The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Glass Cages”


At her blog, photographer Lisa Stock talks about her latest image, “Glass Cages,” which puts the artist in a scene from King Kong (1933). See more of her work at InByTheEye. “Are you the beast, the beauty or the bird? What cage are you in? It’s an endless Escher-like loop, but one worth the question.”

King Kong vs. Donkey Kong


Comic Book Resources has the history of Universal’s suit against Nintendo or… King Kong vs. Donkey Kong!

RIP, Lorenzo Semple


Screenwriter and creator of the Sixties Batman television series Lorenzo Semple has died. Besides Batman, Gutter readers might know Semple best from his screenplays for, The Parallax View, Flash Gordon (1980), Papillon, The Drowning Pool, Never Say Never Again, Sheena, and King Kong (1976). The Los Angeles Times,  The Hollywood Reporter and Comics Alliance have […]

“Andrew Hughes: A Life In Japanese Pictures”

“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]

RIP, Carlo Rambaldi

Special effects master Carlo Rambaldi has died. Rambaldi is probably most famous for his work in ET, The Extraterrestrial; Alien; and Dune, but Rambaldi also worked extensively for Mario Bava. The New York Times has an obituary. Here are a video homage, another by Il Centro Sperimentale di Cinematografia di Roma and a clip of […]

The History and Art of the Title Sequence

A couple of looks at the art and history of film title sequences.

80 Years of Genre Snubs

Horror movies are celebrating their hundredth year in 2010, with the anniversary of the 1910 Edison Lab’s production of Frankenstein.  Bloody Disgusting catalogs “some of the biggest…genre snubs in Oscar history, in Part Four of B-D’s ‘100 Years in Horror’ series.”

RIP, Dino De Laurentiis

Dino De Laurentiis has died at 91 after a long and incredibly varied career directing and producing movies such as Danger: Diabolik, Barbarella, Death Wish, Serpico, La Strada, Conan the Barbarian, Flash Gordon, Blue Velvet and Army of Darkness. The Guardian has an obituary and overview of his career in clips.

The United Monster Talent Agency

Movietone News: The United Monster Talent Agency helps bring monsters to a screen near you!

Let There Be Monsters


An underground monster that can’t see, but senses your steps via vibrations. A giant ape that falls in love with a woman and fights lots of dinosaurs. And a hellish creature that fights on the side of humanity against mechanical armies and wayward elves. What do these have in common? I interrupt this critical essay […]

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  • Of Note Elsewhere

    In a 1988 Sight And Sound interview, Patricia Highsmith talks about film adaptations of her novels, from Strangers On A Train (1950) to The American Friend (1977)


    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


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