The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Glass Cages”

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At her blog, photographer Lisa Stock talks about her latest image, “Glass Cages,” which puts the artist in a scene from King Kong (1933). See more of her work at InByTheEye. “Are you the beast, the beauty or the bird? What cage are you in? It’s an endless Escher-like loop, but one worth the question.” […]

King Kong vs. Donkey Kong

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Comic Book Resources has the history of Universal’s suit against Nintendo or… King Kong vs. Donkey Kong! Like this:Like Loading…

RIP, Lorenzo Semple

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Screenwriter and creator of the Sixties Batman television series Lorenzo Semple has died. Besides Batman, Gutter readers might know Semple best from his screenplays for, The Parallax View, Flash Gordon (1980), Papillon, The Drowning Pool, Never Say Never Again, Sheena, and King Kong (1976). The Los Angeles Times,  The Hollywood Reporter and Comics Alliance have […]

“Andrew Hughes: A Life In Japanese Pictures”

“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]

RIP, Carlo Rambaldi

Special effects master Carlo Rambaldi has died. Rambaldi is probably most famous for his work in ET, The Extraterrestrial; Alien; and Dune, but Rambaldi also worked extensively for Mario Bava. The New York Times has an obituary. Here are a video homage, another by Il Centro Sperimentale di Cinematografia di Roma and a clip of […]

The History and Art of the Title Sequence

A couple of looks at the art and history of film title sequences. Like this:Like Loading…

80 Years of Genre Snubs

Horror movies are celebrating their hundredth year in 2010, with the anniversary of the 1910 Edison Lab’s production of Frankenstein.  Bloody Disgusting catalogs “some of the biggest…genre snubs in Oscar history, in Part Four of B-D’s ‘100 Years in Horror’ series.” Like this:Like Loading…

RIP, Dino De Laurentiis

Dino De Laurentiis has died at 91 after a long and incredibly varied career directing and producing movies such as Danger: Diabolik, Barbarella, Death Wish, Serpico, La Strada, Conan the Barbarian, Flash Gordon, Blue Velvet and Army of Darkness. The Guardian has an obituary and overview of his career in clips. Like this:Like Loading…

The United Monster Talent Agency

Movietone News: The United Monster Talent Agency helps bring monsters to a screen near you! Like this:Like Loading…

Let There Be Monsters

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An underground monster that can’t see, but senses your steps via vibrations. A giant ape that falls in love with a woman and fights lots of dinosaurs. And a hellish creature that fights on the side of humanity against mechanical armies and wayward elves. What do these have in common? I interrupt this critical essay […]

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    “sometimes, we all get down

    sometimes, we all need to do something nice for ourselves

    sometimes, we all need to play dungeons and dragons with action star vin diesel.”

    Click here for the download. (via @popshifter)

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    Make-up artist Lucia Pittalis transforms herself into Rambo, Walter White, Bette Davis, Iggy Pop and many more.

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    There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1.

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    This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.”

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    Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

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    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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