy / The Fabulous World of Jules Verne; and  Baron Prasil / The Fabulous World of Baron Munchausen; Ukradená vzducholod / The Stolen Airship; and,  Na […]

The Prague Museum of Communism

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At Teleport City, The Gutter‘s own Keith Allison continues to share his adventures in Prague. This time, he visits the Prague Museum of Communism.

“The Fleming Files”

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At Teleport City, The Gutter‘s own Keith examines Ian Fleming’s historical and fictional lives in espionage. “There were many British celebrities who dabbled to some degree or other in intelligence work during the war: Fleming, of course, but also entertainer Noel Coward[,] occult fiction author Dennis Wheatley, even notorious Ordo Templi Orientis leader Aleister Crowley […]

“Prague Museum of Medieval Torture Instruments”

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At Teleport City, The Gutter’s Own Keith Allison has a gallery of photographs from Prague’s Museum Of Medieval Torture Instruments.

Gutter Editors On Other Sites!

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SF/F Editor Keith writes about Anchor Distilling for The Alchohol Professor.  Comics Editor Carol shares her Best Comics of 2013 at Popshifter. And The Cultural Gutter is a proud member of The Mysterious Order of the Skeleton Suit (MOSS) and MOSS has a shiny new site where you can enjoy all the MOSS member articles […]

Haunted History

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Just in time for Halloween, The Gutter’s own Keith Allison explores haunted history in New York City; Louisville, KY; Centralia, PA; London, UK; and Sydney, Australia at his website, Teleport City.

“Death of a Citizen, Birth of an Agent”

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At Teleport City, The Gutter’s own Keith writes a four-part series about the adaptation of Donald Hamilton’s Matt Helm from his novels to film. “’I was taking a martini across the room…’ If that line, the first sentence in the first Matt Helm novel by Donald Hamilton, had been the only sentence in the book, […]

Soulless and The Waters of Modern Horror Writing

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At Teleport City, Keith Allison reviewins Gail Carriger’s Soulless and slowly wades into “the waters of modern horror writing”. “An entire ocean of literature that teaches young kids that weird, spooky, awkward, and different people are awesome? I can deal with that.”

“The Poet of Poop”

Gutter friends Todd Stadtman and Keith Allison are quoted in Shaikh Ayaz’ Open Magazine article about Indian filmmaker, Joginder, “The Poet of Poop.” “You need a special sort of brain to invent the lota dance, or potty rap, as it is known in somewhat better civilised parts of the world. And Joginder, according to his […]

The Monster in Me

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I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

John vs. Patrick vs. Carol

John Perkins interviews the Gutter’s Comics Editor and Evil Overlord, Carol on the John vs. Patrick Podcast. There’s some talk of Gutter history and a warning that you don’t want to mess with Romance Editor Chris, she will cut you.

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  • Of Note Elsewhere

    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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    Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

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    The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard a bird in my back yard (it was the first time I heard that kind of sound and I never have since then. I felt like it was predicting something. So I wanted to write about it). The next thing was cooking spaghetti – these are things that happen to me! I was cooking spaghetti, and somebody call. So I had just these two things at the start. Two years I kept on writing. It’s fun! I don’t know what’s going to happen next, every day. I get up, go to the desk, switch on the computer, etc. and say to myself: ‘so what’s going to happen today?’ It’s fun!”

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