The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Halloween At The Gutter

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At Teleport City, the Gutter’s own Keith is sharing Haunted History. Meanwhile, at her personal site, the Gutter’s own Carol is doing her version of 31 Days Of Horror: Part 1, Part 2 and Part 3. Like this:Like Loading…

The Gangs of Wasseypur

The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The […]

CG Round-Up

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Screen Editor Alex’s latest piece for the Gutter is one of RogerEbert.com’s daily Thumbnails. Meanwhile, at the Alcohol Professor, SF/F Editor Keith writes about the Stonewall Inn, aka, “The Bar That Launched Pride.” Like this:Like Loading…

“Deadly Art of Survival”

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The Gutter’s own Keith writes about No Wave, Black cinema, ninjas, kung fu, cultural sharing, cultural appropriation, music and New York in a piece on The Deadly Art of Survival for Teleport City. “Its curious place in the history of cinema, for instance, [is] as this weird amalgamation of no wave, black cinema, and martial […]

“He Strikes Like A Ball Of Thunder!”

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The Gutter’s own Keith writes about Lightning Bolt for The Gentleman’s Guide to Midnite Cinema. “Imagine Sean Connery asking Robert Shaw how much money he’d need not to kill Bond, then saying, ‘OK, mind if I write you a check?’” Like this:Like Loading…

Killers’ Style

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The Gutter’s own Keith has started a new side project, Killers’ Style, exploring the style of well-dressed villains. His first post is a look at Hannibal Lecter’s full Windsor knot. Like this:Like Loading…

“On The Trail Of The Golem”

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The Gutter’s own Keith tracks the story of Rabbi Loew and the Golem–with some dips into alchemy and art–through Prague.  “So how did Rabbi Loew’s name become associated with the legend of the golem? Well, it’s no surprise, really, given how much weird, wizardy stuff is already attributed to him. It seems more or less […]

Karel Zeman Galleries

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The Gutter’s Own Keith has posted galleries of charming and wondrous images from Czech animator Karel Zeman’s films: Cesta do Praveku / Journey to the Beginning of Time;  Vynalez Zkazy / The Fabulous World of Jules Verne; and  Baron Prasil / The Fabulous World of Baron Munchausen; Ukradená vzducholod / The Stolen Airship; and,  Na […]

The Prague Museum of Communism

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At Teleport City, The Gutter‘s own Keith Allison continues to share his adventures in Prague. This time, he visits the Prague Museum of Communism. Like this:Like Loading…

“The Fleming Files”

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At Teleport City, The Gutter‘s own Keith examines Ian Fleming’s historical and fictional lives in espionage. “There were many British celebrities who dabbled to some degree or other in intelligence work during the war: Fleming, of course, but also entertainer Noel Coward[,] occult fiction author Dennis Wheatley, even notorious Ordo Templi Orientis leader Aleister Crowley […]

“Prague Museum of Medieval Torture Instruments”

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At Teleport City, The Gutter’s Own Keith Allison has a gallery of photographs from Prague’s Museum Of Medieval Torture Instruments. Like this:Like Loading…

Gutter Editors On Other Sites!

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SF/F Editor Keith writes about Anchor Distilling for The Alchohol Professor.  Comics Editor Carol shares her Best Comics of 2013 at Popshifter. And The Cultural Gutter is a proud member of The Mysterious Order of the Skeleton Suit (MOSS) and MOSS has a shiny new site where you can enjoy all the MOSS member articles […]

Haunted History

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Just in time for Halloween, The Gutter’s own Keith Allison explores haunted history in New York City; Louisville, KY; Centralia, PA; London, UK; and Sydney, Australia at his website, Teleport City. Like this:Like Loading…

“Death of a Citizen, Birth of an Agent”

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At Teleport City, The Gutter’s own Keith writes a four-part series about the adaptation of Donald Hamilton’s Matt Helm from his novels to film. “’I was taking a martini across the room…’ If that line, the first sentence in the first Matt Helm novel by Donald Hamilton, had been the only sentence in the book, […]

Soulless and The Waters of Modern Horror Writing

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At Teleport City, Keith Allison reviewins Gail Carriger’s Soulless and slowly wades into “the waters of modern horror writing”. “An entire ocean of literature that teaches young kids that weird, spooky, awkward, and different people are awesome? I can deal with that.” Like this:Like Loading…

“The Poet of Poop”

Gutter friends Todd Stadtman and Keith Allison are quoted in Shaikh Ayaz’ Open Magazine article about Indian filmmaker, Joginder, “The Poet of Poop.” “You need a special sort of brain to invent the lota dance, or potty rap, as it is known in somewhat better civilised parts of the world. And Joginder, according to his […]

The Monster in Me

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I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

John vs. Patrick vs. Carol

John Perkins interviews the Gutter’s Comics Editor and Evil Overlord, Carol on the John vs. Patrick Podcast. There’s some talk of Gutter history and a warning that you don’t want to mess with Romance Editor Chris, she will cut you. Like this:Like Loading…

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  • Of Note Elsewhere

    Dr. Nerdlove takes a brief break from helping the nerd get the girl to address something that’s been bugging him. “Pardon me while I go off on a bit of a media criticism/ rant here. So I’ve been enjoying the *hell* out of The Flash lately except for one thing: Iris Allen. Her character is screen death; every time she’s around, everything comes to a screeching halt.

    The problem is: it’s not her fault, it’s the writers. Rather like Laurel Lance in the first two seasons of Arrow, she has Lois Lane syndrome. Her (like Laurel and Lois) entire character arc is based around being ignorant of events that literally everyone else in her life is aware of.”

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    Get your own copy of the Satanic Temple’s The Satanic Children’s Big Book of Activities!

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    At The Atlantic, Ta-Nehisi Coates writes about Dr. Doom: “Comics are so often seen as the province of white geeky nerds. But, more broadly, comics are  the literature of outcasts, of pariahs, of Jews, of gays, of blacks. It’s really no mistake that we saw ourselves in Doom, Magneto or Rogue.”

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    Actor Ken Takakura has died. Takakura starred in films such as Brutal Tales of Chivalry (1965); Red Peony Gambler (1968); Miyamoto Musashi: Duel at Ichijoji (1955) and Miyamoto Musashi: Duel at Ganryu Island (1956); as well as in co-productions like The Yakuza (1974); The Bullet Train (1975); Black Rain (1989) and Riding Alone For Thousands Of Miles (2005).  The Japan Times, The South China Morning Post and The AV Club have obituaries. Japan Subculture has an interview with Takakura. Here Takakura sings the theme to Abhashiri Prison (1965)

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    Producer, writer and director Glen A. Larson has died. Larson was responsible for creating tv series such as Battlestar Galactica, Magnum P.I, Knight Rider, The Fall Guy, Quincy M.E., The Hardy Boys/Nancy Drew Mysteries and Buck Rogers In The 25Th Century, about which the Gutter’s own Keith wrote here. The New York Times, The Hollywood Reporter and The AV Club have obituaries. Watch Larson’s interview from 2010 at “Battlestar Galactica: The Exhibition”.

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    At Re/Action, Maddy Myers writes about how important the Metroid franchise, in both game and manga form, and its protagonist, Samus Aran, were to her. “Samus still represents a breakthrough. She first took off her armor to reveal a woman’s form back in 1986, the year that I was born. Samus and I grew up separately, kindred spirits who did not find one another until 2007. A best friend, a fraternal twin sister, a clone separated at birth. Or so I felt, as I let myself slip behind that visor. I wasn’t Samus myself – not yet. I stood behind her, hanging back. Did I dare? Did I dare pretend, role-play, allow myself to act as Samus? Could I be that cool?”

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